Star Trek: First Contact | ||||
---|---|---|---|---|
Film score by | ||||
Released | December 2, 1996 | |||
Recorded | October 14–18, 1996 | |||
Studio | Paramount Scoring Stage, Paramount Pictures Studios, Hollywood, Los Angeles | |||
Genre | Film score | |||
Length | 50:45 | |||
Label | GNP Crescendo | |||
Producer | Jerry Goldsmith | |||
Star Trek soundtracks chronology | ||||
| ||||
Jerry Goldsmith chronology | ||||
|
The music to the 1996 science fiction film Star Trek: First Contact is composed by Jerry Goldsmith, in his third Star Trek film after The Motion Picture (1979) and The Final Frontier (1989). The film, directed by Jonathan Frakes, is based on the television series The Next Generation and the eighth Star Trek film overall. Goldsmith composed and recorded most of the cues in a short span of time with assistance from his son Joel Goldsmith, who in-turn had written few cues and additional music based on his father's motifs. The score was released by GNP Crescendo Records on December 2, 1996.
Goldsmith wrote a main title that begins with Alexander Courage's Star Trek fanfare, a norm with Star Trek films. [1] He composed a pastoral theme linked to humanity's hopeful first contact, consisting of a four-note motif, that he used The Final Frontier score. [2] This motif is previously used in First Contact as a friendship theme and general thematic link. [2] To represent Borg, he wrote a menacing march with the addition of synthesizers. Besides composing new music, Goldsmith used his main theme and the Klingon theme from The Motion Picture, the latter was used to represent Worf. [1] [3]
Because of delays with Paramount's The Ghost and the Darkness , the already-short four-week production schedule was cut to just three weeks. While producer Rick Berman was concerned above the move, [4] Goldsmith recruited his son Joel to assist him and complete the score in a short span of time. [5] Joel provided additional music for the film, writing three cues based on his father's motifs and a total of 22 minutes of music he composed for the film. [3] [1] He used variations of Borg's and Klingon's theme as Worf fights hand-to-hand. [6] When the Borg invade sickbay and the medical hologram distracts them, Joel wrote a cue that tuned strings and clarinet, resembling Aaron Copland's musical style, but the cue was unused. While Joel composed many of the film's action cues, his father contributed to the spacewalk and Phoenix flight sequences. During the fight on the deflector dish, Goldsmith used low-register electronics punctuated by stabs of violent, dissonant strings. [6]
The score was recorded at the Paramount Scoring Stage at Paramount Pictures Studios in Hollywood, Los Angeles from October 14–18, 1996. [1]
The First Contact soundtrack was released by the independent label GNP Crescendo Records—which distributed all of the Star Trek film and television soundtracks—on December 2, 1996, [7] [8] The album contained 51 minutes of music, with 35 minutes of Jerry Goldsmith's score, 10 minutes of additional music by Joel Goldsmith, and two licensed songs—Roy Orbison's "Ooby Dooby" and Steppenwolf's "Magic Carpet Ride". The incorporation of licensed music in film, was against the norm in Star Trek film traditions; according to GNP's president Neil Norman explained that the decision to include the tracks was controversial but said that "Frakes did the most amazing job of integrating those songs into the story that we had to use them". [7] The compact disc shipped with CD-ROM features only accessible if played on a personal computer, [9] including interviews with Berman, Frakes, and Goldsmith. [7]
No. | Title | Artist(s) | Length |
---|---|---|---|
1. | "Main Title / Locutus" (additional music by Joel Goldsmith) | 4:17 | |
2. | "Red Alert" | 2:13 | |
3. | "Temporal Wake" | 2:07 | |
4. | "Welcome Aboard" | 2:40 | |
5. | "Fully Functional" | 3:18 | |
6. | "Retreat" | 3:59 | |
7. | "Evacuate" | 2:19 | |
8. | "39.1 Degrees Celsius" | 4:44 | |
9. | "The Dish" | 7:05 | |
10. | "First Contact" | 5:52 | |
11. | "End Credits" | 5:24 | |
12. | "Magic Carpet Ride" | Steppenwolf | 4:25 |
13. | "Ooby Dooby" | Roy Orbison | 2:22 |
Total length: | 50:45 |
Star Trek: First Contact (Complete Score) | |
---|---|
Film score by Jerry Goldsmith and Joel Goldsmith | |
Released | April 2, 2012 |
Genre | Film score |
Length | 77:29 |
Label | GNP Crescendo |
Producer | Jerry Goldsmith |
On April 2, 2012, GNP Crescendo Records announced a limited-edition collector's CD pressed to 10,000 copies. It features the complete score by Jerry Goldsmith with additional music by his son Joel, newly remastered by recording engineer Bruce Botnick, with an accompanying 16-page booklet including informative notes by Jeff Bond and John Takis. The expanded album [GNPD 8079] runs 79 minutes and includes three tracks of alternates. It does not include the two songs as heard in the film. [10]
No. | Title | Music | Length |
---|---|---|---|
1. | "Main Title/Locutus" |
| 4:16 |
2. | "How Many Ships" | Jerry Goldsmith | 0:28 |
3. | "Battle Watch" | Joel Goldsmith | 1:10 |
4. | "Red Alert" | Jerry Goldsmith | 2:13 |
5. | "Temporal Wake" | Jerry Goldsmith | 2:07 |
6. | "Shields Down" | Jerry Goldsmith | 1:45 |
7. | "The Phoenix" | Joel Goldsmith | 1:00 |
8. | "They're Here" | Joel Goldsmith | 0:25 |
9. | "39.1 Degrees Celsius" | Joel Goldsmith | 4:45 |
10. | "Search for the Borg" | Joel Goldsmith | 1:50 |
11. | "Retreat" | Joel Goldsmith | 3:59 |
12. | "No Success" | Jerry Goldsmith | 1:31 |
13. | "Borg Montage" | Joel Goldsmith | 1:02 |
14. | "Welcome Aboard" | Jerry Goldsmith | 2:40 |
15. | "Stimulation" | Jerry Goldsmith | 1:04 |
16. | "Smorgasborg" | Joel Goldsmith | 1:28 |
17. | "Getting Ready" | Jerry Goldsmith | 1:33 |
18. | "Fully Functional" | Jerry Goldsmith | 3:19 |
19. | "The Dish" | Jerry Goldsmith | 7:06 |
20. | "Objection Noted" | Jerry Goldsmith | 1:54 |
21. | "Not Again" | Jerry Goldsmith | 2:41 |
22. | "Evacuate" | Jerry Goldsmith | 2:20 |
23. | "New Orders/All the Time" | Jerry Goldsmith | 3:49 |
24. | "Flight of the Phoenix" | Joel Goldsmith | 6:20 |
25. | "First Contact" | Jerry Goldsmith | 6:00 |
26. | "End Credits" | Jerry Goldsmith | 5:26 |
27. | "The Phoenix" (alternate) | Joel Goldsmith | 1:07 |
28. | "Borg Montage" (alternate) | Jerry Goldsmith | 1:17 |
29. | "Main Title" (alternate) | Jerry Goldsmith | 2:54 |
Total length: | 77:29 |
Christian Clemmensen of Filmtracks.com wrote "Star Trek: First Contact is a consistent score with outstanding cohesion, but a handful of questionable thematic attributes outside of the Borg material restrict its ambitions." [11] Craig Lysy of Movie Music UK called it as "one of Jerry Goldsmith’s finest Star Trek scores and offers enduring testimony to his genius as a film score composer as well as his innate understanding of the Star Trek universe." [12]
John Tenuto of TrekMovie.com wrote "Listening to tracks for the first time without the effects and dialog give listeners a better appreciation for Goldsmith's genius." [13] Gregory Heaney of AllMusic wrote "While die-hard fans of the series more than likely already own the first release of the score, the complete edition is a must-hear for fans of Goldsmith's work for the sci-fi series." [14] Reviewing for Den of Geek , Alex Carter summarized that "The main theme is a wonderful, yearning pastoral number that underlines the historical significance of the titular first contact, but the instrumentation makes it almost militaristic at the same time." [15]
Credits adapted from CD liner notes [16]
Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes in his feature film debut. It is the eighth movie of the Star Trek franchise, and the second starring the cast of the television series Star Trek: The Next Generation. In the film, the crew of the starship USS Enterprise-E travel back in time from the 24th century to the 21st century to stop the cybernetic Borg from conquering Earth by changing the past.
Star Trek: Insurrection is a 1998 American science fiction film directed by Jonathan Frakes. It is the ninth film in the Star Trek film series, as well as the third to star the cast of Star Trek: The Next Generation, with F. Murray Abraham, Donna Murphy, and Anthony Zerbe appearing in main roles. Frakes is also an actor known for playing the Star Trek character William Riker in this film and in Star Trek: The Next Generation. In the film, the crew of the USS Enterprise-E rebels against Starfleet command after they discover a conspiracy with a species known as the Son'a to steal the peaceful Ba'ku's planet for its rejuvenating properties.
Jerrald King Goldsmith was an American composer, with a career in film and television scoring that spanned nearly 50 years and over 200 productions, between 1954 and 2003. He was considered one of film music's most innovative and influential composers. He was nominated for eighteen Academy Awards, six Grammy Awards, five Primetime Emmy Awards, nine Golden Globe Awards, and four British Academy Film Awards.
James Roy Horner was an American film composer. He worked on more than 160 film and television productions between 1978 and 2015. He was known for the integration of choral and electronic elements alongside traditional orchestrations, and for his use of motifs associated with Celtic music.
Alexander Mair Courage Jr. familiarly known as "Sandy" Courage, was an American orchestrator, arranger, and composer of music, primarily for television and film. He is best known as the composer of the theme music for the original Star Trek series.
Brian Theodore Tyler is an American composer, conductor and arranger, best known for his film, television, and video game scores. In his 26-year career, Tyler has scored seven installments of the Fast & Furious franchise, Rambo, Eagle Eye, The Expendables trilogy, Iron Man 3, Now You See Me, Avengers: Age of Ultron alongside Danny Elfman, Crazy Rich Asians and The Super Mario Bros. Movie among others. He also composed and re-arranged the current fanfare of the Universal Pictures logo, originally composed by Jerry Goldsmith, for Universal Pictures' 100th anniversary, which debuted with The Lorax (2012), and composed the 2013–2016 Marvel Studios logo, which debuted with Thor: The Dark World (2013), which he also composed the film's score. He composed the NFL Sunday Countdown Theme for ESPN, the Formula One theme, and the anthem for the Esports World Cup. He is also behind the soundtrack of many television series including Yellowstone. For his work as a film composer, he won the IFMCA Awards 2014 Composer of the Year.
Ronald Neal Jones is an American composer. He has composed music for various television shows like Star Trek: The Next Generation, DuckTales, American Dad!, and Family Guy. Along with the creator of The Fairly OddParents, Butch Hartman, he composed the show's theme song and music for its episodes. He currently resides in Stanwood, Washington, where he owns Sky Muse studios, a recording facility designed for music recording and post-production.
Star Trek Into Darkness: Music from the Motion Picture is a soundtrack album for the 2013 film, Star Trek Into Darkness, composed by Michael Giacchino. The score was recorded over seven sessions at the Sony Scoring Stage in Culver City, California, on March 5–9 and April 2 and 3, 2013. It was performed by the Hollywood Studio Symphony in conjuncture with Page LA Studio Voices. The soundtrack album was released in physical form on May 21, 2013, through Varèse Sarabande, as the follow-up to the critically successful 2009 soundtrack album Star Trek.
Star Trek: Nemesis – Music from the Original Motion Picture Soundtrack is a soundtrack album for the 2002 film, Star Trek: Nemesis, composed by Jerry Goldsmith. Released on December 10, 2002 through Varèse Sarabande, the soundtrack features fourteen tracks of score at a running time just over forty-eight minutes, though bootleg versions containing the entire score have since been released. A deluxe edition soundtrack limited to 5000 copies was released on January 6, 2014 by Varèse Sarabande.
Star Trek: The Ultimate Voyage is a multimedia concert experience featuring music and video footage from Star Trek motion pictures, television series, and video games in honor of franchise's 50th anniversary. The initial concert tour from 2015 to 2016 performed in 100 cities in North America and Europe and generally received positive reviews. The concerts series was produced by CineConcerts, a production company specializing in live music experiences performed with visual media.
The music to the 1979 American science fiction film Star Trek: The Motion Picture featured musical score composed by Jerry Goldsmith, beginning his long association with the Star Trek film and television. Influenced by the romantic, sweeping music of Star Wars by John Williams, Goldsmith created a similar score, with extreme cutting-edge technologies being used for recording and creating the sound effects. The score received critical acclaim and has been considered one of Goldsmith's best scores in his career.
The Mummy (Original Motion Picture Soundtrack) is the soundtrack to the 1999 film The Mummy directed by Stephen Sommers. The film score is composed by Jerry Goldsmith which utilizes traditional orchestral music and native instruments. The 15-track score album was released under the Decca Records label on May 4, 1999, while a special edition album that consisted of previously unreleased material was released through Intrada Records on July 17, 2018. The score was positively reviewed and highlighted as one of Goldsmith's best scores in his career.
Star Trek II: The Wrath of Khan is a 1982 science fiction film directed by Nicholas Meyer, based on the television series Star Trek and is the second film in the Star Trek film series, following Star Trek: The Motion Picture (1979). The film is scored by James Horner, in his first major film score he composed in his career. He was selected after sorting numerous composers, in place of Jerry Goldsmith, who scored the predecessor and was not considered because of the film's reduced budget. Horner produced a modernistic sound over the John Williams style of epic orchestral film scores for the Star Wars films. According to of Comic Book Resources, his score for Battle Beyond the Stars (1980) served as the inspiration for Wrath of Khan.
Star Trek III: The Search for Spock is the 1984 science fiction film directed by Leonard Nimoy based on the television series Star Trek: The Original Series and the third film in the Star Trek franchise. The film score is composed by James Horner, that served as a continuation from the score of Star Trek II: The Wrath of Khan (1982) with few themes being reworked for this film.
Star Trek IV: The Voyage Home is a 1986 science fiction film directed by Leonard Nimoy based on the television series Star Trek: The Original Series and the fourth film in the Star Trek film series. The film is scored by Leonard Rosenman, who is the third Star Trek film composer after Jerry Goldsmith and James Horner. The score received an Academy Award nomination.
Star Trek V: The Final Frontier is a 1989 science fiction film directed by William Shatner based on the television series Star Trek: The Original Series and the fifth film in the Star Trek film series. Jerry Goldsmith composed the film's musical score after he did the same for Star Trek: The Motion Picture (1979) which was nominated for an Academy Award. The score was positively received, unlike the film, which garnered mixed-to-negative reception.
The music for the 1991 science fiction film Star Trek VI: The Undiscovered Country directed by Nicholas Meyer, based on Star Trek: The Original Series and the sixth film in the Star Trek franchise, features an original score composed by Cliff Eidelman. He produced a darker score that accentuates the film's theme in contrast to the epic themes in previous Star Trek films. The score was well received by critics and led Eidelman to being a prominent composer at that time.
The musical score for the 1994 science fiction film Star Trek Generations is composed by Dennis McCarthy. Generations, the seventh Star Trek film overall, is directed by David Carson and based on the television series Star Trek: The Next Generation, which was also scored by McCarthy. He had to balance the score from the series and film score and emphasize the dramatic writing to compliment the action onscreen. The album was released through the independent label GNP Crescendo Records on November 8, 1994.
Star Trek: Insurrection is the musical score for the 1998 science fiction film of the same name. It is the fourth musical score for a Star Trek film composed by Jerry Goldsmith, following The Motion Picture (1979), The Final Frontier (1989) and First Contact (1996). Insurrection is directed by Jonathan Frakes, based on the television series Star Trek: The Next Generation and is the ninth Star Trek film overall. The album was released through GNP Crescendo Records on December 22, 1998.