This article includes a list of general references, but it lacks sufficient corresponding inline citations .(October 2023) |
Also known as | Zulu stick-fighting |
---|---|
Focus | Weaponry |
Country of origin | South Africa |
Creator | Various |
Famous practitioners | Shaka Zulu, Nelson Mandela |
Olympic sport | No |
Nguni stick-fighting (also known as donga, or dlala 'nduku, which literally translates as 'playing sticks') [1] is a martial art traditionally practiced by teenage Nguni herdboys in South Africa. Each combatant is armed with two long sticks, one of which is used for defense and the other for offense. Little armor is used. For up to five hours, players alternate between offense and defense to score points based on which body part is struck. [2]
Although Nguni/Xhosa styles of fighting may use only two sticks, variations of Bantu/Nguni stick-fighting throughout Southern Africa incorporate shields as part of the stick-fighting weaponry. Zulu stick-fighting uses an isikhwili or attacking stick, an ubhoko or defending stick and an ihawu or defending shield.
The object is for two opposing warriors to fight each other to establish which of them is the strongest or the "Bull" (Inkunzi). In modern times this usually occurs as part of the wedding ceremony where warriors from the bridegroom's household and area welcome warriors from the bride's household and area to meet to "get to know each other", other groups of warriors may also be welcome to join in. Warriors do this by engaging in combat with one another. An "induna" or War Captain / Referee from each group of warriors keeps his crew in check and keeps order between fighters.
This tradition is one which arguably developed in societies, cultures and civilisations that used herding as part of their systems of survival; where there are cows, there are stick-fighters. The old regimental structures of the great uShaka KaSenzangakhona KaJama dominate current modern Zulu stick-fighting.
Film maker SiyaBonga Makhathini has directed the film "We Still are Warriors" which captures the essence of the modern-day Zulu stick-fighter, descendant of the kings of old.
Nelson Mandela practiced Nguni stick-fighting as a child, [3] and it was featured on the Discovery and BBC reality TV show Last Man Standing . It has been featured in Season 1 of the television series Deadliest Warrior.
Nguni stick-fighting is resurfacing and attracting crowds despite being previously banned in some parts of South Africa. [2]
Impi is a Nguni word meaning war or combat and by association any body of men gathered for war, for example impi ya masosha is a term denoting an army. Impi were formed from regiments from large militarised homesteads. In English impi is often used to refer to a Zulu regiment, which is called an ibutho in Zulu, or the army of the Zulu Kingdom.
Shaka kaSenzangakhona, also known as Shaka Zulu and Sigidi kaSenzangakhona, was the king of the Zulu Kingdom from 1816 to 1828. One of the most influential monarchs of the Zulu, he ordered wide-reaching reforms that reorganized the military into a formidable force.
Zulu people are a native people of Southern Africa of the Nguni. The Zulu people are the largest ethnic group and nation in South Africa, living mainly in the province of KwaZulu-Natal.
Arnis, also known as kali or eskrima/escrima, is the national martial art of the Philippines. These three terms are, sometimes, interchangeable in referring to traditional martial arts of the Philippines, which emphasize weapon-based fighting with sticks, knives, bladed weapons, and various improvised weapons, as well as "open hand" techniques without weapons.
Stick-fighting, stickfighting, or stick fighting, is a variety of martial arts which use simple long, slender, blunt, hand-held, generally wooden "sticks" for fighting, such as a gun staff, bō, jō, walking stick, baston, arnis sticks or similar weapons. Some techniques can also be used with a sturdy umbrella or even with a sword or dagger in its scabbard.
Lathi khela is a traditional Bengali martial art – a kind of stick fighting practiced in Bangladesh. A practitioner is known as a lathial. Lathi khela originated from the Bengal region in Indian subcontinent.
Okinawan kobudō (沖縄古武道), literally "old martial way of Okinawa", is the weapon systems of Okinawan martial arts.
Pencak silat is an umbrella term for a class of related Indonesian martial arts. In neighbouring countries, the term usually refers to professional competitive silat. It is a full-body fighting form incorporating strikes, grappling, and throwing, in addition to weaponry. Every part of the body is used and subject to attack. Pencak silat was practiced not only for physical defense but also for psychological ends. There are hundreds of different pencak silat styles and schools which tend to focus either on strikes, joint manipulation, weaponry, or some combination thereof.
A knobkerrie, also spelled knobkerry, knobkierie, and knopkierie (Afrikaans), is a form of wooden club, used mainly in Southern Africa and Eastern Africa. Typically they have a large knob at one end and can be used for clubbing an enemy's head. For the various peoples who use them, they often have marked cultural significance. Being able to carry the knobkerrie has also had a political dimension, especially in South Africa.
Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines, by Classical times they were used generically for all fighting systems.
The fighter is one of the standard playable character classes in the Dungeons & Dragons fantasy role-playing game. A fighter is a versatile, weapons-oriented warrior who fights using skill, strategy and tactics.
Blacks are the majority ethno-racial group in South Africa, belonging to various Bantu ethnic groups. They are descendants of Southern Bantu-speaking peoples who settled in South Africa during the Bantu expansion.
The weapon dance employs weapons—or stylized versions of weapons—traditionally used in combat in order to simulate, recall, or reenact combat or the moves of combat in the form of dance, usually for some ceremonial purpose. Such dancing is quite common to folk ritual on many parts of the world. Weapon dancing is certainly ancient; among the earliest historical references we have are those that refer to the pyrrhichios, a weapon dance in ancient Sparta, in which the dance was used as a kind of ritual training for battle.
Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.
The Zulu Kingdom, sometimes referred to as the Zulu Empire, was a monarchy in Southern Africa. During the 1810s, Shaka established a standing army that consolidated rival clans and built a large following which ruled a wide expanse of Southern Africa that extended along the coast of the Indian Ocean from the Tugela River in the south to the Pongola River in the north.
Arnis in popular culture reflects the impact that the Filipino martial arts of arnis/eskrima/kali have made outside of the martial arts community. The three terms are roughly interchangeable and for the purpose of convenience, the term arnis will be used throughout the article. These arts emphasize weapon-based fighting with sticks, blades, improvised weapons and hand-to-hand fighting which is formally known as Mano Mano or Pangamut. Because of this training with live weapons, elements of arnis have made an impact in film, video games, television, and comic books. Arnis is often used to train actors and stuntmen how to handle similar weapons for use in movies.
Indonesian martial arts includes a variety of fighting systems native to or developed in the archipelago of Indonesia, both the age-old traditional arts, and the more recently developed hybrid combatives. In the Indonesian language the term bela-diri is used to mean martial art, and in essence the Indonesian fighting arts are meant as one's defence against perceived threat and assault. Other than physical training, they often include spiritual aspects to cultivate inner strength, inner peace and higher psychological ends.
A Nguni shield is a traditional, pointed oval-shaped, ox or cowhide shield which is used by various ethnic groups among the Nguni people of southern Africa. Currently it is used by diviners or for ceremonial and symbolic purposes, and many are produced for the tourist market. A cow-hide shield is known as isihlangu, ihawu or ingubha in Zulu, and ikhaka or ikhawu in Xhosa.
Caci is a form of fighting with a whip or stick. It appears to be indigenous to Flores in East Nusa Tenggara, but it is also practiced in neighboring islands of Bali and Lombok, Indonesia. The art is sometimes called cacing or ende in Flores, and larik or kebat in Riung, while in Balinese it is known as ende.
Kandeka was a martial art tradition of Kunene people in Angola, and could refer to stick-fighting, slapboxing, or a war dance. According to Desch-Obi, primary among these was stick fighting.