Alien 3: Original Motion Picture Soundtrack | ||||
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Soundtrack album by | ||||
Released | June 9, 1992 | |||
Recorded | April–May 1992 | |||
Genre | Classical, avant-garde, modernist, musique concrète, electronic | |||
Length | 47:58 | |||
Label | MCA MCA MCAD-10629 | |||
Producer | Matthias Gohl | |||
Elliot Goldenthal chronology | ||||
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Alien soundtrack chronology | ||||
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The avant-garde Alien 3: Original Motion Picture Soundtrack was written for the motion picture of the same name. Scored by Elliot Goldenthal, it was his first big mainstream score; he described it as an experiment and spent a whole year creating it. [1]
Goldenthal cites the score as one of his six stand-out soundtracks. [2] While creating the score in Los Angeles, the Los Angeles riots of 1992 were going on and he has noted that the wild and tempestuous atmosphere in the city was an influence on the score's dark and visceral sound. [3] [4]
In 1995, the industrial band Front Line Assembly sampled the cue "Agnus Dei" on the track "Infra Red Combat" from the album Hard Wired .
In 2007 the UK dubstep artist Burial sampled the soundtrack in the first track of his album Untrue. [5]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Filmtracks | ![]() ![]() ![]() ![]() ![]() |
Movie-wave.net | ![]() ![]() ![]() ![]() ![]() |
Movie-wave.net said that most of the cues are quite "dissonant" and "bleak" for a casual movie score listener. [8] AllMusic described it as "...mandatory for all serious enthusiasts of film music." [1] [9]
CD 1 The FILM SCORE
CD 2 THE FILM SCORE (Continued)
ALTERNATES
The Original 1992 MCA Album (remastered)
Agnus Dei is the Latin name under which the "Lamb of God" is honoured within Christian liturgies descending from the historic Latin liturgical tradition, including those of Roman Catholicism, Lutheranism and Anglicanism. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer.
Alien 3 (stylized as ALIEN3) is a 1992 American science fiction horror film directed by David Fincher and written by David Giler, Walter Hill, and Larry Ferguson, from a story by Vincent Ward. It stars Sigourney Weaver, reprising her role as Ellen Ripley. It is the third installment of the Alien franchise and led to a sequel, Alien Resurrection (1997).
Elliot Goldenthal is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known for his distinctive style and ability to blend various musical styles and techniques in original and inventive ways. He won the Academy Award for Best Original Score in 2002 for his score to the motion picture Frida, directed by his longtime partner Julie Taymor.
300: Original Motion Picture Soundtrack is the soundtrack to the 2007 film of the same name by Tyler Bates. The album was released by Warner Bros. Records on March 6, 2007, three days before the film opened for public viewing.
Frida is the original soundtrack album, on the Universal label, of the 2002 Academy Award- and Golden Globe Award-winning film Frida starring Salma Hayek, Alfred Molina, Mía Maestro and Ashley Judd. The original score was composed by Elliot Goldenthal. The soundtrack features songs by various artists.
Heat is the soundtrack album to the 1995 film Heat. The score is compiled mostly with Elliot Goldenthal's compositions although there are a variety of other artists featured, including U2/Brian Eno project Passengers, Lisa Gerrard, Moby and Terje Rypdal.
Titus is the original soundtrack to the 1999 motion picture Titus. Elliot Goldenthal wrote the score for the film, an adaptation of Shakespeare's first, and bloodiest, tragedy Titus Andronicus; written and directed by Julie Taymor, Goldenthal's long-time friend and partner. The only non-Goldenthal piece is an old Italian song called "Vivere" performed by Italian singer Carlo Buti.
Elliot Goldenthal scored the soundtrack Demolition Man: The Original Orchestral Score for the movie Demolition Man. It is an example of his off-beat style and use of unconventional techniques in film score, incorporating big brass clashes and complex, dramatic string arrangements.
S.W.A.T. is the soundtrack score for the 2003 action film S.W.A.T., based on the 1970s TV series of the same name, composed by Elliot Goldenthal.
Elliot Goldenthal scored the 1994 film Interview with the Vampire, working again with director and frequent collaborator Neil Jordan.
The score to the psychological thriller In Dreams, by Elliot Goldenthal, is an avant-garde work filled with his trademark techniques and dissonance. Composed in 1999, and working again with frequent collaborator Neil Jordan, it also features songs by Roy Orbison and The Andrews Sisters.
Batman Forever: Original Motion Picture Score Album is a 1995 Grammy-nominated film score album for Batman Forever, composed by Elliot Goldenthal. It was released in conjunction with its soundtrack counterpart. Despite Goldenthal having recorded over 2 hours of music, the soundtrack only had 45 minutes before La-La Land Records released an expanded version in 2012. The score features big brass, strings and discordant noises while maintaining an anthemic sound. Regarding the villainous leitmotifs, Goldenthal said Two-Face features paired notes and doubled beats while being inspired by Russian composers such as Sergei Prokofiev and Dmitri Shostakovich, and Riddler has a sound reminiscent of old science fiction B-movies with a theremin. On the U2 single "Hold Me, Thrill Me, Kiss Me, Kill Me", there is a track titled "Themes from Batman Forever" composed by Goldenthal; this can also be found on the expanded release issued in 2012.
The score to the film Cobb by Elliot Goldenthal was released in 1994.
Elliot Goldenthal's score for the film was nominated for the Academy Award for Best Original Dramatic Score.
Batman & Robin: Music from and Inspired by the "Batman & Robin" Motion Picture is the soundtrack album to the motion picture Batman & Robin (1997).
Juan Darién: A Carnival Mass is a musical with music and lyrics by Elliot Goldenthal and a book by Goldenthal and Julie Taymor. The musical premiered Off-Broadway in 1988 in the former St. Clement's Church. It was subsequently reworked and refined before playing on Broadway in 1996 at the Vivian Beaumont Theatre, directed by Taymor. The musical, based on a modern fable of the same name by Horacio Quiroga, is set in the jungle in South America, with a jaunty skeletal Death ever present. Its story concerns an orphaned jaguar cub who is miraculously transformed into a human child by the compassion of a woman who has lost her own baby; the boy must then confront the savagery of human civilization. The production employs masked actors and puppets, and the score includes elements of Latin American folk music and the Requiem Mass. The piece was revived and toured extensively.
Aliens: Original Motion Picture Soundtrack is the soundtrack album for the 1986 James Cameron film Aliens.
Alien: Original Motion Picture Score came out in 1979 and achieved critical acclaim, being released commercially in multiple forms during the following decades. The iconic, avant-garde score to the film Alien was composed by Jerry Goldsmith and is considered by some to be one of his best, most visceral scores. Rather than focusing on themes, Goldsmith creates a bleak and dissonant soundscape that fits the film's dark and intense atmosphere, with only a few "romantic" cues.
Predator: Original Motion Picture Soundtrack is the official soundtrack album of the 1987 action film Predator. It was composed by Alan Silvestri. The score is completely orchestral and was released in 2003.
Aliens vs. Predator: Requiem is the official soundtrack album of the 2007 science fiction film Aliens vs. Predator: Requiem. It was composed and conducted by Brian Tyler and released on December 11, 2007, by Varèse Sarabande. The score is completely orchestral and incorporates several themes from both the Alien and Predator franchises.