Now and Then | |
---|---|
Directed by | Lesli Linka Glatter |
Written by | I. Marlene King |
Produced by | |
Starring | |
Cinematography | Ueli Steiger |
Edited by | Jacqueline Cambas |
Music by | Cliff Eidelman |
Production company | Moving Pictures |
Distributed by | New Line Cinema |
Release date |
|
Running time | 100 minutes |
Country | United States |
Language | English |
Budget | $12 million [1] |
Box office | $37.5 million [2] |
Now and Then is a 1995 American coming-of-age comedy-drama film directed by Lesli Linka Glatter and written by I. Marlene King. The film stars Christina Ricci, Thora Birch, Gaby Hoffmann, Ashleigh Aston Moore, Melanie Griffith, Demi Moore, Rosie O'Donnell, and Rita Wilson. Its plot follows four women who recount a pivotal summer they shared together as adolescents in 1970.
Now and Then was filmed largely in the Country Walk subdivision off Coffee Bluff Road in Savannah, Georgia (called Shelby, Indiana, in the film, which itself is based on the real-world town of Winchester, Indiana), using the Gaslight Addition and Old Town Cemetery, highlighting the downtown area. Additional filming was done in Statesboro, Georgia, in locations including the Bulloch County Court House and the building now housing the Averitt Center for the Arts.
Although the film received unfavorable reviews upon release, it was a box office success, grossing $37.5 million against a $12 million budget. The film is considered a cult classic for its depiction of girlhood and centering of female friendships. [1]
In 1995, four women who were once childhood friends reunite in their hometown of Shelby, Indiana. They include science-fiction author Samantha Albertson, Hollywood actress Tina "Teeny" Tercell, gynecologist Dr. Roberta Martin, and homemaker Chrissy DeWitt, who is pregnant with her first child.
In a flashback to a memorable summer they shared in 1970, twelve-year-old Samantha seeks to raise money to purchase a tree house to place in Chrissy's backyard in their affluent suburban neighborhood, the Gaslight Addition. Each of the four girls is experiencing her own individual struggles: Samantha's parents are in the midst of a divorce, Teeny is in pursuit of stardom and is boy-crazy, tomboy Roberta is embarrassed by her developing breasts, and Chrissy is naive about sex and life in general due to her mother's overprotectiveness.
Motivated by Samantha's interest in the occult, the girls regularly sneak out at night to hold séances in the cemetery. During one, a cracked tombstone convinces them they have resurrected the spirit of a young boy identified only as Dear Johnny, who died in 1945. This sets the girls on a quest to discover what happened to him.
At a library in a nearby town, Roberta discovers an article about her mother's fatal car accident: she was hit head on, trapped in her car for an hour, and later died of massive head trauma and internal bleeding—details previously unknown to her. Samantha finds an obituary that briefly mentions Johnny and his mother tragically dying, but many of the pages are missing, leaving the cause of their deaths a mystery.
The girls also have a long-standing rivalry with the Wormer brothers, a group of neighborhood boys. Roberta later has her first kiss with Scott Wormer and swears him to secrecy.
Distraught after meeting her mother's new boyfriend over dinner, Samantha storms out of her home. She then meets with Teeny, confiding in her about her parents' divorce. Teeny comforts her and breaks her favorite necklace in two, giving one half to Samantha as a friendship bracelet. A thunderstorm breaks out as the girls head home, and Samantha accidentally drops her bracelet in a storm drain. She nearly drowns trying to retrieve it, but is rescued by Crazy Pete, a local old man who only comes out at night to ride his bicycle. This causes the girls to change their impression of Crazy Pete, who admits he only goes out at night because he prefers not to be around people.
When Samantha's grandmother refuses to tell the girls what happened to Johnny, they sneak into her attic. They discover old newspapers that reveal Jonathan Sims and his mother, Beverly Anne, were shot and killed when they interrupted a burglary; father and husband, Peter, came home to find their bodies. Roberta becomes upset and angry that two innocent people were killed and that her mother died violently, contrary to what she was told. Samantha tells them her parents are divorcing, and the girls make a pact to always be there for one another.
They go to the cemetery to perform one last séance to put Dear Johnny's soul to rest. His tombstone suddenly rises, surrounded by a bright light. However, a groundskeeper emerges from behind, chastising the girls for "playing" in the cemetery and explaining the damaged tombstone is being replaced because he was the one who cracked it. Chrissy refuses to participate in future séances, deeming them a waste of time. The entire ordeal prompts Samantha to realize her childhood is coming to an end.
While leaving, Samantha notices Crazy Pete going to the tombstone. Realizing he is Peter, she comforts him, while he advises her not to dwell on things. Some time later, the tree house is finally bought, and Samantha narrates, "The tree house was supposed to bring us more independence. But what the summer actually brought was independence from each other."
In 1995, Chrissy goes into labor and gives birth to a baby girl delivered by Roberta. Later, in their old tree house, Roberta reveals that Crazy Pete died the previous year and Samantha confesses Pete was Dear Johnny's father. The friends reaffirm their pact and vow to remain close.
Columbia Records released a soundtrack album on October 10, 1995. [3] It was made up of tunes from the 1960s and 1970s.
The following songs appear in the film, but not on the soundtrack:
One of the songs is anachronistic for a story set in the summer of 1970: "Knock Three Times" was released in 1971.
Varèse Sarabande issued an album of Cliff Eidelman's score on October 24, 1995. [4]
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [5] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Now and Then was released in North American theaters on October 20, 1995, ultimately grossing $37.5 million worldwide. [2] In its opening weekend, it debuted in the number two spot and earned $7.4 million, behind Get Shorty and above the thriller Seven . [6] [7]
On Rotten Tomatoes, Now and Then holds an approval rating of 33% based on 21 reviews, with an average rating of 5.2/10. [8] Metacritic, which uses a weighted average, assigned the film a score of 50, based on 23 critics, indicating "mixed or average" reviews. [9] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. [10]
Roger Ebert of the Chicago Sun-Times criticized the story, saying it was "made of artificial bits and pieces" whereas "What distinguished Stand by Me was the psychological soundness of the story: We could believe it and care about it." Ebert instead praised another film about girlhood The Man in the Moon for its truthful storytelling and said that in comparison this film was "a gimmicky sitcom". [11] Alison Macor of The Austin Chronicle wrote the film is "sweet and it's often funny, but ultimately its slice-of-life approach tries too hard to incorporate current events like the Vietnam War." [12]
Though critics were lukewarm towards the story, multiple reviews praised the four young leads' acting. [12] [13] [14] Macor acknowledged "the four young actresses effectively convey that on-the-verge feeling between puberty and teen-hood". [12] In a positive review, Edward Guthmann of the San Francisco Chronicle wrote Now and Then "nicely captures the giddiness, excitement and resistance to adult responsibility that are specific to 12-year-old girls. It's not particularly deep, but it's a good-natured, sprightly comedy that ought to find its most appreciative audience among preteen girls." [15]
In the years since Now and Then's release, the film has gained a large cult following through home video, repeat airings on cable TV, and as a staple at girls' sleepovers. [1] [16]
In a New York Times piece discussing the film's cultural impact, Ilana Kaplan wrote Now and Then was ahead of its time for "giving the complexities of girlhood a weight that coming-of-age films [had heretofore] typically neglected…[The film] showed tween girls as fully realized characters who weren't written off or secondary. Tackling death and grief, along with budding sexuality gave their stories weight when narratives about female adolescence were often surface-level." [1]
Screenwriter I. Marlene King went on to create the teen drama television series Pretty Little Liars , which she said is influenced by Now and Then. [17] [7] King would reunite with director Lesli Linka Glatter for Liars, with the latter directing the pilot episode and two season finales. [1] Though King announced in 2012 she would be developing Now and Then as a series for ABC Family, [18] the project did not come to materialize. [19] According to King, ABC Family wanted to change the concept "so the 'now' was present day and the 'then' would be the '90s. I didn't want to do that – I felt that kind of ruins how special the movie is...I didn't want to take a chance on changing the time period. To me, there will never be a 1970s again, so to try to set it in the '90s when we had cell phones and things like that, I don't think it would work." [7]
A novelization of the film was written by Harriet Grey and published by Parachute Press, the same year as the movie's release. The book adapts the story of Samantha, Teeny, Roberta and Chrissy, reflecting on their childhood during the summer of 1970. The novel offers a deeper exploration of the characters' lives, their emotional complexities, and adds scenes not included in the film [20] .
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