Nelly Miricioiu (born 31 March 1952) is a Romanian-born British operatic soprano singing a large repertoire ranging from bel canto to verismo. [1] [2]
Born in Adjud, Romania, Miricioiu started singing at 5 and was hailed as a child prodigy. At 9 she started studying piano and at 14 she won her first singing contest, "Young Talents, Great hopes". At 18 she sang in Pergolesi's La serva padrona and joined the Conservatory of Iași where she continued her studies with Tibi Popovici. In 1972 she was the youngest contestant in the Francisco Vinas Musical Competition in Barcelona and in 1975 she won the first prize at the very first Maria Callas Grand Prix in Athens. More first prizes followed at competitions in Geneva, Paris, Sofia, Oostend. [3]
Miricioiu made her operatic debut in Mozart's The Magic Flute , as the Queen of the Night at Iaşi Romanian Opera, and continued to sing at Brasov Opera House between 1975 and 1978 in roles such as Mimì in La bohème , Micaëla in Carmen and Rosalinde in Die Fledermaus .
In 1981, she fled the communist regime and months later she debuted in Glasgow at the Scottish Opera as Violetta in La traviata ; Manon Lescaut and Tosca followed. The following year she made her debut at the Royal Opera House in London as Nedda in Pagliacci , opposite Jon Vickers, Piero Cappuccilli and Thomas Allen. She later appeared as Marguerite in Gounod's Faust , Antonia in The Tales of Hoffmann and Valentine in Les Huguenots . In 1983, she made her debut at La Scala in Milan in the title role of Lucia di Lammermoor , and thereafter appeared at most major opera houses of Europe: Amsterdam, Brussels, Rome, Hamburg, Geneva, Munich, Vienna, Salzburg, Paris, Madrid, Barcelona, earning considerable acclaim for her interpretation of Violetta in La traviata, amongst many other roles such as Mimì in La bohème, Cio-Cio San in Madama Butterfly , Silvana in Respighi's La fiamma , the title role in Cilea's Adriana Lecouvreur and the title role in Zandonai's Francesca da Rimini .
Miricioiu has also appeared in the United States, notably in Washington, D.C., Philadelphia, Dallas, San Francisco, and made her debut at the Metropolitan Opera in New York as Mimì (La bohème) in 1989. She also appeared in South America, notably in Santiago, and the Teatro Colón in Buenos Aires.
In 1992, she sang Amenaide in Rossini's Tancredi to great acclaim in Salzburg, and then began concentrating on the bel canto repertory, singing other Rossinian heroines such as the title roles in Armida , Semiramide , Ermione , as well as Donizetti and Bellini roles, such as in Anna Bolena , Roberto Devereux , Il pirata and Norma .
In 1996, she was trusted with the revival of the now famous Tosca production for Maria Callas at the Royal Opera House.
She began an association with Opera Rara, appearing in long-forgotten works by Rossini and Donizetti but also by composers such as Pacini and Mercadante, both in concerts and recordings, notably Ricciardo e Zoraide , Rosmonda d'Inghilterra , Maria de Rudenz , Pacini's Maria, regina d'Inghilterra , and Mercadante's Orazi e Curiazi and Emma d'Antiocchia .
Her repertory also includes Verdi roles in operas such as Ernani , Luisa Miller , I vespri siciliani , Don Carlo . She has worked with some of the most prestigious conductors and directors, and opposite leading artists of the day, such as José Carreras, Plácido Domingo, José Cura, Roberto Alagna, to name but a few.
Giuseppe Saverio Raffaele Mercadante was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as prolific a number of works as either; and his development of operatic structures, melodic styles and orchestration contributed significantly to the foundations upon which Giuseppe Verdi built his dramatic technique.
Giovanni Pacini was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born.
Virginia Zeani, Commendatore OMRI is a Romanian-born opera singer who sang leading soprano roles in the opera houses of Europe and North America. As a singer, she was known for her dramatic intensity and the beauty, wide range, and suppleness of her voice which allowed her to sing a repertoire of 69 roles ranging from the heroines in belcanto operas by Rossini and Donizetti to those of Wagner, Puccini and Verdi. She also created roles in several 20th-century operas, including Blanche in Poulenc's Dialogues of the Carmelites. Zeani made her professional debut in 1948 as Violetta in La traviata, which would become one of her signature roles; she has since sung the opera over 640 times. After her retirement from the stage in 1982, she became a well-known voice teacher. She was married to the Italian bass Nicola Rossi-Lemeni from 1957 until his death in 1991. A Distinguished Professor Emerita at Indiana University's Jacobs School of Music where she taught for many years, Zeani lives in Palm Beach County, Florida and has continued to teach singing privately.
Hariclea Darclée was a celebrated Romanian operatic soprano who had a three-decade-long career.
Salvadore Cammarano was a prolific Italian librettist and playwright perhaps best known for writing the text of Lucia di Lammermoor (1835) for Gaetano Donizetti.
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Opera Rara is a London-based opera company and recording label which specialises in recording and performing forgotten operatic repertoire from the 19th and early 20th centuries. Founded in 1970 by bel canto enthusiasts Patric Schmid and Don White, Opera Rara's recordings are internationally distributed by Warner Classics. In September 2019, Italian conductor Carlo Rizzi succeeded Sir Mark Elder as Artistic Director.
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Domenico Reina was a Swiss bel canto tenor, notable for creating roles in the operas of Vincenzo Bellini, Gaetano Donizetti, Saverio Mercadante, and other Italian composers.
Eugenia Tadolini was an Italian operatic soprano. Admired for the beauty of her voice and stage presence, she was one of Donizetti's favourite singers. During her career she created over 20 leading roles, including the title roles in Donizetti's Linda di Chamounix and Maria di Rohan and Verdi's Alzira. She was born in Forlì and studied music there and in Bologna before making her debut in Florence in 1828. She sang in all of Italy's leading opera houses, as well as in Paris, Vienna, and London before retiring from the stage in 1852. She spent her remaining years first in Naples, where she had been the Teatro San Carlo's reigning prima donna for many years, and then in Paris, where she died of typhoid fever at the age of 63. From 1827 to 1834, she was married to the Italian composer and singing teacher, Giovanni Tadolini.
Marco Arati was an Italian operatic bass active during the 1840s through the 1880s. Although he occasionally appeared at other opera houses in Italy, he was primarily committed to the Teatro di San Carlo where he sang roles for more than four decades. Even though he was one of the preeminent singers of his day, there is little known about his life.
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Erminia Frezzolini was an Italian operatic soprano. She excelled in the coloratura soprano repertoire, drawing particular acclaim in the bel canto operas of Gaetano Donizetti and Vincenzo Bellini. She was married to tenor Antonio Poggi from 1841 to 1846.
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Marcus Haddock is an American opera singer and voice teacher who in the course of his 25-year stage career sang leading tenor roles throughout the United States and Europe. Born in Fort Worth, Texas and trained at the Boston University College of Fine Arts under Phyllis Curtin, Haddock began his career in the United States after winning the Metropolitan Opera National Council Auditions in 1984. From the late 1980s to the late 1990s he was primarily based in Europe where he sang in all the major opera houses, sometimes performing under the name Marcus Jerome-Haddock. He increasingly sang in American opera houses from 1998 and made his Metropolitan Opera debut in 2003 in the title role of Faust. His early roles were those of the tenore di grazia repertoire, but as his career progressed he also took on heavier lyric and spinto tenor roles such as Rodolfo in La bohème and Don José in Carmen, both of which he has recorded. Haddock retired from the stage in 2009 after suffering two serious strokes, and began a new career as a voice teacher in 2012.
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