Jerrald King Goldsmith was an American composer known for his work in film and television scoring. He composed scores for five films in the Star Trek franchise and three in the Rambo franchise, as well as for films including Logan's Run, Planet of the Apes, Tora! Tora! Tora!, Patton, Papillon, Chinatown, The Omen, Alien, Poltergeist, The Secret of NIMH, Medicine Man, Gremlins, Hoosiers, Total Recall, Basic Instinct, Air Force One, L.A. Confidential, Mulan, and The Mummy. He also composed the fanfares accompanying the production logos used by multiple major film studios, and music for the Disney attraction Soarin'.
James Roy Horner was an American composer of film scores. He worked on over 160 film and television productions between 1978 and 2015, and was the winner of two Academy Awards, among many other accolades. He was known for the integration of choral and electronic elements alongside traditional orchestrations, and for his use of motifs associated with Celtic music.
The music of the Star Wars franchise is composed and produced in conjunction with the development of the feature films, television series, and other merchandise within the epic space opera multimedia franchise created by George Lucas. The music for the primary feature films was written by John Williams. Williams' work on the series included the scores of nine feature films, a suite and several cues of thematic material for Solo and the theme music for the Galaxy's Edge Theme Park. These count among the most widely known and popular contributions to modern film music, and utilize a symphony orchestra and features an assortment of about fifty recurring musical themes to represent characters and other plot elements: one of the largest caches of themes in the history of film music.
Lionheart, also known as Lionheart: The Children's Crusade, is a 1987 adventure film directed by Franklin J. Schaffner and produced by Talia Shire and Stanley O'Toole. Shire's brother, Francis Ford Coppola, initially planned to direct the film but instead opted to be executive producer along with Shire's husband, Jack Schwartzman. The screenplay was written by Menno Meyjes and Richard Outten from a story by Meyjes. The composer Jerry Goldsmith wrote the score. The film was released in August 1987. It was distributed by Orion Pictures.
Star Wars Episode I: The Phantom Menace – Original Motion Picture Soundtrack is the film score to the 1999 film of the same name, composed and conducted by John Williams, and performed by the London Symphony Orchestra, London Voices and the New London Children's Choir with orchestrations provided by Conrad Pope and John Neufeld. The soundtrack album was released by Sony Classical Records on May 4, 1999, two weeks before the film's theatrical release. In anticipation of the long-awaited film, the soundtrack was certified Platinum in the United States where it debuted and peaked on the Billboard 200 at number 3, and certified Gold in the United Kingdom, where it entered the UK album charts at number eight.
Star Wars: Return of the Jedi is the film score to the 1983 film Return of the Jedi, composed and conducted by John Williams and performed by the London Symphony Orchestra. The score was recorded at Abbey Road Studios in London between January and February 1983. Again, John Williams served as producer. Herbert W. Spencer, Thomas Newman and Gordon Langford served as orchestrators. Engineer Eric Tomlinson, music editor Kenneth Wannberg, and record supervisor Lionel Newman again reprised their respective duties. The score earned another Academy Award nomination for Williams. Return of the Jedi, which is the original trilogy's shortest score, was only released on a single-LP instead of a double-set like the Star Wars and The Empire Strikes Back soundtracks before it.
The 2001: A Space Odyssey score is an unused film score composed by Alex North for Stanley Kubrick's 1968 film, 2001: A Space Odyssey.
The Mission is the soundtrack from the film of the same name, composed, orchestrated, conducted and produced by Ennio Morricone. The work combines liturgical chorales, native drumming, and Spanish-influenced guitars, often in the same track, in an attempt to capture the varying cultures depicted in the film. The main theme, "Falls", remains one of Morricone's most memorable pieces, and has been used in numerous commercials since its original release. The Italian song "Nella Fantasia" is based on the theme "Gabriel's Oboe" and has been recorded by multiple artists including, Sarah Brightman, Amici Forever, Il Divo, Russell Watson, Hayley Westenra, Jackie Evancho, Katherine Jenkins, Amira Willighagen and Yasuto Tanaka.
Kingdom of Heaven is the soundtrack to 2005 Ridley Scott motion picture of the same name. The soundtrack was composed, co-orchestrated and conducted by Harry Gregson-Williams, and performed in large part by Gavyn Wright and the London Session Orchestra, and released by Sony Classical on April 26, 2005. It is a medley of choral hymns featuring Catherine Bott and Iestyn Davies, instrumentals and percussions, and full orchestral performances.
Alien Resurrection: Complete Motion Picture Score is the official soundtrack album of the 1997 science fiction film Alien Resurrection. Composed by John Frizzell, the soundtrack features themes such as romance and eroticism. Taking seven months to write and record, Frizzell included strange sound elements such as a gong and rub rods, to create a unique score. It was released on November 11, 1997.
Aliens: Original Motion Picture Soundtrack is the soundtrack album for the 1986 James Cameron film Aliens.
Profondo Rosso is a film soundtrack album for the film of the same name mainly composed and performed by the Italian progressive rock band Goblin, the band's first collaboration with director Dario Argento.
Prometheus: Original Motion Picture Soundtrack is an original motion picture soundtrack album for the 2012 science fiction film, Prometheus. Written by German composer Marc Streitenfeld, the soundtrack also features two supplemental pieces by English composer Harry Gregson-Williams, and it was conducted by Ben Foster.
Star Trek: Nemesis – Music from the Original Motion Picture Soundtrack is a soundtrack album for the 2002 film, Star Trek: Nemesis, composed by Jerry Goldsmith. Released on December 10, 2002 through Varèse Sarabande, the soundtrack features fourteen tracks of score at a running time just over forty-eight minutes, though bootleg versions containing the entire score have since been released. A deluxe edition soundtrack limited to 5000 copies was released on January 6, 2014 by Varèse Sarabande.
Varèse Sarabande is an American record label that is owned by Concord Music, which specializes in film scores and original cast recordings.
Stuart Hancock is a British composer of film, TV and concert music. Hancock is known for having composed the original soundtracks to series 2 of the BBC fantasy series Atlantis, the animated TV adaptation of We're Going On A Bear Hunt and the Netflix comedy horror Crazyhead. He won the BASCA British Composer Award in 2015 for his community song-cycle, Snapshot Songs.
Alien: Covenant is a soundtrack album for the 2017 science fiction film, Alien: Covenant, composed by Jed Kurzel. It was released on May 19, 2017 through Milan Records and Fox Music. A vinyl pressing of the soundtrack was released on July 7, 2017.
The music of the Back to the Future series is composed in conjunction with the development of several feature films and a stage musical, within the Back to the Future franchise created by Robert Zemeckis and Bob Gale. All music in the franchise was composed by American composer Alan Silvestri, with The Musical being co-written with Glen Ballard.
The original score to the 1990 science fiction action film Total Recall directed by Paul Verhoeven, features music composed by Jerry Goldsmith which was recorded with the National Philharmonic Orchestra of London. The album was first released by Varèse Sarabande in 1990s, that does not feature the score in full, and only limited number of cues were present. Subsequent re-releases, however led to expand the full score with Quartet Records publishing the re-issued albums in digital and physical formats.
