Nora Koito Kimball-Mentzos or simply Nora Kimball is a ballet teacher and former American ballerina, who is often overlooked for being one of the first African American female soloists—the second [1] -- [at American Ballet Theatre (ABT). [2] [3] She danced with the ABT in the mid-1980s [4] [5] and as an African American who is also Asian American, [6] preceded Misty Copeland, who is often credited as the first. ABT has been described as one of the three great American-style classical ballet companies on the world stage today (along with New York City Ballet and San Francisco Ballet). [7]
Kimball trained in New York City at the National Academy of Ballet before attending The Harkness House for Ballet Arts. Studied further at The American Ballet Theatre School. [8] Kimball has been a soloist with the Nederlands Dans Theater and the Frankfurt Ballet. [9] She has also worked with Eliot Feld Ballet, the Stuttgart Ballett, Karole Armitage and Peter Sellars. [8] She had moved to the Frankfurt Ballet by 1991. [10] She has worked with William Forsythe. [11] She continues to work in Frankfurt teaching for the Zena Rommett Floor Barre Technique TM since 2001 and the Dancedepartment of the Hochschule für Musik und Darstellende Kunst. [8]
At ABT Clark Tippet made his first ballet, Enough Said, on Kimball, the rest of the cast being Robert Hill, Gabrielle Brown, Lucette Katerndahl, Kathleen Moore, Ethan Brown, John Gardner and Ross Yearsley. [12] [13]
Kimball starred in Peter Sellars' revival of The Seven Deadly Sins with music and lyrics by Kurt Weill and Bertolt Brecht in their final operatic collaboration (the original choreography by Balanchine goes uncredited here.) [14] [15] Kent Nagano conducts the orchestra of the Opéra National de Lyon for this performance. [16] Of the twelve scenes on the DVD, the first nine of which are choreographed, Kimball is credited on four. [17] [18]
Although the production was filmed in 1993, the 47 minute work was not released until June 10, 2003, [16] [19] and intercuts footage from performances in Memphis, Los Angeles, Philadelphia, Boston, Baltimore, and San Francisco. [15] [20] Sellars' direction is widely criticized. [19] [21]
She was one of three solo dancers in El Niño, an opera-oratorio by the American composer John Adams, during its premiers in December 2000 in Paris and January 2001 in San Francisco. Both premiers were under the stage direction of Peter Sellars and musical direction of Kent Nagano. [22]
Kimball also appeared in David Gordon's 1987 production, Made in U.S.A., which starred Mikhail Baryshnikov. The show included three ballets entitled Valda and Misha, TV Nine Lives, and Murder; Valda and Misha was commissioned for the telecast. [23] [24]
George Balanchine was a Russian-American ballet choreographer, recognized as one of the most influential choreographers of the 20th-century. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music.
Lotte Lenya was an Austrian-American singer, diseuse, and actress, long based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in The Roman Spring of Mrs. Stone (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie From Russia with Love (1963).
American Ballet Theatre (ABT) is a classical ballet company based in New York City. Founded in 1939 by Lucia Chase and Richard Pleasant. Through 2019, it had an annual eight-week season at the Metropolitan Opera House in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. The company was scheduled to have a 5-week spring season at the MET preceded by a 2-week season at the Koch Theater beginning in 2020. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress.
Angel Corella López is a Spanish former principal dancer with the American Ballet Theatre and guest artist with The Royal Ballet, Kirov Ballet, New York City Ballet, La Scala and the Australian Ballet among many others. Since the 2014/2015 season, he has been the Artistic Director of Philadelphia Ballet.
Joaquín De Luz is a Spanish ballet dancer. He was formerly with the American Ballet Theatre (ABT), and a principal dancer with the New York City Ballet (NYCB). He is currently director of Spanish National Dance Company.
The Seven Deadly Sins is a satirical ballet chanté in seven scenes composed by Kurt Weill to a German libretto by Bertolt Brecht in 1933 under a commission from Boris Kochno and Edward James. It was translated into English by W. H. Auden and Chester Kallman and more recently by Michael Feingold. It was the last major collaboration between Weill and Brecht.
The seven deadly sins is a classification of vices used in Christian teachings.
Ottilie Ethel Leopoldine Herbert, Countess of Carnarvon, known professionally as Tilly Losch, was an Austrian dancer, choreographer, actress, and painter who lived and worked for most of her life in the United States and United Kingdom.
Mahagonny, ein Songspiel, or Mahagonny, a song-play, was written by composer Kurt Weill and dramatist Bertolt Brecht and first performed with that title and description in 1927. Elisabeth Hauptmann contributed the words to two of its songs. Just under half an hour in length, the work can be thought of as a staged or scenic cantata. By the end of 1929, however, Mahagonny had grown into a two-hour opera with the title Aufstieg und Fall der Stadt Mahagonny, or Rise and Fall of the City of Mahagonny. This was premiered in March 1930. Today the cantata and the opera are considered separately, the latter holding a place in the repertory, the former being an occasional piece staged in small theaters or programmed as an outgrowth of a song recital when resources permit. For this reason the shorter work is informally referred to as Das kleine Mahagonny, or The Little Mahagonny, or as Mahagonny-Songspiel.
John Taras was an American ballet master, repetiteur, and choreographer.
Karin Anny Hannelore Reinbold von Aroldingen was a German ballet dancer. She danced as a soloist at the Frankfurt Opera Ballet before joining the New York City Ballet in 1962 after receiving a personal invitation from George Balanchine. She was named as one of Balanchine's main beneficiaries in his will. Von Aroldingen retired from New York City Ballet in 1984, having reached the rank of principal dancer in 1972. In her later life, she worked as a répétiteur for the Balanchine Trust, for which she was also a founder, staging his ballets for various companies.
Misty Danielle Copeland is an American ballet dancer for American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. On June 30, 2015, Copeland became the first African American woman to be promoted to a principal dancer in ABT's 75-year history.
Veronika Part is a Russian ballet dancer. She is a former principal dancer with American Ballet Theatre. She served as a ballet mistress for Atlanta Ballet during the 2019–20 season.
Frank Kelley is an American tenor who has performed in concert and in opera throughout North America and Europe. He holds music degrees from Florida State University and the University of Cincinnati College-Conservatory of Music. Kelley has appeared with the San Francisco Opera, Brussels Opera, Boston Opera Theater, Boston Lyric Opera, Oper Frankfurt, Opéra de Lyon, Gran Teatre del Liceu (Barcelona), and the New Israeli Opera. The other ensembles he has sung with include Emmanuel Music, Tanglewood Festival, Ravinia Festival, Marlboro Music Festival, Orchestra of St. Luke's, New Jersey Symphony, Dallas Symphony, Dallas Bach Society, Handel and Haydn Society, Cleveland Orchestra, PepsiCo SummerFare Festival, Baldwin-Wallace Conservatory of Music Bach Festival, Next Wave Festival, Boston Symphony Orchestra, Mark Morris Dance Company, and the National Symphony Orchestra.
André Prokovsky was a Franco-Russian ballet dancer, choreographer, and company director. Admired as a bravura performer and an innovative choreographer, he had a varied career that was broadly international in scope.
Susan Jaffe is an American ballet dancer and arts administrator. She is currently the artistic director of the American Ballet Theatre, where she had danced for 22 years and held the rank of principal dancer. She previously served as the dean of the School of Dance at the University of North Carolina School of the Arts and the artistic director of Pittsburgh Ballet Theatre.
Anne Benna Sims was the first African-American danseuse at American Ballet Theatre and the first African-American soloist in the company's history. Sims' professional career began with Les Grands Ballets Canadiens where she danced in the corps de ballet. In 1972 she was invited to join the Geneva Opera Ballet by company director Alfonso Cata, who became her mentor. When Cata assumed the director position of the Frankfurt Opera Ballet, he offered Sims a position as a soloist. One year later, Sims became a principal dancer. In 1977, Sims returned to the United States and joined the Eglevsky Ballet Company as a principal dancer. In 1978, she performed in Ballet on Broadway. Sims, who joined American Ballet Theatre in late 1978, became the first African American female to hold a contract with the ABT company.
Les Ballets 1933 was a ballet company started by Boris Kochno and George Balanchine, which Balanchine used to create new works that were completely his own, set to music that no one had yet choreographed. The company ran for less than four weeks in 1933 and tailored itself to small, wealthy audiences in Paris and London, but despite its scale, it came out with works that Balanchine later used to instruct at his School of American Ballet, and in the programs of his later companies. Outside a theatre for Les Ballets, Balanchine first met Lincoln Kirstein.
Martine van Hamel is a Dutch choreographer, director, teacher, retired ballerina and former Principal dancer at the National Ballet of Canada and American Ballet Theatre (ABT). She was a gold medalist at the biennial Varna International Ballet Competition, the most prestigious ballet competition in the world, held in Varna, Bulgaria. She is also a recipient of the Prix de Varna, a recognition rarely awarded, for best artistic interpretation in all categories. She was one of the leading classical ballerinas in America.
Patricia Wilde was a Canadian-born ballerina and dance instructor. She was a principal ballerina of New York City Ballet, where she danced every major role in the repertoire, many of them created especially for her by George Balanchine. Following her retirement from NYCB, she became a famed ballet mistress and teacher. In 1982, she was appointed artistic director of Pittsburgh Ballet Theatre where she served until 1997. She is a recipient of the Dance Magazine Award and the 56th Inductee into the National Museum of Dance Hall of Fame. Her biography Wilde Times: Patricia Wilde, George Balanchine and the Rise of New York City Ballet, by Joel Lobenthal was published in 2015 by the University Press of New England.