Dune is an original soundtrack album for the 1984 film Dune. Most of the album was composed by the rock band Toto—their first and only film score—but one track was contributed by Brian Eno, Roger Eno and Daniel Lanois. The soundtrack album was first released in November 1984. An extended version with an altered track listing was released in 1997. Both versions are currently out of print on traditional media such as CD but with the increasing popularity of download and streaming services, have gained improved exposure through such channels as iTunes and Spotify.
Elliot Goldenthal is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known for his distinctive style and ability to blend various musical styles and techniques in original and inventive ways. He won the Academy Award for Best Original Score in 2002 for his score to the motion picture Frida, directed by his longtime partner Julie Taymor.
300 is the soundtrack to the 2007 film 300. It was composed by Tyler Bates and was released on March 6, 2007, three days before the film opened for public viewing.
Frida is the original soundtrack album, on the Universal label, of the 2002 Academy Award- and Golden Globe Award-winning film Frida starring Salma Hayek, Alfred Molina, Mía Maestro and Ashley Judd. The original score was composed by Elliot Goldenthal. The soundtrack features songs by various artists.
Pirates of the Caribbean: At World's End is the soundtrack for the Disney movie of the same title, Pirates of the Caribbean: At World's End. It is composed by Hans Zimmer, and features additional music by Lorne Balfe, Tom Gire, Nick Glennie-Smith, Henry Jackman, Atli Örvarsson, John Sponsler, Damon M Marvin and Geoff Zanelli.
The avant-garde Alien 3: Original Motion Picture Soundtrack was written for the motion picture of the same name. Scored by Elliot Goldenthal, it was his first big mainstream score; he described it as an experiment and spent a whole year creating it.
Heat is the soundtrack album to the 1995 film Heat. The score is compiled mostly with Elliot Goldenthal's orchestrations although there are a variety of other artists featured including U2/Brian Eno project Passengers, Lisa Gerrard, Moby and Terje Rypdal.
Titus is the original soundtrack to the 1999 motion picture Titus. Elliot Goldenthal wrote the score for the film, an adaptation of Shakespeare's first, and bloodiest, tragedy Titus Andronicus; written and directed by Julie Taymor, Goldenthal's long-time friend and partner. The only non-Goldenthal piece is an old Italian song called "Vivere" performed by Italian singer Carlo Buti.
S.W.A.T. is the soundtrack score for the 2003 action film S.W.A.T., based on the 1970s TV series of the same name, composed by Elliot Goldenthal.
The Golden Gate score was composed by Elliot Goldenthal in 1993 and released in 1994 for the film Golden Gate.
Elliot Goldenthal scored the 1994 film Interview with the Vampire, working again with director and frequent collaborator Neil Jordan.
The score to the psychological thriller In Dreams, by Elliot Goldenthal, is an avant-garde work filled with his trademark techniques and dissonance. Composed in 1999, and working again with frequent collaborator Neil Jordan, it also features songs by Roy Orbison and The Andrews Sisters.
Batman Forever: Original Motion Picture Score Album is a 1995 Grammy-nominated film score album for Batman Forever, composed by Elliot Goldenthal. It was released in conjunction with its soundtrack counterpart. Despite Goldenthal having recorded over 2 hours of music, the soundtrack only had 45 minutes before La-La Land Records released an expanded version in 2012. The score features big brass, strings and discordant noises while maintaining an anthemic sound. Regarding the villainous leitmotifs, Goldenthal said Two-Face features paired notes and doubled beats while being inspired by Russian composers such as Sergei Prokofiev and Dmitri Shostakovich, and Riddler has a sound reminiscent of old science fiction B-movies with a theremin. On the U2 single "Hold Me, Thrill Me, Kiss Me, Kill Me", there is a track titled "Themes from Batman Forever" composed by Goldenthal; this can also be found on the expanded release issued in 2012.
Elliot Goldenthal's score for the film was nominated for the Academy Award for Best Original Dramatic Score.
Elliot Goldenthal scored the 1997 movie The Butcher Boy; the soundtrack was released in 1998. It marks another collaboration with director Neil Jordan.
Predator: Original Motion Picture Score is the official soundtrack album of the 1987 action film Predator. It was composed by Alan Silvestri. The score is completely orchestral and was released in 2003.
Pacific Rim: Original Motion Picture Soundtrack is the soundtrack to the film of the same name. It was released on digital download from Amazon.com on June 18, 2013, and CD June 25, 2013. The physical version of the soundtrack was released on July 9, 2013, three days before the theatrical release of the film itself.
Logan: Original Motion Picture Soundtrack is the score album to the 2017 film of the same name, featuring the Marvel Comics character Wolverine. It is the tenth installment in the X-Men film series and the third and final installment in the Wolverine trilogy following X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film is directed by James Mangold, and featured musical score composed by Marco Beltrami, having previously worked together in the predecessor.
Minority Report (Original Motion Picture Score) is the score album to the 2002 film of the same name directed by Steven Spielberg. The music was released on June 18, 2002 by DreamWorks Records in CD, vinyl and cassettes. The score was composed and conducted by Spielberg's regular collaborator John Williams, with orchestration done by John Neufeld, Conrad Pope, Eddie Karam and Miriam A. Mayer, and vocal harmonies by Deborah Dietrich.
Die Hard: Original Motion Picture Soundtrack is the soundtrack for John McTiernan's 1988 action film Die Hard starring Bruce Willis, that features an original score composed by Michael Kamen and incorporates diegetic music pieces. It has been critically acclaimed and assessed as one of Kamen's best works in film music and won him a BMI TV/Film Music Award for his work on the score.
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