Narong Prangcharoen

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Narong Prangcharoen (born 23 July 1973) is a Thai composer of contemporary music. His compositions have won him the Guggenheim Fellowship, the Barlow Prize, and the Alexander Zemlinsky International Composition Competition Prize. [1] [2] [3] He is the founder of Thailand International Composition Festival (TICF). [4] Currently, he serves as Dean of the College of Music, Mahidol University in Thailand, [5] as well as composer-in-residence for Thailand Philharmonic Orchestra [6] and Pacific Symphony in Orange County, California. [7] His scores for orchestra and wind ensemble are published exclusively by Theodore Presser Company. [8]

Contents

Biography

Early life

Narong Prangcharoen is originally from the Uttaradit province in northern Thailand. [9] His first experience with classical music took place during the secondary education at Horwang School in Bangkok, where he became a member of the school's wind ensemble playing trumpet. In 1991, he became a music education major at Srinakharinwirot University in 1991. He took some music theory classes with Kit Young, an American composer and pianist who exposed Prangcharoen for the first time to 20th-century music. [10] During his junior year, Prangcharoen turned his focus to piano when he went to Kit Young's piano recital and was fascinated by sonic variety of her contemporary repertoire. He started taking piano lessons with Young and within a year, passed the grade 6 piano examination of the International Examinations Board, Trinity College London. He then became a piano instructor at Chintakarn Music Institute where he met another American pianist, Bennett Lerner, who was the Head of the Piano Department of the Institute and later became Prangcharoen's piano instructor. [11] Under Lerner's instruction, he achieved a Certificate Examination for solo piano from the Guildhall examinations board.

Musical education

Boredom and stress from piano playing triggered Prangcharoen's musical move in 1998. Kit Young suggested him to try composition as an alternative to cope with musical fatigue and introduced him to Narongrit Dhamabutra, a composition professor at Chulalongkorn University. [12] After two years, Prangcharoen pursued a master's program at Illinois State University (ISU) in August 2000. At ISU, he took composition lessons primarily with Stephen Andrew Taylor, who introduced him to post-war serialism and American popular music. [13] But most importantly, Taylor instructed him how to organize effective pitch and rhythmic materials, abilities that became Prangcharoen's most significant compositional tools in setting up and developing his compositional style. In 2002, Prangcharoen attended the Conservatory of Music and Dance at the University of Missouri-Kansas City (UMKC) for a doctoral degree in music composition. His primary composition professor was Chen Yi, who had a great influence on his cross-cultural compositional style. [14]

Career

After receiving the Doctor of Musical Arts (D.M.A.) from UMKC in 2010, he worked as a freelance composer and taught composition and piano at the Community Music and Dance Academy of the UMKC Conservatory of Music and Dance. In 2013, Prangcharoen received the Guggenheim Award, the Barlow Prize, and a three-year composer residency with the Pacific Symphony.

Besides the United States, Prangcharoen has been active in the Asian continent. He has been a guest composer at the Beijing Modern Music Festival in China. [15] In Thailand, he founded the Thailand International Composition Festival (TICF), an annual weeklong summer music festival which had its thirteenth anniversary in 2017, with a purpose to promote the contemporary classical music's scene of Thailand and other Southeast Asian countries. [4]

Compositions

Prangcharoen's music is known for its captivating melodies, effervescent rhythms, brilliant orchestrations, ethereal qualities, and cross-cultural backgrounds. His programmatic Phenomenon for orchestra (2004), in particular, has been praised for its "eventful" [16] and "thrilling" [17] "sonic tour de force" [18] and "vivid and memorable pictorial setting." [19]

Besides Phenomenon, Prangcharoen's most distinguished works include Mantras for soprano saxophone and wind symphony, Whispering for soprano saxophone, bass clarinet, piano, and percussion (2008), and Three Minds for solo piano (2003). His orchestral work Pubbanimitta ("Foreboding") was inspired by climate change and the many resulting natural disasters throughout the world. [20]

Selected works

See the complete list of Prangcharoen's compositions in Pawatchai Suwankangka's dissertation [21]

Awards

Recordings

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References

  1. ↑ "Narong Prangcharoen". John Simon Guggenheim Memorial Foundation. Retrieved 17 August 2017.
  2. ↑ "Prize Recipients". Barlow Endowment for Music Composition at Brigham Young University. Retrieved 17 August 2017.
  3. ↑ "Alexander Zemlinsky Prize for Composition". College-Conservatory of Music, University of Cincinnati. Retrieved 17 August 2017.
  4. 1 2 "About TICF". Thailand International Composition Festival. Retrieved 17 August 2017.
  5. ↑ "Administrative Team". College of Music, Mahidol University. Retrieved 17 August 2017.
  6. ↑ "Composer in Residence". Thailand Philharmonic Orchestra. Retrieved 17 August 2017.
  7. ↑ "Composer-in-Residence". Pacific Symphony. Retrieved 17 August 2017.
  8. ↑ "Narong Prangcharoen". Theodore Presser Company. Retrieved 17 August 2017.
  9. ↑ Chucherdwatanasak, Nathinee. "Narong Prangcharoen and Thai Cross-Cultural Fusion in Contemporary Composition." Master's thesis, University of Missouri-Kansas City, 2014.
  10. ↑ "Kit Young". Alliance for New Music-Theatre. Retrieved 1 March 2014.
  11. ↑ "Bennett Lerner." Music by My Friends. Albany Records TROY 695-96. CD. 2004. Liner notes.
  12. ↑ "Biography". Narongrit.com. Retrieved 17 August 2017.
  13. ↑ "Stephen Taylor". School of Music, University of Illinois at Urbana-Champaign. Retrieved 17 August 2017.
  14. ↑ "Chen Yi". Conservatory, University of Missouri-Kansas City. Archived from the original on 27 August 2016. Retrieved 17 August 2017.
  15. ↑ Tatlow, Didi Kirsten (16 May 2012). "A Chinese Composer Sounds Off About Music and Politics". The New York Times. Retrieved 17 August 2017.
  16. ↑ Smith, Tim. "Carlos Kalmar Makes Welcome Return to BSO Podium". The Baltimore Sun. Retrieved 17 August 2017.
  17. ↑ Kiraly, Philippa. "In Oregon Symphony Visit, Seattle Hears What It's Been Missing". The Sun Break. Archived from the original on 6 May 2013. Retrieved 27 February 2014.
  18. ↑ Jamie. "April 22: Oregon Symphony Brings Beauty and Mystery to Benaroya Hall". The Score: A Blog by Seattle Symphony. Archived from the original on 22 April 2013. Retrieved 27 February 2014.
  19. ↑ McQuillen, James (6 May 2013). "Between Storm Large and Mysterious Fireballs, the Oregon Symphony Gets Incendiary". Oregon Live: The Oregonian. Retrieved 28 February 2014.
  20. ↑ Narong Prangcharoen, Pubbanimitta (King of Prussia, PA: Theodore Press, 2010), composer's note on unnumbered page.
  21. ↑ Suwankangka, Pawatchai. "An Analysis of Narong Prangcharoen's Three Minds for Solo Piano." DMA diss., West Virginia University, 2016.
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