Neon Christ | |
|---|---|
 Lankford, DuTeau and Demer of Neon Christ in 2006 | |
| Background information | |
| Origin | Atlanta, Georgia, U.S. |
| Genres | |
| Years active | 1983–1986, 2004, 2008, 2011, 2021 |
| Labels | Social Crisis, F-King |
| Past members | Randy DuTeau William DuVall Danny Lankford Jimmy Demer |
Neon Christ was an American hardcore punk band from Atlanta, Georgia.
The band was formed in 1983 by Randy DuTeau (vocals), William DuVall (guitar), Danny Lankford (bass), and Jimmy Demer (drums). For a brief spell in 1985, they added a second guitarist named Shawn Devine. The band recorded and released two EPs, Parental Suppression and The Knife That Cuts So Deep, but only the former was a standalone; the latter was the second disc of a double 7" release that came out in 1990—four years after the band broke up. The song "Ashes to Ashes" was included as the third track on the International P.E.A.C.E. Benefit Compilation , a 1984 double album, released on R Radical Records, featuring 55 hardcore punk acts from around the world. [2] [3] They toured throughout the Atlanta area, playing alongside other notable acts such as Corrosion of Conformity and Dead Kennedys. The band played one final show in February 1986 before going their separate ways for the next two decades.
In early January 2006, Neon Christ reunited for a pair of shows, one in the afternoon at Eyedrum in downtown Atlanta [4] and one in the evening at the Star Bar in Little Five Points. [5]
They reunited again for a one-time show on February 2, 2008 in Lawrenceville, Georgia. The reception that they got inspired them to work with director Edgar Johnson on creating a documentary film called All Alone Together: Neon Christ and Atlanta Hardcore. [6]
William DuVall said of the project:
I was first approached in 2005 by Edgar Johnson (director) about making a Neon Christ documentary. However, while I always thought our story was interesting, I really questioned who else would care. It was a long time ago. Nostalgia is boring to me. Why would I want to foist that onto anyone else? 'Back in my day…' Whatever, fuck off! I want to know what kids are doing NOW. But when Neon Christ reunited for one show in February 2008 and all these 15 and 16 year old kids were singing our songs back to us, it was very moving, and not just because it was a pleasantly surprising ego rush. It was more about what those kids and that club represented. The show took place at the Treehouse, a DIY all-ages storefront club in the Atlanta suburb of Lawrenceville. The energy and enthusiasm of the entire scene there was electrifying. Those kids were taking what we started, the real outsider/all-ages/DIY/basement punk culture and making it their own. That's when I knew we had our movie: Take two generations of outsider kids, nearly 30 years apart, and tell both their stories concurrently – what's different, what remains the same, why it all still matters." [6]
| Release date | Title | Label |
|---|---|---|
| TBA | All Alone Together: Neon Christ and Atlanta Hardcore | Social Crisis Films |
Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington D.C. and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics."
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Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- and mid-2000s, post-hardcore achieved mainstream success with the popularity of bands like At the Drive-In, My Chemical Romance, Dance Gavin Dance, AFI, Underoath, Hawthorne Heights, Silverstein, The Used, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved mainstream success under the post-hardcore label. Meanwhile, bands like Title Fight and La Dispute experienced underground popularity playing music that bore a closer resemblance to the post-hardcore bands of the 1980s and 1990s.
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The Effigies were an American punk band from Chicago. The band played its first show in 1980 and was active initially for approximately a decade, undergoing multiple personnel changes with frontman John Kezdy the only constant, before disbanding in 1990. The band released 5 albums and several EPs, most on the record label they founded in 1981, Ruthless Records, which was distributed by Enigma. Later albums were on the Fever Records and Roadkill Records labels. They toured the U.S. and Canada and played notable venues, including CBGB, Maxwell's, First Avenue, Mabuhay Gardens, Paycheck's (Detroit), Exit (Chicago) and The Rathskeller, among others. They also received a significant amount of national airplay on college radio at a time when it was the only medium for alternative music.
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