Neapolitan scale

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Neapolitan minor scale on C Play. Neapolitan minor scale on C.png
Neapolitan minor scale on C Play .
Neapolitan major scale on C Play. Neapolitan major scale on C.png
Neapolitan major scale on C Play .

In music, the major Neapolitan scale and the minor Neapolitan scale are two musical scales. Both scales are minor, in that they both contain a minor third above the root. The major and minor Neapolitan scales are instead differentiated by the quality of their sixth.

Contents

The sequence of scale steps for the Neapolitan minor is as follows: [1] [2] [3] [4]

1♭2♭345♭678
AB♭CDEFG♯A
HWWWHW+HH
CD♭E♭FGA♭BC

And for the Neapolitan major: [1] [2] [3] [4]

1♭2♭345678
AB♭CDEF♯G♯A
HWWWWWH
CD♭E♭FGABC

The scales are distinguished from the harmonic and ascending melodic minor scales by the lowered supertonic or second scale degree. This could also be known as the "Phrygian harmonic minor" or "Phrygian melodic minor." The scale therefore shares with the Phrygian mode the property of having a minor second above the tonic.

Both are accompanied well by power or minor chords. [1]

The 4th mode of the Neapolitan major, also known as the Lydian Dominant ♭6 scale, is an excellent choice for the 9 ♯11 ♭13 chord. Said mode contains all the alterations plus the ♮5. A whole tone scale is often used but that mode tends to be minus the ♮5 that the Lydian Minor contains.

The 5th mode of the Neapolitan major is also known as the major Locrian scale.

Modes

The scale contains the following modes: [5] [6]

ModeName of scaleDegreesNotes (on C Neap. Minor)Triad ChordsSeventh Chords
1Neapolitan Minor1♭2♭345♭678CD♭E♭FGA♭BCCmCmmaj7
2Lydian ♯6123♯45♯678D♭E♭FGA♭BCD♭D♭D♭maj7 or D♭♯6 (equivalent to D♭7)
3Mixolydian Augmented1234♯56♭78E♭FGA♭BCD♭E♭E♭+E♭+7
4Romani Minor

(or Aeolian/Natural Minor ♯4)

12♭3♯45♭6♭78FGA♭BCD♭E♭FFmFm7
5Locrian Dominant1♭234♭5♭6♭78GA♭BCD♭E♭FGG♭5G7♭5
6Ionian/Major ♯21♯2345678A♭BCD♭E♭FGA♭A♭ or A♭mA♭maj7 or A♭mmaj7
7Ultralocrian/Altered Diminished Doubleflat.svg 31♭2 Doubleflat.svg 3♭4♭5♭6 Doubleflat.svg 78BCD♭E♭FGA♭B*B♭5**B 6♭5
ModeName of scaleDegreesNotes (on C Neap. Major)Triad ChordsSeventh Chords
1Neapolitan Major1♭2♭345678CD♭E♭FGABCCmCmmaj7
2Leading Whole Tone

(or Lydian Augmented ♯6)

123♯4♯5♯678D♭E♭FGABCD♭D♭+D♭+maj7 or D♭+♯6 (equivalent to D♭+7)
3Lydian Augmented Dominant123♯4♯56♭78E♭FGABCD♭E♭E♭+E♭+7
4Lydian Dominant ♭6123♯45♭6♭78FGABCD♭E♭FFF7
5 Major Locrian 1234♭5♭6♭78GABCD♭E♭FGG♭5G7♭5
6Half-Diminished ♭4

(or Altered Dominant ♯2)

12♭3♭4♭5♭6♭78ABCD♭E♭FGAAο or *A♭5Aø7 or ***A7♭5
7 Altered Dominant Doubleflat.svg 31♭2 Doubleflat.svg 3♭4♭5♭6♭78BCD♭E♭FGAB*B♭5***B7♭5
Notes :
  • * While this triad consisted of 1, ♭4 (~3), and ♭5 notes, this is not really a normal triad since no use of 3rd-grade notes (in B : D or D♯/E♭). Instead, this triad more likely shaped as sus♭4 triad (although ♭4 is enharmonic to 3).
  • ** Doubleflat.svg 7 enharmonic to 6, so the 6th chords is available instead of 7th (thus being used here).
  • *** These chords can actually be respelled as 7alt (the 7♭5 is one of the altered dominant chords).

See also

Sources

  1. 1 2 3 Celentano, Dave (1991). Monster Scales and Modes. CentreStream. p. 44. ISBN   0-931759-59-5.
  2. 1 2 Burrows, Terry (1999). How to Read Music: Reading music made simple. p. 90. ISBN   9780312241599.
  3. 1 2 Roth, Dana (2011). Encyclopedia of Scales and Modes for Electric Bass. p. 9. ISBN   9781609749767.
  4. 1 2 Blatter, Alfred (2012). Revisiting Music Theory: A guide to the practice. pp. 87, 89. ISBN   9781135870393.
  5. ↑ "Neapolitan Scale and ITS Modes".
  6. ↑ "MyMusicTheory | Neapolitan Minor scale modes".

Further reading

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