The National Gilbert & Sullivan Opera Company (formerly the Gilbert & Sullivan Opera Company) is an English professional repertory company that performs Gilbert and Sullivan's Savoy operas. Founded in 1995 to perform at the International Gilbert and Sullivan Festival, the company generally stages three or four productions each summer, giving up to 16 performances in Harrogate, North Yorkshire, and also touring.
The company performs full-scale productions of the Gilbert and Sullivan works, with orchestra, using period settings and costumes. Since 2010, in addition to its performances at the festival, the company has generally performed one or more of its productions in an additional venue either before or after the festival. Since 2014, it has toured some of its productions to multiple British cities in repertory, giving up to 42 performances on tour.
The D'Oyly Carte Opera Company performed Gilbert and Sullivan's Savoy Operas continuously, year-round, for over a century, closing in 1982. [1] [2] Until the Gilbert and Sullivan copyrights expired in 1961, no other professional theatre or opera companies were allowed to present the Savoy Operas in Britain, although professional companies performed the operas in North America, Australia and elsewhere, and numerous amateur Gilbert and Sullivan companies performed around the world. After 1961 other professional groups began to perform the operas in Britain. [3] [4]
In 1994, the International Gilbert and Sullivan Festival was founded by Ian and his son Neil Smith partly to fill the gap left by the closure of D'Oyly Carte, and it has been held every August since then in England (except 2020, due to the COVID-19 pandemic). [5] [6] [7] On most weeknights, the festival features a competition among amateur companies from all over the world. [8] [9] On weekends, however, the festival offers professional performances given by companies such as the Carl Rosa Opera Company, Opera della Luna, [7] [10] the New York Gilbert and Sullivan Players, [11] Charles Court Opera, and the festival's own National Gilbert & Sullivan Opera Company. [9]
In 1995, the operators of the International Gilbert and Sullivan Festival formed an opera company to provide festivalgoers with professional productions of the Savoy operas. [12] The company was soon called the Gilbert & Sullivan Opera Company. It engaged such performers as Richard Suart, Simon Butteriss, Bruce Graham, Gillian Knight, Barry Clark, Michael Rayner, Jill Pert, Gareth Jones, [10] Patricia Leonard, Donald Maxwell, Oliver White, Rebecca Bottone, Ian Belsey and the Opera Babes. John Owen Edwards, David Russell Hulme, David Steadman or Andrew Nicklin, among others, have served as music directors for the company. [5] [6] [13] In 2014, the festival registered the company with Companies House as the National Gilbert & Sullivan Opera Company. [14]
The company's performances are accompanied by the festival's National Festival Orchestra. [11] It generally presents four productions each year at the festival, and the festival sells videos of most of its productions. [15] [16] In 2018, in connection with the 25th anniversary of the International G&S Festival, the company presented six productions in Harrogate, Buxton and on tour. [17]
Uniquely among professional companies in Britain, other than D'Oyly Carte, the National Gilbert & Sullivan Opera Company has presented all 13 of the extant Savoy Operas. [15] The company first performed Utopia, Limited in 2011, an opera that has rarely been given a professional staging in Britain over the past century. [18] In 2012 the company mounted the first full-scale professional production of The Grand Duke in Britain since the 19th century, [19] which was one of its four productions that year. [20] Since 2013, the company has given up to 16 performances over the course of the festival at its new home in Harrogate, England. [21] [22] In 2018, the company presented the first professional, fully staged production of Haddon Hall since the 19th century. [23] The company revived Utopia, Limited in 2022, directed by Jeff Clarke and conducted by John Andrews. [24]
In August and September 2010, the G&S Opera Company presented its first production outside of the festival, The Yeomen of the Guard , at Oxford Castle. [25] [26] Two of its 2012 productions were repeated in Harrogate late in August, [27] and all three of its 2013 productions transferred there in late August. [28] The company toured three of its 2014 productions in repertory from June to August 2014, giving seven performances in each of six cities. [29] Since 2015, besides Harrogate, the company has toured its productions to several cities and towns in the UK, [30] [31] including the Festival's previous home, Buxton. [32] After postponing touring during the COVID-19 pandemic, the company resumed touring in 2022. [33]
Sky Arts called the Gilbert & Sullivan Opera Company's performers "some of the UK's finest exponents of musical theatre". [9] A review of the company's 2010 production of Iolanthe , noted, "The music was up to [the festival's] usual high standard, with the orchestra ... giving a superb and sprightly reading of the Overture and score throughout." [34] [35] Another reviewer of that production commented: With a reputation for strong casts [and] energetic delivery, traditionally fresh interpretations are brought to [the] roles. ... Care is always taken with the staging and lighting of these ... productions and, as with Princess Ida last year, they can match a West End show. ... Throughout, the chorus was outstanding. [34] The Daily Telegraph "thoroughly enjoyed [the company's] spirited production" of Utopia, Limited in 2011. [18] A reviewer said of their 2013 production of Princess Ida, "the performance sparkled; singing, acting, costumes, dramatic flow and orchestral playing were all splendid". [36]
A review of the company's 2014 tour praised the direction, choreography and conducting of The Pirates of Penzance and continued: "They are a real find with strong production values, a great orchestra and first class singing. ... It all looks marvellous with picture book settings and eye catching costumes plus a full and energetic cast. ... The chorus work is top notch, and they all come across as individuals." [37] The Birmingham Mail liked the cast, costumes and "infectious" humour of the company's Iolanthe [38] and called its production of The Mikado "superb", praising the principal cast, chorus and orchestra, but was disappointed in "the decision to make the Mikado ... a fun figure rather than a scary ruler." [39] The company's Iolanthe made a Gilbert and Sullivan fan out of a sceptical reviewer. [40] The Daily Express reviewer said that the company provided "glorious musical entertainment". [41] The Northern Echo reviewed the 2015 tour, stating: "This company is so polished, so well-versed in the eccentricities of Gilbert and Sullivan operettas, with excellent singing voices coupled with clear diction ... and comedic skill. ... [A] tuneful, jolly, laugh-out-loud evening’s entertainment. [42] The Manchester Evening News gave the company four out of five stars, admiring its musical and comic polish, dancing and "magnificent" chorus. [32]
In 2017, a reviewer praised the principals and chorus of the company's Mikado production, commenting: "This is giggle-making, girth-busting comic opera at it's[ sic ] very best. Sensational singing with sumptuous scenery." [43] A review of their Princess Ida was likewise effusive. [44] The company's 2019 production of The Gondoliers earned a rave review that praised the principal cast and noted:
... a noticeably fresh and warm chorus sound, tighter and better blended than I’ve heard from the NGSOC before. The choreography (by Mary MacDonagh) is energetic and inventive, and the orchestra, too, sounds smart, full and generally on point. ... [C]onductor Timothy Burke set out as he meant to continue, with considerable energy and finesse. ... [With director John] Savournin’s eye for comic detail ... it’s a lively, funny show, with heart and voice both exactly where they should be. [45]
Post-COVID-19 pandemic, the company earned praise for the direction, conducting and performances in its 2022 revival of Utopia, Liimited. [24] A 2024 review commented, "There is a delicious sense of Victorian values in this performance. ... The National Festival Orchestra plays with real finesse and lyricism, with Murray Hipkin’s direction bringing out many an eloquent detail of Sullivan’s scoring. In short, a treat." [46]
Recordings of the company's productions are sold by the Festival on DVD. [47] Some of the productions are also available on CD. [48]
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.
John Lamb ReedOBE was an English actor, dancer and singer, known for his nimble performances in the principal comic roles of the Savoy Operas, particularly with the D'Oyly Carte Opera Company. Reed has been called "the last great exponent" of the Gilbert and Sullivan comedy roles.
Peter Pratt was an English actor and singer. He was best known for his comic roles in the Gilbert and Sullivan comic operas.
The International Gilbert and Sullivan Festival was founded in 1994 by Ian Smith and his son Neil and is held every summer in England. The two- or three-week Festival of Gilbert and Sullivan opera performances and fringe events attracts thousands of visitors, including performers, supporters, and G&S enthusiasts from around the world. The Festival was held in Buxton, Derbyshire, from 1994 to 2013, and from 2014 to 2022, it was held in Harrogate, North Yorkshire, usually with a week in Buxton preceding the main part of the Festival. The entire Festival returned to Buxton in 2023, where it continues.
The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and since 2013 it has co-produced four of the operas with Scottish Opera.
Kenneth Sandford was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas of Gilbert and Sullivan.
Charles Herbert Workman was a singer and actor best known as a successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas. He was variously credited as Charles H. Workman, C. Herbert Workman and C. H. Workman.
Charles Donald Adams was an English opera singer and actor, best known for his performances in bass-baritone roles of the Savoy operas with the D'Oyly Carte Opera Company and his own company, Gilbert and Sullivan for All.
Gillian Knight is an English opera singer and actress, known for her performances in the contralto roles of the Savoy operas. After six years from 1959 to 1965 starring in these roles with the D'Oyly Carte Opera Company, Knight began a grand opera career.
Thomas Round was an English opera singer and actor, best known for his performances in the leading tenor roles of the Savoy Operas and grand opera.
John Ayldon was an English opera singer and comic actor, best known for his performances in bass-baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company.
Patricia Leonard was an English opera singer, best known for her performances in mezzo-soprano and contralto roles of the Savoy Operas with the D'Oyly Carte Opera Company.
Charles Eric Goulding was a British operatic tenor and actor best known for his performances with the D'Oyly Carte Opera Company in the Gilbert and Sullivan repertory.
Charles Kenningham was an English opera singer and actor best remembered for his roles in the 1890s with the D'Oyly Carte Opera Company.
Pauline Wales was an English singer and actress best known for her performances in the mezzo-soprano roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company.
Julia Goss, was a Scottish singer and actress best known for her performances in the principal soprano roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. She joined that company in 1967, remaining with them until 1979.
Peggy Ann Jones is an English opera singer and actress, best known for her performances in the mezzo-soprano roles of the Savoy operas with the D'Oyly Carte Opera Company. During a fifteen-year career with that company, beginning at age 19, she was particularly known for her interpretations of the title role in Iolanthe, Pitti-Sing in The Mikado, Phoebe Meryll in The Yeomen of the Guard, and Mad Margaret in Ruddigore. She later performed on television, in films and in musicals in London's West End. Jones's best-known recordings include the role of Pitti-Sing on both the 1973 D'Oyly Carte Mikado and the company's 1966 film version of The Mikado.
Frederick Federici was an Italian-born British opera singer known for his work in the bass-baritone roles of the Savoy Operas written by Gilbert and Sullivan. He is also remembered as a reputed theatre ghost in Australia.
Michael Rayner was an English opera singer, best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company.
Jessie Kate Rose was an English opera singer and actress primarily known for her performances as principal mezzo-soprano in the Gilbert and Sullivan comic operas with the D'Oyly Carte Opera Company. From 1896 to 1899 she originated several mostly smaller roles in Savoy operas and then continued to play a variety of smaller and larger roles in repertory with the company. She was its principal mezzo-soprano from 1904 to 1909.