Jethro Tull are a British progressive rock band formed in Blackpool, Lancashire, in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk music, hard rock and classical music, forging a signature progressive rock sound. The group's lead vocalist, bandleader, founder, principal composer and only constant member is Ian Anderson, who also plays flute and acoustic guitar. The group has featured a succession of musicians throughout the decades, including significant contributors such as guitarists Mick Abrahams and Martin Barre ; bassists Glenn Cornick, Jeffrey Hammond, John Glascock, Dave Pegg, Jonathan Noyce and David Goodier; drummers Clive Bunker, Barrie "Barriemore" Barlow and Doane Perry; and keyboardists John Evan, Dee Palmer, Peter-John Vettese, Andrew Giddings and John O'Hara.
Thick as a Brick is the fifth studio album by the British rock band Jethro Tull, released on 3 March 1972. The album contains one continuous piece of music, split over two sides of an LP record, and is intended as a parody of the concept album genre. The original packaging, designed as a 12-page newspaper, claims the album to be a musical adaptation of an epic poem by fictional eight-year-old genius Gerald Bostock, though the lyrics were actually written by the band's frontman, Ian Anderson.
Aqualung, released in March 1971 by Chrysalis Records, is the fourth studio album by the rock band Jethro Tull. Though it is generally regarded as a concept album, featuring a central theme of "the distinction between religion and God", the band have said there was no intention to make a concept album, and that only a few songs have a unifying theme. Aqualung's success signalled a turning point in the career of the band, which went on to become a major radio and touring act.
Songs from the Wood is the tenth studio album by British progressive rock band Jethro Tull, released on 11 February 1977 by Chrysalis Records. The album is considered to be the first of three folk rock albums released by the band at the end of the 1970s, followed by Heavy Horses (1978) and Stormwatch (1979).
The Broadsword and the Beast is the 14th studio album by rock band Jethro Tull, released in April 1982 by Chrysalis Records. The album's musical style features a cross between the dominant synthesizer sound of the 1980s and the folk-influenced style that Jethro Tull used in the previous decade. As such, the band's characteristic acoustic instrumentation is augmented by electronic soundscapes. The electronic aspects of this album would be explored further by the band on their next album, Under Wraps (1984), as well as on Ian Anderson's solo album Walk into Light (1983).
You Can All Join In is a budget priced sampler album, released in the UK by Island Records in 1968. It was priced at 14 shillings and 6 pence (£0.72), and reached no. 18 on the UK Albums Chart that year.
Luther James Grosvenor is an English rock musician, who played guitar in Spooky Tooth, briefly in Stealers Wheel and, under the pseudonym Ariel Bender, in Mott the Hoople and Widowmaker.
Inside Out Music is a German progressive rock record label originally based in Kleve, North Rhine-Westphalia, and dedicated to the publication of progressive rock, progressive metal and related styles. In 2009, it formed a partnership with Century Media Records and moved its base of operations to Dortmund, also in North Rhine-Westphalia. In August 2015, Century Media was acquired by Sony Music and became its premier label for progressive music.
The history and the discography of the Island Records label can conveniently be divided into three phases:
Island Masters is a midprice CD series that includes re-releases of records from the 1970s and 1980s by PolyGram. In 1989 Island Records was sold to PolyGram. The series was released in the UK and Europe.
Glenn Douglas Barnard Cornick was an English bass guitarist, best known as the original bassist for the British rock band Jethro Tull from 1967 to 1970. Rolling Stone has called his playing with Tull as "stout, nimble underpinning, the vital half of a blues-ribbed, jazz-fluent rhythm section".
Wildlife is the third album by the British band Mott the Hoople.
Mott the Hoople is the debut studio album by the band of the same name. It was produced by Guy Stevens and released in 1969 by Island Records in the UK, and in 1970 by Atlantic Records in the US. It was re-issued by Angel Air in 2003 (SJPCD157).
Mad Shadows was the second album by Mott the Hoople. It was recorded in 1970 and released in the UK on Island Records in September 1970 and in the US by Atlantic Records. It was subsequently re-released by Angel Air in 2003 (SJPCD158). As with their debut album, it was produced by Guy Stevens.
Brain Capers is the fourth album by the band Mott the Hoople.
"Living in the Past" is a song by British progressive rock group Jethro Tull. It is one of the band's best-known songs, and it is notable for being written in the unusual 5
4 time signature. The use of quintuple meter is quickly noted from the beginning rhythmic bass pattern, though it can also be explained as a distinct 6
8 + 2
4 syncopated rhythm.
Morgan Studios was an independent recording studio in Willesden in northwest London. Founded in 1967, the studio was the location for recordings by notable artists and bands such as The Cure, Jethro Tull, the Kinks, Paul McCartney, Yes, Black Sabbath, Donovan, Joan Armatrading, Cat Stevens, Rod Stewart, UFO and many more. Morgan sold its studios in the early 1980s, with some of its studios succeeded by Battery Studios.
John Burns is a British recording engineer best known for his credits with noted bands of the 1970s including Jethro Tull, Clouds, Genesis, John Martyn and reggae acts Burning Spear, Delroy Washington, Jimmy Cliff and Toots & The Maytals.
Bumpers is a double sampler album from Island Records, released in Europe and Australasia in 1970; there were minor variations in track listings within Europe but the Australian release was fundamentally different. The title refers to the basketball-style shoes on the front of the album cover and to the meaning "unusually large, abundant or excellent". The album is left to present itself: there are no sleeve notes; the gatefold interior consists of a photograph showing publicity shots of the featured acts attached to the stump of a tree on a seemingly wet and gloomy day, without any identification. This image is flanked on each side by the track listings, but even there, the information given is unreliable. Unlike its predecessors You Can All Join In and Nice Enough To Eat, there are no credits for cover art. [It was in fact by Tony Wright - his first sleeve for Island.] The English version of the album came out in two pressings, first with the pink label and "i" logo, and later with the palm motif on a white background and pink rim, each version with some minor variations in the production of individual tracks.
Rock and Roll Queen is a compilation album by the British rock band Mott the Hoople. The album predominantly features selections from the four albums Mott recorded for Island Records in the UK, which were subsequently issued in the US by Atlantic Records. In Canada, the first three were released by Polydor, while Brain Capers was released in Canada by Island.
