Thick as a Brick is the fifth studio album by the British rock band Jethro Tull, released on 3 March 1972. The album contains one continuous piece of music, split over two sides of an LP record, and is intended as a parody of the concept album genre. The original packaging, designed as a 12-page newspaper, claims the album to be a musical adaptation of an epic poem by fictional eight-year-old genius Gerald Bostock, though the lyrics were actually written by the band's frontman, Ian Anderson.
Aqualung is the fourth studio album by the English rock band Jethro Tull; it was released in March 1971 by Chrysalis Records. Though it is generally regarded as a concept album, featuring a central theme of "the distinction between religion and God", the band have said there was no intention to make a concept album, and that only a few songs have a unifying theme. Aqualung's success signalled a turning point in the career of the band, who went on to become a major radio and touring act.
Songs from the Wood is the tenth studio album by British progressive rock band Jethro Tull, released on 11 February 1977 by Chrysalis Records. The album is considered to be the first of three folk rock albums released by the band at the end of the 1970s, followed by Heavy Horses (1978) and Stormwatch (1979).
Martin Lancelot Barre is an English guitarist best known for his longtime role as lead guitarist of British rock band Jethro Tull, with whom he recorded and toured from 1968 until the band's initial dissolution in 2011. Barre played on all of Jethro Tull's studio albums from their 1969 album Stand Up to their 2003 album The Jethro Tull Christmas Album. In the early 1990s he began a solo career, and he has recorded several albums as well as touring with his own live band.
Lizard is the third studio album by British progressive rock band King Crimson, released on 11 December 1970 by Island Records in the UK, and in January 1971 by Atlantic Records in the United States and Canada. It was the second consecutive King Crimson album recorded by transitional line-ups of the group that did not perform live, following In the Wake of Poseidon. This is the last of two albums by the band to feature Gordon Haskell and the band's only album to feature drummer Andy McCulloch.
The Broadsword and the Beast is the 14th studio album by rock band Jethro Tull, released in April 1982 by Chrysalis Records. The album's musical style features a cross between the dominant synthesizer sound of the 1980s and the folk-influenced style that Jethro Tull used in the previous decade. As such, the band's characteristic acoustic instrumentation is augmented by electronic soundscapes. The electronic aspects of this album would be explored further by the band on their next album, Under Wraps (1984), as well as on Ian Anderson's solo album Walk into Light (1983).
You Can All Join In is a budget-priced sampler album from Island Records released in 1969. Priced at 14 shillings and 6 pence (£0.72), it reached no. 18 on the UK Albums Chart.
Luther James Grosvenor is an English rock musician, who played guitar in Spooky Tooth, briefly in Stealers Wheel and, under the pseudonym Ariel Bender, in Mott the Hoople and Widowmaker.
Guy Stevens was a British music industry figure whose roles included DJ, record producer and band manager. He was influential in promoting R&B music in Britain in the 1960s, gave the rock bands Procol Harum and Mott the Hoople their distinctive names and co-produced The Clash's album London Calling.
Inside Out Music is a German progressive rock record label originally based in Kleve, North Rhine-Westphalia, and dedicated to the publication of progressive rock, progressive metal and related styles. In 2009, it formed a partnership with Century Media Records and moved its base of operations to Dortmund, also in North Rhine-Westphalia. In August 2015, Century Media was acquired by Sony Music and became its premier label for progressive music.
The history and the discography of the Island Records label can conveniently be divided into three phases:
Glenn Douglas Barnard Cornick was an English bass guitarist, best known as the original bassist for the British rock band Jethro Tull from 1967 to 1970. Rolling Stone has called his playing with Tull as "stout, nimble underpinning, the vital half of a blues-ribbed, jazz-fluent rhythm section".
Wildlife is the third album by the British band Mott the Hoople.
Mott the Hoople is the debut studio album by the band of the same name. It was produced by Guy Stevens and released in 1969 by Island Records in the UK, and in 1970 by Atlantic Records in the US. It was re-issued by Angel Air in 2003 (SJPCD157).
Brain Capers is the fourth album by the band Mott the Hoople.
"Living in the Past" is a song by British progressive rock group Jethro Tull. It is one of the band's best-known songs, and it is notable for being written in the unusual 5
4 time signature. The use of quintuple meter is quickly noted from the beginning rhythmic bass pattern, though it can also be explained as a distinct 6
8 + 2
4 syncopated rhythm.
Morgan Studios was an independent recording studio in Willesden in northwest London. Founded in 1967, the studio was the location for recordings by notable artists and bands such as The Cure, Jethro Tull, the Kinks, Paul McCartney, Yes, Black Sabbath, Donovan, Joan Armatrading, Cat Stevens, Rod Stewart, UFO and many more. Morgan sold its studios in the early 1980s, with some of its studios succeeded by Battery Studios.
John Burns is a British recording engineer best known for his credits with noted bands of the 1970s including Jethro Tull, Clouds, Genesis, John Martyn and reggae acts Burning Spear, Delroy Washington, Jimmy Cliff and Toots & The Maytals.
Bumpers is a double sampler album from Island Records, released in Europe and Australasia in 1970; there were minor variations in track listings within Europe but the Australian release was fundamentally different. The title refers to the basketball-style shoes on the front of the album cover and to the meaning "unusually large, abundant or excellent". The album is left to present itself: there are no sleeve notes; the gatefold interior consists of a photograph showing publicity shots of the featured acts attached to the stump of a tree on a seemingly wet and gloomy day, without any identification. This image is flanked on each side by the track listings, but even there, the information given is unreliable. Unlike its predecessors You Can All Join In and Nice Enough to Eat, there are no credits for cover art. [It was in fact by Tony Wright - his first sleeve for Island.] The English version of the album came out in two pressings, first with the pink label and "i" logo, and later with the palm motif on a white background and pink rim, each version with some minor variations in the production of individual tracks.
Rock and Roll Queen is a compilation album by the British rock band Mott the Hoople. The album predominantly features selections from the four albums Mott recorded for Island Records in the UK, which were subsequently issued in the US by Atlantic Records. In Canada, the first three were released by Polydor, while Brain Capers was released in Canada by Island.
