Designer | William Burges |
---|---|
Date | 1867 |
Made in | London, England |
Materials | Oak, carved, painted and gilt |
Style / tradition | High Victorian Gothic, Pre-Raphaelite |
Sold by | Auberon Waugh |
Collection | The Higgins Art Gallery & Museum, Bedford |
The Narcissus washstand is a piece of painted furniture made by the Victorian architect and designer William Burges in 1867. It was originally made for Burges's set of rooms at Buckingham Street and subsequently moved to his bedroom at The Tower House, the house he designed for himself in Holland Park in London. John Betjeman, later Poet Laureate and a leading champion of the art and architecture of the Victorian Gothic Revival, was left the remaining lease on the Tower House, including some of the furniture, by E. R. B. Graham in 1961. He gave the washstand, which he found in a second-hand shop in Lincoln, to the novelist Evelyn Waugh who featured it in his 1957 novel, The Ordeal of Gilbert Pinfold , mirroring a real-life incident when Waugh, in the grip of bromide poisoning, became convinced that an ornamental tap was missing from the washstand. [1] [2] [lower-alpha 1]
The washstand is part of the collection of The Higgins Art Gallery & Museum in Bedford. The Higgins museum acquired it from Auberon Waugh in 1994 for £240,435, with £50,000 of the purchase price provided by the National Art Collections Fund. [4]
Arthur Evelyn St. John Waugh was an English writer of novels, biographies, and travel books; he was also a prolific journalist and book reviewer. His most famous works include the early satires Decline and Fall (1928) and A Handful of Dust (1934), the novel Brideshead Revisited (1945), and the Second World War trilogy Sword of Honour (1952–1961). He is recognised as one of the great prose stylists of the English language in the 20th century.
Sir John Betjeman was an English poet, writer, and broadcaster. He was Poet Laureate from 1972 until his death. He was a founding member of The Victorian Society and a passionate defender of Victorian architecture, helping to save St Pancras railway station from demolition. He began his career as a journalist and ended it as one of the most popular British Poets Laureate and a much-loved figure on British television.
Gothic Revival is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s.
Castell Coch is a 19th-century Gothic Revival castle built above the village of Tongwynlais in South Wales. The first castle on the site was built by the Normans after 1081 to protect the newly conquered town of Cardiff and control the route along the Taff Gorge. Abandoned shortly afterwards, the castle's earth motte was reused by Gilbert de Clare as the basis for a new stone fortification, which he built between 1267 and 1277 to control his freshly annexed Welsh lands. This castle may have been destroyed in the native Welsh rebellion of 1314. In 1760, the castle ruins were acquired by John Stuart, 3rd Earl of Bute, as part of a marriage settlement that brought the family vast estates in South Wales.
A Handful of Dust is a novel by the British writer Evelyn Waugh. First published in 1934, it is often grouped with the author's early, satirical comic novels for which he became famous in the pre–World War II years. Commentators have, however, drawn attention to its serious undertones, and have regarded it as a transitional work pointing towards Waugh's Catholic postwar fiction.
Mount Stuart House, on the east coast of the Isle of Bute, Scotland, is a country house built in the Gothic Revival style and the ancestral home of the Marquesses of Bute. It was designed by Sir Robert Rowand Anderson for the 3rd Marquess in the late 1870s, replacing an earlier house by Alexander McGill, which burnt down in 1877. The house is a Category A listed building.
Knightshayes Court is a Victorian country house near Tiverton, Devon, England, designed by William Burges for the Heathcoat-Amory family. Nikolaus Pevsner describes it as "an eloquent expression of High Victorian ideals in a country house of moderate size." The house is Grade I listed. The gardens are Grade II* listed in the National Register of Historic Parks and Gardens.
Tudor Revival architecture, also known as mock Tudor in the UK, first manifested in domestic architecture in the United Kingdom in the latter half of the 19th century. Based on revival of aspects that were perceived as Tudor architecture, in reality it usually took the style of English vernacular architecture of the Middle Ages that had survived into the Tudor period. The style later became an influence elsewhere, especially the British colonies. For example, in New Zealand, the architect Francis Petre adapted the style for the local climate. In Singapore, then a British colony, architects such as Regent Alfred John Bidwell pioneered what became known as the Black and White House. The earliest examples of the style originate with the works of such eminent architects as Norman Shaw and George Devey, in what at the time was considered Neo-Tudor design.
William Burges was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement.
The Ordeal of Gilbert Pinfold is a novel by the British writer Evelyn Waugh, first published in July 1957. It is Waugh's penultimate full-length work of fiction, which the author called his "mad book"—a largely autobiographical account of a period of hallucinations caused by bromide intoxication that he experienced in the early months of 1954, recounted through his protagonist Gilbert Pinfold.
The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade I listed building in 1949.
Combe Florey House in Combe Florey, Somerset, England is a country house dating from the early 18th century. It replaced an Elizabethan manor house which was pulled down after the English Civil War. The gatehouse to the original manor survives. In the mid-20th century, the house was home to the writer Evelyn Waugh who died there in 1966 and is buried next to the churchyard of the adjacent Church of St Peter & St Paul. Combe Florey House is a Grade II listed building.
The Golden Bed is a bed designed by the English architect and designer William Burges in 1879 for the guest bedroom of the home that he designed for himself in Holland Park, The Tower House. It is now in the collection of the Victoria & Albert Museum (V&A) in South Kensington. The bed was made by John Walden and carved by Thomas Nicholls. The painting in the central panel of the headboard was executed by Henry Holiday, and the motifs and figures on the bed painted by Fred Weekes. The bed is made from polished hardwood, mahogany and pine.
The Queen Anne Press is a small publisher.
Treverbyn Vean is a 19th-century mansion in St Neot, Cornwall. Its exterior was designed by George Gilbert Scott and its interior by William Burges, two of the major architects of the Gothic Revival. The house is a Grade II* listed building. It remains a private home, although various outbuildings may be rented.
The Zodiac settle is a piece of painted furniture designed by the English architect and designer William Burges and made between 1869 and 1871. A wooden settle designed with Zodiac themes, it was made for Burges' rooms at Buckingham Street, and later moved to the drawing room of The Tower House, the home that he designed for himself in Holland Park. Burges desired to fill his home with furniture "covered with paintings, both ornaments and subjects; it not only did its duty as furniture, but spoke and told a story." At one stage the poet John Betjeman gave the settle to the novelist Evelyn Waugh, and it is now in the collection of The Higgins Art Gallery & Museum in Bedford.
The Red Bed is a piece of painted furniture designed by the English architect and designer William Burges made between 1865 and 1867. Built of mahogany, painted blood red and decorated with imagery of the Sleeping Beauty fairy tale, it was made for Burges's rooms at Buckingham Street, and later moved to his bedroom at The Tower House, the home he designed for himself in Holland Park. Burges wanted to fill his home with furniture decorated with paintings; they served not only their obvious practical purposes, “but spoke and told a story”. After catching a chill while engaged on works for the Marquess of Bute at Cardiff, Burges returned to the Tower House and died in the Red Bed, aged 53, on 20 April 1881.
From 1865 until his death in 1881 the Victorian architect William Burges undertook the reconstruction of Cardiff Castle for his patron, John Crichton-Stuart, 3rd Marquess of Bute. The rebuilding saw the creation of some of the most significant Victorian interiors in Britain.
The statue of John Betjeman at St Pancras railway station, London is a depiction in bronze by the sculptor Martin Jennings. The statue was designed and cast in 2007 and was unveiled on 12 November 2007 by Betjeman's daughter, Candida Lycett Green and the then Poet Laureate Andrew Motion to commemorate Betjeman and mark the opening of St Pancras International as the London terminus of the Eurostar high-speed rail link between Great Britain and mainland Europe. The location memorialises the connection between St Pancras station and Betjeman, an early and lifelong advocate of Victorian architecture.