Nina Elder (born April 9, 1981) is an American transdisciplinary artist, writer, muralist, and educator. Her practice is informed by science, field research, and social justice movements. Elder's research based processes result in realistic drawings, performative lectures, and video work. Her writing and teaching hybridize art and science to connect nature and culture. She travels extensively, participating in scientific research and lecturing at universities. She has exhibited nationally and internationally.
Nina Elder was born and spent her childhood in Colorado Springs, Colorado. She attended Palmer High School, where she studied with art teacher and activist Floyd Tunson. [1] She received a BFA in studio art from the University of New Mexico. [2] She received an MFA at the San Francisco Art Institute, where she studied critical economic theory. [3] She is faculty at the University of Nevada, Reno [4] and affiliated with the University of Oregon [5] and Colorado College. [6] She now lives off-the-grid in Datil, New Mexico.
Elder is known for her detailed drawings of geologic processes, including pit mines, nuclear test sites, and glacial debris. She often collaborates with scientists and academic institutions as part of her creative process. [7] She uses non-traditional drawing materials [8] that she collects from the landscape, including radioactive charcoal, [9] wildfire charcoal, [10] and pulverized rocks. Major themes in her work include glacial erratics, [11] mining, deep time, [12] forest fire ecology, [13] and geology.
In 2022, Elder was named one of 12 Artists to Know Now [14] by Southwest Contemporary. She received the Pollock-Krasner Award [15] in 2017 and was featured in New American Paintings. [16] She was the 2020 commencement speaker for the Minneapolis College of Art and Design. [17] She has participated in residencies at the Tamarind Institute, [18] the Ucross Foundation, the Ellis Beauregard Foundation, the Sitka Center for Art and Ecology, among many others.
Elder has had solo exhibitions and major installations at the University of New Hampshire Museum of Art, [19] Southern Utah Museum of Art, [20] the Anchorage Museum, [21] SITE Santa Fe, [22] Central Features Contemporary Art, [23] and the Albuquerque Museum.
Elder's work has been featured in Hyperallergic, [24] Art in America, VICE Magazine, Southwest Contemporary, [25] and on PBS. [26] Her writing has been published in Edge Effects Journal, [27] American Scientist, [28] and various exhibition catalogs and research publications. Elder has held awarded research positions including Art + Environment Research Fellow at the Nevada Museum of Art, a Polar Lab Research Fellow at the Anchorage Museum, and a Researcher in Residence in the Art and Ecology Program at the University of New Mexico.
Jean Conner née Sandstedt is an American artist.
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June Claire Wayne was an American painter, printmaker, tapestry innovator, educator, and activist. She founded Tamarind Lithography Workshop (1960–1970), a then California-based nonprofit print shop dedicated to lithography.
Diana al-Hadid is a Syrian-born American contemporary artist who creates sculptures, installations, and drawings using various media. She lives and works in Brooklyn, New York.
The University of New Mexico Art Museum is an art museum at the University of New Mexico in Albuquerque. The museum's permanent collection includes nearly 30,000 objects, making it the largest collection of fine art in New Mexico.
Harmony Hammond is an American artist, activist, curator, and writer. She was a prominent figure in the founding of the feminist art movement in 1970s New York.
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Edda Renouf is an American painter and printmaker. Renouf creates minimalist abstract paintings and drawings developed from her close attention to subtle properties of materials, such as the woven threads in linen canvas and the flax and cotton fibers of paper. Renouf often alters these supports by removing threads from the weave of a canvas, or in her drawings, creating lines by incising the paper.
Paula Wilson is an African American "mixed media" artist creating works examining women's identities through a lens of cultural history. She uses sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock. In 2007 Wilson moved from Brooklyn, New York, to Carrizozo, New Mexico, where she currently lives and works with her woodworking partner Mike Lagg.
Founded in 2014 by Nancy Zastudil, Central Features Contemporary Art is a contemporary art gallery located in downtown Albuquerque, New Mexico. The gallery exhibits a range of visual media but its focus is on the importance of art-making and the roles artists play in environmental and social issues. The gallery participates in Albuquerque’s creative economy by partnering with local artists and businesses to present events and programs that highlight collaboration including an artist-led dinner with Dig & Serve, On the Map: Unfolding Albuquerque Art + Design, and PhotoSummer. Included in the Central Features exhibition program is Pacific Exhibits, a downtown Albuquerque window exhibition space dedicated to showcasing local artists.
Cara Romero is an American photographer known for her digital photography that examines Indigenous life through a contemporary lens. She lives in both Santa Fe, NM and the Mojave Desert. She is of Chemehuevi descent.
Rose B. Simpson is a mixed-media artist who works in ceramic, metal, fashion, painting, music, performance, and installation. She lives and works in Santa Clara Pueblo, New Mexico. Her work has been exhibited at SITE Santa Fe ; the Heard Museum ; the Museum of Contemporary Native Art, Santa Fe (2010); the National Museum of the American Indian, Smithsonian (2008); the Denver Art Museum; Pomona College Museum of Art (2016); Ford Foundation Gallery (2019); The Wheelwright Museum of the American Indian (2017); the Minneapolis Institute of Art (2019); the Savannah College of Art and Design (2020); the Nevada Museum of Art (2021); and Whitney Museum of American Art.
Matt Magee is an American contemporary artist who is best known for his minimal abstract geometric paintings, sculptures, prints, assemblages, murals and photographs. He was born in Paris, France in 1961 and moved from there to Tripoli, Libya and then to London. He moved to Brooklyn in 1984 to attend Pratt Institute for an MFA after completing a BA in Art History at Trinity University in San Antonio, TX. He maintained a studio on New York City until 2012 and currently lives in Phoenix, AZ.
Maria Gaspar is an American interdisciplinary artist and educator.
Clarity Haynes is a queer feminist American artist and writer. She currently lives and works in New York, NY. Haynes is best known for her unconventional painted portraits of torsos, focusing on queer, trans, cis female and nonbinary bodies. She is a former member of the tART Collective and the Corpus VI Collective.
Aliza Nisenbaum is a painter living and working in New York, NY. She is best known for her colorful paintings of Mexican and Central American immigrants. She is a professor at Columbia University's School of the Arts.
Sharon Butler is an American artist and arts writer. She is known for teasing out ideas about contemporary abstraction in her art and writing, particularly a style she called "new casualism" in a 2011 essay. Butler uses process as metaphor and has said in artist's talks that she is keenly interested in creating paintings as documentation of her life. In a 2014 review in the Washington Post, art critic Michael Sullivan wrote that Butler "creates sketchy, thinly painted washes that hover between representation and abstraction.Though boasting such mechanistic titles as 'Tower Vents' and 'Turbine Study,' Butler’s dreamlike renderings, which use tape to only suggest the roughest outlines of architectural forms, feel like bittersweet homages to urban decay." Critic Thomas Micchelli proposed that Butler's work shares "Rauschenberg’s dissolution of the barriers between painting and sculpture," particularly where the canvases are "stapled almost willy-nilly to the front of the stretcher bars, which are visible along the edges of some of the works."
Before Yesterday We Could Fly: An Afrofuturist Period Room is an art exhibition at the Metropolitan Museum of Art in New York City. The exhibit, which opened on November 5, 2021, uses a period room format of installation to envision the past, present, and future home of someone who lived in Seneca Village, a largely African American settlement which was destroyed to make way for the construction of Central Park in the mid-1800s.
Lynnette Haozous a Native American painter, printmaker, jeweler, writer, and actor. She is an enrolled member of the San Carlos Apache Tribe and of Chiricahua Apache, Navajo, and Taos Pueblo ancestry. Haozous works in acrylics, watercolors, spray paint, jewelry, screen-printing, writing, and acting on stage and in film. She is known for her murals and uses a blend of art and advocacy to bring attention to social conditions and injustices.
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