Negativland | ||||
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Studio album by | ||||
Released | June 1980 | |||
Recorded | December 1979–April 1980 | |||
Genre | Experimental | |||
Length | 36:38 | |||
Label | Seeland Records [1] | |||
Producer | Negativland | |||
Negativland chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [3] |
MusicHound Rock: The Essential Album Guide | [4] |
Spin Alternative Record Guide | 5/10 [5] |
Negativland is Negativland's first album, released in 1980. [6] [7] Each copy of the album has a different cover. [7] The initial pressing was 500 copies. [8] [9] Unlike all other Negativland albums, the album has no titles for the songs, just numbers. It is the rarest Negativland album, next to the misprinted Dispepsi albums and the U2 EP .
AllMusic wrote that "it's a very subtle record on balance, though, only here and there being as flat-out jarring and, dare it be said, epic as later albums, but with a fine ear to offsetting what might be pure ambient sound with a sense of both dynamics and construction." [2] Trouser Press called the album "evocative yet very elusive." [1]
All songs by Mark Hosler/Richard Lyons/David Wills.
Over the Edge is a sound collage radio program hosted and produced in the United States by Jon Leidecker ("Wobbly") and Robert Cole ("KrOB"), who took over in 2015 after the death of longtime host Don Joyce.
Escape from Noise is the fourth studio album by Negativland. It marked the band's first release on an established independent record label, SST Records. The album continued to develop the band's experimental style, though it also featured shorter, more melodic songs than their previous material. The track "Christianity Is Stupid", a track featuring samples of evangelist Estus Pirkle from his film If Footmen Tire You, What Will Horses Do?, proved to be an enduring signature song. Negativland gained media attention a year later after issuing a press release falsely implying that murderer David Brom had been motivated by the song; this would inspire their subsequent album Helter Stupid.
Helter Stupid is Negativland's fifth studio album, released in 1989. It is a concept album focused on the media coverage of a hoax formulated by the band claiming that "Christianity Is Stupid" from their previous album, Escape from Noise, had inspired David Brom to murder his family in Rochester, Minnesota, as well as other moral panics related to popular music.
Pastor Dick: Muriel's Purse Fund was the second volume in the Over the Edge series, which distills the best moments from Negativland's radio program Over the Edge, broadcast on KPFA. This album was edited together from several different broadcasts recorded between 1982 and 1986.
The Weatherman's Dumb Stupid Come-Out Line was the third volume in the Over the Edge series, which distills the best material from Negativland's radio program Over the Edge, broadcast on KPFA. This album was edited together from several different broadcasts recorded between 1982 and 1984.
Handwriting is the debut album by the instrumental group Rachel's. It was released in May 1995 on Quarterstick Records.
U2 is a withdrawn EP by Negativland, released on SST Records in 1991. The EP and the band gained notoriety when lawyers representing Island Records sued Negativland over the EP's unauthorized sampling of the U2 song "I Still Haven't Found What I'm Looking For" and misleading artwork. The EP's two tracks and related material were later collected on the compilation These Guys Are from England and Who Gives a Shit.
A Big 10-8 Place is the third album by Negativland, released in 1983. It was the first album with the involvement of band member Don Joyce. The album's title is a reference to the radio ten-code "10-8," which means "back in service" or "available for next call" in the context of common CB radio usage. The lyrics and collage sound clips on the album make frequent reference to the CB radio hobby, as well as mischief like jamming.
Happy Heroes is an EP by sound collage and experimental musical group Negativland, released in 1998.
Truth in Advertising is a 1997 EP by Negativland. It was released as a teaser for their up-coming album "Dispepsi". Some of the material on the EP dates as far back as 1987, where it was used on Over the Edge, the radio show masterminded by former Negativland band member Don Joyce.
Deathsentences of the Polished and Structurally Weak is an album and booklet by Negativland. The band describes the project as "a 6 by 12 inch 64-page full-color book which comes with a 45-minute CD soundtrack."
The Starting Line is composed of two program presentations, both of which are highly edited versions of shows that were originally broadcast on KPFA's Over the Edge radio show, hosted by Don Joyce weekly and featuring members of Negativland. The first program, "The Starting Line," is Tracks 1-5, and features a mock call-in radio show focusing on various aspects of cars, hosted by a character named Dick Goodbody. The second program, "The Rototiller Singalong," takes up Tracks 6 - 9, and is hosted by two people claiming not to be involved with Over the Edge, but are in fact David Wills & Richard Lyons. The program features a recording of a Rototiller, and over-the-phone "karaoke," where callers provide the vocal parts for music being played in the studio.
Dick Vaughn's Moribund Music Of The '70s is a collection of recordings edited from a wealth of material broadcast on KPFA's Over the Edge radio show, hosted by Don Joyce weekly and featuring members of Negativland, as well as material recorded at a Live Negativland show just after the "U2 Scandal." The recordings are broken up into two discs, and within that contain bits and pieces of many different Over The Edge Shows.
The Willsaphone Stupid Show is a two CD collection of recordings edited from two different broadcasts on KPFA's Over the Edge radio show, hosted by Don Joyce.
Sex Dirt distills a single episode of Negativland's radio program Over the Edge, broadcast on KPFA.
Negativland is an American experimental music band that originated in the San Francisco Bay Area in the late 1970s. The core of the band consists of Mark Hosler, David Wills, Peter Conheim and Jon Leidecker. Negativland has released a number of albums ranging from pure sound collage to more musical expositions. These have mostly been released on their own label, Seeland Records. In the late 1980s and early 1990s, they produced several recordings for SST Records, most notably Escape from Noise, Helter Stupid and U2. Negativland were sued by the band U2's record label, Island Records, and by SST Records, which brought them widespread publicity and notoriety. The band is also part of the Church of the SubGenius parody religion. Negativland coined the term culture jamming in 1984. Don Joyce added it to the album JamCon '84 in the form of "culture jammer". The band took their name from a Neu! track, with their record label Seeland Records also being named after another Neu! track.
Thigmotactic is the eleventh album by sound collage group Negativland. Unlike previous efforts by the band, it is primarily the expression of one member, Mark Hosler, though other members contributed, as did Thomas Dimuzio. Hosler created the bulk of its audio content as well as the visual collages and assemblages of found objects that are pictured in the liner notes. It is also notable as the band's "first entirely song-based project" and features fifteen songs and two instrumental pieces.
Instant is a double compact disc by the Dutch experimental post-punk band The Ex. The band recorded the album in conjunction with many guest musicians, notably members of Holland's Instant Composers Pool (ICP) for whom the album is partially named, the other part being that the Dutch term for "free improvisation" literally translates to "instant composition."
The Beach Boys with the Royal Philharmonic Orchestra is a 2018 album of remixed Beach Boys recordings with new orchestral arrangements performed by the Royal Philharmonic Orchestra. It was produced by Nick Patrick and Don Reedman, who conducted similar projects for Roy Orbison and Elvis Presley.
True False is the thirteenth studio album by American experimental rock band Negativland. It has received positive reception from critics. It is a companion piece to 2020's The World Will Decide.