| |
Overview | |
---|---|
Type | 35mm point and shoot |
Lens | |
Lens mount | fixed |
Lens | f=35 mm (35Ti) or 28 mm (28Ti) |
F-numbers | f/2.8–22 |
Sensor/medium | |
Film format | 35mm |
Film speed detection | ISO 25–5000, 1⁄3 steps |
Focusing | |
Focus | 1 ft 4 in (0.41 m) min. |
Focus modes |
|
Exposure/metering | |
Exposure modes | Program or Aperture-priority, ±2 EV in 1⁄2 steps |
Metering modes | 6-segment matrix or 75/25 center-weighted |
Flash | |
Flash | Built-in, GN 11 (ft, ISO 100) |
Shutter | |
Shutter speed range | 2–1⁄500 sec + T (up to 10 min.) |
General | |
Battery | 1×CR123A |
Dimensions | 4+5⁄8 in × 2+5⁄8 in × 1+7⁄16 in (117 mm × 67 mm × 37 mm) |
Weight | 11+3⁄4 oz (330 g) with battery |
The Nikon 35Ti (1993) and Nikon 28Ti (1994) are luxury titanium-clad point and shoot cameras that were produced by Nikon, equipped with a high-quality lens and body, competing with similar luxury compact cameras produced during the Japanese bubble-economy era, including the Contax T line, Konica Hexar, Leica minilux, Minolta TC-1, Ricoh GR series, and Rollei QZ 35W/35T. Both the 35Ti and 28Ti are 35 mm cameras with nearly identical operation; as the name implies, the 35Ti is equipped with a 35 mm focal length lens, while the 28Ti is equipped with a 28 mm lens. Externally, they may be distinguished by their color: the 35Ti is finished in chrome/silver, and the 28Ti is finished in black.
The camera chassis is reinforced polycarbonate fitted in a titanium shell; the lens barrel, focusing helicoid, and film guide rails are made of aluminum. [1] When it was noted the design bore similarities to the Nikon S-series rangefinder cameras released in the 1950s, a Nikon spokesman commented "The designers of [the 35Ti] are somewhat younger than the designers of the S2." [1]
The viewfinder incorporates an aspheric lens to minimize distortion and the illuminated framelines are displayed via a projected LCD. [1] Illumination for the framelines is provided by a translucent window above the flash on the camera's top deck, or by bulb when there is insufficient light. [1] A crop-frame panorama function is provided for the 35Ti [1] and the 28Ti, although the custom function to suppress the panorama frame has been removed from the 28Ti. [2]
Both cameras are equipped with quartz date/time imprinting functions. Data can be imprinted on either each frame, on the frame just before exposures begin, or on the first frame of the day. [1]
The 35Ti is fitted with a symmetric lens with six elements in four groups, using "low-dispersion glass". [1] The 28Ti also uses "low-dispersion glass" for its seven-element lens. [2] Nikon state the lens designs are derived from the "symmetrical wideangle lens" designed by Zenji Wakimoto in the 1950s. [3]
In a comparison published in Popular Photography with the Konica Hexar and Contax T2, Dan Richards wrote "the nod for optical quality has to go to the Nikon 35Ti. As we've noted before, it isn't just that the lens is sharp, but that it has very well-balanced performance—unnoticeable distortion, very little light falloff, exceptional control of flare." [4] He also praised the lens as "an SLR-quality optic, and a good SLR optic at that"; [5] when the 28Ti was released, he noted it was equipped with "another killer compact optic ... this would rank with a very good single-focal-length SLR lens." [2]
Code | Setting |
---|---|
00 0 00 | Set custom functions |
00 0 01 | All custom functions off |
01 1 00 | Normal mode: Autoflash |
01 1 01 | Normal mode: Flash off |
01 2 00 | Matrix metering |
01 2 01 | Centerweighted metering |
01 3 00 | Display shutter speeds in viewfinder |
01 3 01 | Display apertures in viewfinder |
01 4 00 | Data imprints all frames |
01 4 01 | Data imprints selected frames |
02 0 00 | Allows re-zeroing of misaligned gauge needles |
02 0 01 | |
03 0 00 | Display panorama frame |
03 0 01 | Suppress panorama frame |
The top panel has a combination analog gauge display that indicates the focusing distance (left), aperture (right), frame number (top), and exposure compensation (bottom). A collar around the shutter release switches the metering mode from (P)rogram to (A)perture-priority and manual (T)ime exposure. A thumbwheel for the right hand, located behind the shutter release on the top deck, allows selection of focus distance in manual focus mode, aperture in aperture-priority autoexposure, or program shift. [1]
The primary control change with the 28Ti was moving to a slider switch to select flash mode, [2] instead of the pushbuttons of the 35Ti, which were noted as being "more characteristic of low-end point-and-shoots". [5]
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
In camera design, a focal-plane shutter (FPS) is a type of photographic shutter that is positioned immediately in front of the focal plane of the camera, that is, right in front of the photographic film or image sensor.
A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective, fisheye lenses use a special mapping, which gives images a characteristic convex non-rectilinear appearance.
The Nikon FM is a mechanically operated, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured in Japan between 1977 and 1982 by Nippon Kogaku K. K..
TC-1 is a luxury point and shoot camera that was produced by Minolta. It is a compact 35 mm clad in titanium, equipped with a G-Rokkor 28mm f/3.5 lens. The TC-1 was equipped with a high quality lens and body, similar to other luxury compacts produced during the Japanese bubble economy era, including the Contax T line, Konica Hexar, Leica minilux, Nikon 28/35Ti, Ricoh GR series, and Rollei QZ 35W/35T. Expensive when initially released in 1996 with a suggested retail price of ¥148,000, it was produced in small numbers and since then has become collectible.
The Nikon FM2 is an advanced semi-professional, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1982 to 2001. The original camera was released with some incremental improvements in 1984, and this later version is commonly referred to as the FM2n, although both versions are labelled as the FM2 on the front of the camera body.
The Nikon FE2 is a 35 mm single lens reflex (SLR) camera manufactured by Nippon Kogaku K. K. in Japan from 1983 to 1987. The FE2 used a Nikon-designed vertical-travel focal-plane shutter with a speed range of 8 to 1/4000th second, plus Bulb and flash X-sync of 1/250th second. It has dimensions of 90 millimetres (3.5 in) height, 142.5 mm (5.61 in) width, 57.5 mm (2.26 in) depth and 550 grams (19 oz) weight, and was available in two colors: black with chrome trim and all black. The introductory US list price for the chrome body only was $446. Note that SLRs usually sold for 30 to 40 percent below list price.
The Nikon FE is an advanced semi-professional level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nikon in Japan from 1978 to 1983, and was available new from dealer stock until c. 1984. The FE uses a metal-bladed, vertical-travel focal plane shutter with a speed range of 8 to 1/1000 second, plus Bulb, and flash X-sync of 1/125th second. It had dimensions of 89.5 millimetres (3.52 in) height, 142 mm (5.6 in) width, 57.5 mm (2.26 in) depth and 590 grams (21 oz) weight. It was available in two colors: black with chrome trim and all black. As on the FM, its model designation did not appear on the front of the camera, but was engraved as a small "FE" preceding the serial number on the rear of the housing.
The Nikon F3 was Nikon's third professional single-lens reflex camera body, preceded by the F and F2. Introduced in 1980, it had manual and semi-automatic exposure control whereby the camera would select the correct shutter speed. The Nikon F3 series cameras had the most model variations of any Nikon F camera. It was also the first of numerous Nikon F-series cameras to be styled by Italian designer Giorgetto Giugiaro, and to include a red stripe on the handgrip – a feature that would later become a signature feature of many Nikon cameras.
The Nikon EM is a beginner's level, interchangeable lens, 35 mm film, single lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1979 to 1982. The camera was designed for and marketed to the growing market of new photographers then entering the SLR buyer's market. The EM uses a Seiko MFC-E focal plane shutter with a speed range of 1 to 1/1000 second plus Bulb and flash X-sync of 1/90 second. It is 86 mm (3.4 in) high, 135 mm (5.3 in) wide, 54 mm (2.1 in) deep and weighed 460 grams (16 oz). Unlike most Nikons of the time, it was available only in black. The EM has no full manual exposure mode capability, but instead was intended to be used by inexperienced photographers who could not easily master the intricacies of shutter speeds and f-stops. There were also significant changes to the EM's mechanical and electrical components to reduce its production cost relative to previous Nikon cameras: dimensional tolerances weren't as tight, there were no ball bearings in the film advance mechanism, and no high-quality titanium shutter. The introductory US list price for the body plus normal lens was only $231.
The Nikon FG is an interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1982 to 1986.
The Nikon F2 is a professional-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. in Japan from September 1971 to 1980. It used a horizontal-travel focal plane shutter with titanium shutter curtains and a speed range of 1 to 1/2000 second plus Bulb and Time, and flash X-sync of 1/80 second. It had dimensions of 98 mm height, 152.5 mm width, 65 mm depth and 730 g weight. It was available in two colors: black with chrome trim and all black. The F2 was adopted by both casual photographers and professional photographers, the latter of those especially photojournalists covering the later half of the Vietnam War.
The Nikon FM10 is a manual focus 35 mm film camera sold by Nikon Corporation. It is of SLR design and was first available in 1995. It is normally sold in a kit that includes a Zoom Nikkor 35–70 mm f/3.5-4.8 zoom lens, although a Zoom Nikkor 70–210 mm f/4.5-5.6 zoom lens is also available. An electronic companion model known as the FE10 was also sold at one stage.
Nikonos is the brand name of a series of 35mm format cameras specifically designed for underwater photography launched by Nikon in 1963. The early Nikonos cameras were improvements of the Calypso camera, which was an original design by Jacques-Yves Cousteau and Belgian engineer Jean de Wouters. It was produced in France by La Spirotechnique until the design was acquired by Nikon to become the Nikonos. The Nikonos system was immensely popular with both amateur and professional underwater photographers. Its compact design, ease of use, and excellent optical quality set the standard for several decades of underwater imaging. Nikon ceased development and manufacture of new Nikonos cameras in 2001, but the camera remains popular, and there is a large and active secondary market.
Tilt–shift photography is the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras.
The Zeiss Sonnar is a photographic lens originally designed by Dr. Ludwig Bertele in 1929 and patented by Zeiss Ikon. It was notable for its relatively light weight, simple design and fast aperture.
The invention of the camera in the early 19th century led to an array of lens designs intended for photography. The problems of photographic lens design, creating a lens for a task that would cover a large, flat image plane, were well known even before the invention of photography due to the development of lenses to work with the focal plane of the camera obscura.
Nikon Z-mount is an interchangeable lens mount developed by Nikon for its mirrorless digital cameras. In late 2018, Nikon released two cameras that use this mount, the full-frame Nikon Z 7 and Nikon Z 6. In late 2019 Nikon announced their first Z-mount camera with an APS-C sensor, the Nikon Z 50. In July 2020 the entry level full-frame Z 5 was introduced. In October 2020, Nikon announced the Nikon Z 6II and Nikon Z 7II, which succeed the Z 6 and Z 7, respectively. The APS-C lineup was expanded in July 2021, with the introduction of the retro styled Nikon Z fc, and in October 2021, Nikon unveiled the Nikon Z 9, which effectively succeeds the brand's flagship D6 DSLR. The APS-C lineup was further expanded with the Nikon Z 30, announced at the end of June 2022.
The Contax T camera line consists of a number of compact cameras sold by Kyocera under the Contax brand. They were introduced between 1984 and 2002. The T, T2, and T3 use 35mm film and have a fixed 35 mm wide-angle lens. The T-VS, T-VS II, and T-VS III also use 35 mm film but have a 28–56 mm lens. The Tix uses APS film and has a fixed 28 mm wide-angle lens. The TVS Digital is a 5 MP digital camera with a 35–105 mm (equivalent) lens.
The Leica minilux is the first in a series of four luxury titanium-clad point and shoot cameras that were produced by Leica Camera starting from 1995; it is equipped with a high-quality lens and body to compete with similar premium compact cameras produced during the Japanese bubble-economy era, including the Contax T line, Konica Hexar, Nikon 28Ti/35Ti, Minolta TC-1, Ricoh GR series, and Rollei QZ 35W/35T. All of the cameras in the minilux series, including the original minilux, Leica minilux zoom (1998), Leica CM (2004), and Leica CM ZOOM used 35 mm film; the minilux and CM were equipped with the same Leica Summarit lens, while the minilux zoom and CM Zoom were equipped with a Vario-Elmar lens.
Apart from the Nikkor-SW and other large format lenses, other Nikon developments of the "WAKIMOTO symmetrical wideangle lens" are the Nikkor 35mm f/2.8 lens on the Nikon 35Ti Quartz Date (1993) and the Nikkor 28mm f/2.8 on the Nikon 28Ti Quartz Date (1994).