Now and Then | |
---|---|
Directed by | Lesli Linka Glatter |
Written by | I. Marlene King |
Produced by | |
Starring | |
Cinematography | Ueli Steiger |
Edited by | Jacqueline Cambas |
Music by | Cliff Eidelman |
Production company | Moving Pictures |
Distributed by | New Line Cinema |
Release date |
|
Running time | 100 minutes |
Country | United States |
Language | English |
Budget | $12 million [1] |
Box office | $37.5 million [2] |
Now and Then is a 1995 American coming-of-age comedy-drama film directed by Lesli Linka Glatter and written by I. Marlene King. The film stars Christina Ricci, Rosie O'Donnell, Thora Birch, Melanie Griffith, Gaby Hoffmann, Demi Moore, Ashleigh Aston Moore, and Rita Wilson. Its plot follows four women who recount a pivotal summer they shared together as adolescents in 1970.
Now and Then was filmed largely in the Country Walk subdivision off Coffee Bluff Road in Savannah, Georgia (called Shelby, Indiana, in the movie, which itself is based on the real-world town of Winchester, Indiana), using the Gaslight Addition and Old Town Cemetery, highlighting the downtown area. Additional filming was done in Statesboro, Georgia in locations including the Bulloch County Court House (also featured in the film 1969 ) and the building now housing the Averitt Center for the Arts.
Though the film received unfavorable reviews upon release, it was a box office success, grossing $37.5 million against a $12 million budget. The film is considered a cult classic for its depiction of girlhood and centering of female friendships. [1]
In 1991, four childhood friends reunite in their hometown of Shelby, Indiana as adult women. They include sci-fi author Samantha Albertson, glitzy actress Tina "Teeny" Tercell, dry-humored gynecologist Dr. Roberta Martin, and content homemaker Chrissy DeWitt, who is heavily pregnant and expecting to give birth to her first child any day.
The story flashes back to 1970 as Samantha recounts the memorable summer shared by them as young adolescents. Twelve-year-old Samantha seeks to earn enough money to purchase a tree house to place in Chrissy's backyard in their affluent suburban neighborhood, the Gaslight Addition.
Each of the four girls is going through her own individual struggles. Samantha's parents are in the midst of a divorce, Teeny is in pursuit of stardom and is boy-crazy, tomboy Roberta experiences embarrassment due to her developing breasts, and Chrissy is naive about sex and life in general due to her mother's overprotectiveness.
Motivated by Samantha's interest in the occult, the girls regularly sneak out at night to hold seances in the cemetery. During one, a cracked tombstone convinces them they have resurrected the spirit of a young boy identified only as Dear Johnny, who died in 1945. This sets the girls on a quest to find out what happened to him.
At a library in a nearby town, Roberta discovers an article about her mother's death due to a car accident: she was hit head on, trapped in her car for an hour, and then later died of massive head trauma and internal bleeding — facts previously unknown to her. Samantha finds an obituary that briefly mentions Johnny and his mother tragically dying, but many of the pages are missing, leaving the cause of their deaths a mystery.
Meanwhile, the girls get into all sorts of other adventures, including an ongoing prank war with a group of neighborhood boys called the Wormer brothers and a fight at a softball game after a local boy insults Roberta. Roberta has her first kiss with Scott Wormer and makes him swear not to tell anyone.
One night after some tension prompted by her mother dating someone new, Samantha storms out of her home. She and Teeny hang out in the tree house display at the store, where Samantha confides her parents are getting a divorce. Teeny comforts her and breaks her favorite necklace in two, giving one half to Samantha as a "best friends for life" bracelet.
A thunderstorm breaks out as the girls head home, and Samantha accidentally drops her bracelet in a storm drain. She nearly drowns trying to retrieve it, but is rescued by Crazy Pete, a local old man who only comes out at night to ride his bike. This causes the girls to change their impression of Crazy Pete, who admits he only goes out at night because he prefers not to be around people.
Later, Samantha's grandmother refuses to tell them what happened to Johnny, so they sneak into her attic. They discover old newspapers that reveal Jonathan Sims and his mother, Beverly Anne, were shot and killed when they interrupted a burglary; father and husband, Peter, came home to find their bodies.
Roberta becomes upset and angry that two innocent people were killed and that her mother died violently, contrary to what she was told. Samantha tells them her parents are divorcing, and the girls make a pact to always be there for one another.
They go to the cemetery to perform one last seance to put Dear Johnny's soul to rest. His tombstone suddenly rises surrounded by bright light and a figure appears from behind. It turns out to just be the groundskeeper, who chastises the girls for "playing" in the cemetery and explains the damaged tombstone is being replaced because he was the one who cracked it. Chrissy then refuses to participate in future seances, deeming them a waste of time. The entire ordeal prompts Samantha to realize her childhood is coming to an end.
While leaving, Samantha notices Crazy Pete going to the tombstone. Realizing he is Peter, she comforts him, while he advises her not to dwell on things. Some time after, the tree house is finally bought, and Samantha narrates, "The treehouse was supposed to bring us more independence. But what the summer actually brought was independence from each other."
The film returns to 1991, where Chrissy goes into labor and gives birth to a baby girl. Later, in their old tree house, Roberta reveals that Crazy Pete died the previous year and Samantha confesses Pete was Dear Johnny's father. The friends reaffirm their pact and vow to remain close.
Now and Then was released in North American theaters on October 20, 1995, ultimately grossing $37.5 million worldwide. [2] In its opening weekend, it debuted in the number two spot behind Get Shorty and above the thriller Seven . [3] [4]
On Rotten Tomatoes, Now and Then has a 33% approval rating based on reviews from 21 critics, with an average rating of 5.2/10. [5] On Metacritic, it has a score of 50% based on reviews from 23 critics, indicating "mixed or average reviews". [6] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. [7]
Roger Ebert of the Chicago Sun-Times criticized the story, saying it was "made of artificial bits and pieces" whereas "What distinguished Stand by Me was the psychological soundness of the story: We could believe it and care about it." Ebert instead praised another film about girlhood The Man in the Moon for its truthful storytelling and said that in comparison this film was "a gimmicky sitcom". [8] Alison Macor of TheAustin Chronicle wrote the film is "sweet and it's often funny, but ultimately its slice-of-life approach tries too hard to incorporate current events like the Vietnam War." [9]
Though critics were lukewarm towards the story, multiple reviews praised the four young leads' acting. [9] [10] [11] Macor acknowledged "the four young actresses effectively convey that on-the-verge feeling between puberty and teen-hood". [9] In a positive review, Edward Guthmann of the San Francisco Chronicle wrote Now and Then "nicely captures the giddiness, excitement and resistance to adult responsibility that are specific to 12-year-old girls. It's not particularly deep, but it's a good-natured, sprightly comedy that ought to find its most appreciative audience among preteen girls." [12]
In the years since Now and Then's release, the film has gained a large cult following through home video, repeat airings on cable TV, and as a staple at girls' sleepovers. [1] [13]
In a New York Times piece discussing the film's cultural impact, Ilana Kaplan wrote Now and Then was ahead of its time for "giving the complexities of girlhood a weight that coming-of-age films [had heretofore] typically neglected…[The film] showed tween girls as fully realized characters who weren't written off or secondary. Tackling death and grief, along with budding sexuality gave their stories weight when narratives about female adolescence were often surface-level." [1]
Screenwriter I. Marlene King went on to create the drama series Pretty Little Liars , which she said is influenced by Now and Then. [14] [4] King would reunite with director Lesli Linka Glatter for Liars, with the latter directing the pilot episode and two season finales. [1] Though King announced in 2012 she would be developing Now and Then as a series for ABC Family, [15] the project did not come to materialize. [16] According to King, ABC Family wanted to change the concept "so the 'now' was present day and the 'then' would be the '90s. I didn't want to do that — I felt that kind of ruins how special the movie is...I didn't want to take a chance on changing the time period. To me, there will never be a 1970s again, so to try to set it in the '90s when we had cell phones and things like that, I don't think it would work." [4]
Columbia Records released a soundtrack album on October 10, 1995. [17] It was made up of tunes from the 1960s and 1970s.
The following songs appear in the film, but not on the soundtrack:
One of the songs is anachronistic for a story set in the summer of 1970: "Knock Three Times" was released in 1971.
Varèse Sarabande issued an album of Cliff Eidelman's score on October 24, 1995. [18]
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