| "No Matter What Shape (Your Stomach's In)" | |
|---|---|
| Single by The T-Bones | |
| from the album No Matter What Shape (Your Stomach's In) | |
| A-side | No Matter What Shape (Your Stomach's In) [1] |
| B-side | Feelin' Fine [1] |
| Released | 1965 |
| Recorded | December 9, 1965 [2] |
| Genre | Pop, instrumental rock |
| Length | 2:15 |
| Label | Liberty |
| Songwriter(s) | Granville Sascha Burland [1] |
| Producer(s) | Joe Saraceno [1] |
"No Matter What Shape (Your Stomach's In)" is an instrumental composition recorded in 1965 by The T-Bones and released as a single the same year. [3]
The record itself lists Granville Sascha Burland as the composer, [1] but ASCAP says the composer is Lou Bideu [4] aka Lew Bedell.
In 1965, Dave Pell wanted to record songs based on music from recent television commercials and release them on 45 RPM singles to see if he could get radio airplay and maybe a hit record. Previously, Liberty Records had used "The T-Bones" as a group name for instrumentals recorded by Los Angeles session musicians The Wrecking Crew, and Liberty told Pell to use it again for his project. [5]
In 1965, Pell went into the studio with members of The Wrecking Crew and recorded "No Matter What Shape (Your Stomach's In)," a song based on music used in an Alka-Seltzer television commercial. [2]
When the single became a hit, Liberty Records needed the T-Bones to go on the road to promote it, but the original session musicians were not willing to go. They were making a considerable amount of money doing sessions in Los Angeles. So Liberty created a different "public" T-Bones group to appear on record covers, television, and in concert. The "public" T-Bones were Judd Hamilton, Dan Hamilton, Joe Frank Carollo, Tommy Reynolds, and Gene Pello. None of them played on the hit record but later they would achieve fame as the soft rock trio, Hamilton, Joe Frank & Reynolds. [5] [6]
The single spent 13 weeks on the Billboard Hot 100, reaching No. 3, [7] while reaching No. 1 on Canada's RPM Play Sheet. [8] The album spent seven weeks on Billboard's chart of Top LPs, reaching No. 75. [9]
The Partridge Family Album is the first of eight studio albums by The Partridge Family. The LP was released in October 1970, a month after the debut of the ABC-TV musical sitcom The Partridge Family starring Shirley Jones and featuring David Cassidy, both of whom feature on the album, as do studio backing vocalists and session musicians. The success of the album – which in early January 1971 reached no. 4 on Billboard's Top LP's chart – was bolstered not only by the hit TV show but by the album's one single release, the massive hit "I Think I Love You", which for three weeks in November and December 1970 topped Billboard's Hot 100 and which NARM declared best-selling single of 1970.
"Windy" is a pop song written by Ruthann Friedman and recorded by the Association. The song reached No. 1 on the Billboard Hot 100 in July 1967, becoming the group's second U.S. No. 1 hit following "Cherish" in 1966. Billboard ranked the record as the No. 4 song for 1967.
The Wrecking Crew is a loose collective of US session musicians based in Los Angeles whose services were employed for a great number of studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized in their era, but were viewed with reverence by industry insiders. They are now considered one of the most successful and prolific session recording units in music history.
Hamilton, Joe Frank & Reynolds were a 1970s soft rock trio from Los Angeles. The original members were Dan Hamilton, Joe Frank Carollo (bass/vocal), and Tommy Reynolds (multi-instrumentalist/vocal), all of whom had previously played in The T-Bones, a 1960s band noted for the instrumental hit "No Matter What Shape ."
"MacArthur Park" is a song written by American singer-songwriter Jimmy Webb that was recorded first by Irish actor and singer Richard Harris in 1968. Harris's version peaked at number two on the Billboard Hot 100 chart and number four on the UK Singles Chart. "MacArthur Park" was subsequently covered by numerous artists, including a 1970 Grammy-winning version by country music singer Waylon Jennings and a number one Billboard Hot 100 disco arrangement by Donna Summer in 1978. Webb won the 1969 Grammy Award for Best Arrangement Accompanying Vocalist(s) for the Richard Harris version.
"Medley: Aquarius/Let the Sunshine In " is a medley of two songs written for the 1967 musical Hair by James Rado and Gerome Ragni (lyrics), and Galt MacDermot (music), released as a single by American R&B group the 5th Dimension. The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA. Instrumental backing was written by Bill Holman and provided by session musicians commonly known as the Wrecking Crew. The actual recording was novel at the time, being recorded in two cities, Los Angeles and Las Vegas, and being mixed down to a final version later.
Thomas Joseph Tedesco was an American guitarist and studio musician in Los Angeles and Hollywood. He was part of the loose collective of the area's leading session musicians later popularly known as The Wrecking Crew, who played on thousands of studio recordings in the 1960s and 1970s, including several hundred Top 40 hits.
Instant Replay is the seventh studio album by the American pop rock band the Monkees, released in 1969 by Colgems Records. Issued 11 months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show.
"I Think I Love You" is a song by Tony Romeo, written as the debut single for fictional musical TV family the Partridge Family, released in August 1970, a month prior to the debut of the ABC-TV musical sitcom The Partridge Family starring Shirley Jones and featuring David Cassidy, both of whom appear on the record, with Cassidy as lead vocalist. The single topped Billboard's Hot 100 for three weeks in November and December 1970 and later was certified by NARM as the best-selling single of 1970.
"Ringo" is a popular song written by Don Robertson and Hal Blair. It was a hit single for Canadian-born actor Lorne Greene in 1964. It reached #1 on the U.S. Billboard charts on December 5, 1964, as well as garnering the same spot on the "Easy Listening" chart, where it retained the position for six weeks. The single also peaked at #21 on the Hot Country Singles chart. In Canada, it hit #1 on the RPM top singles chart on December 7, 1964.
"Hurting Each Other" is a song popularized by the Carpenters in 1972. It was written in 1965 by Gary Geld and Peter Udell, and has been recorded many times by artists ranging from Ruby & the Romantics to Rosemary Clooney.
"Don't Pull Your Love" is the debut single by Hamilton, Joe Frank & Reynolds which became a top ten hit single in 1971. The song was written by Brian Potter and Dennis Lambert.
"Up, Up and Away" is a 1967 song written by Jimmy Webb and recorded by US soul-pop act the 5th Dimension with backing from members of The Wrecking Crew. Their original version reached no. 7 on Billboard's Hot 100 in July 1967 and no. 9 on its Easy Listening chart, and number one in both Canada and Australia. In 1999, Webb's song placed 43 on BMI's "Top 100 Songs of the Century".
The T-Bones were an American, Liberty Records recording group, existing from 1963 to 1966. The studio recordings of all of their albums but the last were done by American session musicians, The Wrecking Crew.
David Pell was an American jazz saxophonist, bandleader and record producer. He was best known for leading a cool jazz octet in the 1950s.
The Wrecking Crew is an American documentary film directed by Denny Tedesco, son of guitarist Tommy Tedesco. It covers the story of the Los Angeles–based group of session musicians known as the Wrecking Crew, famed for having played on numerous hit recordings throughout the 1960s and early 1970s. The film premiered at the 2008 South by Southwest Film Festival.
Joe Frank and the Knights were an American garage rock band from Leland, Mississippi who were active between 1959 and 1965. They were led by Joe Frank Carollo. In the early-to-mid 1960s their popularity grew beyond the Mississippi delta and Memphis areas as they became one of the most popular groups in various parts of the Southern United States. They had a regional hit with "Can't Find a Way", which attracted the attention of ABC Records who picked up the record and re-released it for national distribution. However, the band broke up shortly thereafter, and Carollo joined the T-Bones, who later evolved into the soft rock trio Hamilton, Joe Frank & Reynolds in the early 1970s.
Judd Douglas Hamilton is an American musician, former band leader, writer, film producer, actor, inventor. He recorded for the Dolton, Liberty, American International, United Artists and RCA Victor labels. He contributed to the music of California, and to surf music from his involvement with the T-Bones and 1960s surf groups, the Avantis and the Ventures. During the 1960s, he was part of the groups Judd Hamilton & the Furys, The Marketts and The T-Bones. As a film and television producer, he was the executive producer and co-screenwriter for the films Maniac and The Last Horror Film, and the executive producer for The 7th Annual Sci-Fi Awards, a 90-minute TV special. His brother was Dan Hamilton. He was married to English actress Caroline Munro for some years.
Daniel Robert Hamilton was an American musician and singer. He was a member of The T-Bones with his brother Judd Hamilton and later formed the soft-rock group Hamilton, Joe Frank & Reynolds, performing lead vocals on the band's two biggest hits, "Don't Pull Your Love" and "Fallin' in Love". He was also a composer who, in addition to co-writing "Fallin' in Love", was the sole songwriter for the Ventures hit song "Diamond Head".
"Lies" is a song written by Beau Charles and Buddy Randell, performed by The Knickerbockers; the single was produced by Jerry Fuller. It reached #20 on the U.S. pop chart and #11 in Canada in 1966. It was featured on their 1966 album Lies and is famous for often being mistaken for a Beatles track due to its similarities to their style and harmonies.
