| One Entrance, Many Exits | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1982 | |||
| Recorded | January 4, 1982 | |||
| Genre | Jazz | |||
| Length | 49:04 | |||
| Label | Palo Alto | |||
| Producer | Herb Wong | |||
| Mal Waldron chronology | ||||
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One Entrance, Many Exits is an album by American jazz pianist Mal Waldron recorded in 1982 and released by the Palo Alto label. [1]
In the Allmusic review by Scott Yanow, he stated: "the combination of musicians works quite well. Pianist Mal Waldron has an inside/outside post bop style that matches perfectly with tenor-saxophonist Joe Henderson, bassist David Friesen and drummer Billy Higgins." [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
Mal/2 is an album by American jazz pianist Mal Waldron released on the Prestige label in November 1957. The CD reissue added two additional recordings from the same sessions originally released on The Dealers (1957) as bonus tracks.
David Friesen is an American jazz bassist. He plays double bass and electric upright bass.
The Gigolo is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1968. It was recorded on June 25 & July 1, 1965 and features performances by Morgan with a quintet featuring Wayne Shorter, Harold Mabern, Bob Cranshaw and Billy Higgins.
Sweet Honey Bee is an album by American jazz pianist and composer Duke Pearson, released on the Blue Note label in 1967. The woman on the cover was Pearson's fiancee Betty.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
Mal/3: Sounds is an album by American jazz pianist Mal Waldron recorded in 1958 and released on the New Jazz label.
Left Alone is an album by American jazz pianist Mal Waldron recorded in 1959 and released on the Bethlehem label.
The Quest is an album by American jazz pianist Mal Waldron that waws released by the New Jazz in July 1962. It was recorded in June 1961, with Eric Dolphy and Booker Ervin. Some reissues of the album have appeared under Eric Dolphy's name.
Hard Talk is a live album by American jazz pianist Mal Waldron recorded in 1974 and released by the Enja label.
Moods is an album by American jazz pianist Mal Waldron, recorded in 1978, and released by the Enja label. Originally released as a double LP, the CD reissue omitted three of the piano solos to fit onto one compact disc and altered the running order; a later CD reissue reinstated Waldron's "Soul Eyes".
Encounters is an album by American jazz pianist Mal Waldron and bassist David Friesen recorded in 1984 and released by the Muse label.
Dedication is an album by American jazz pianist Mal Waldron and bassist David Friesen recorded in 1985 and released by the Italian Soul Note label.
The Git Go - Live at the Village Vanguard is a live album by jazz pianist Mal Waldron recorded at the Village Vanguard and released on the Italian Soul Note label in 1987.
Remembering the Moment is a live album by David Friesen, Eddie Moore, Jim Pepper, Julian Priester and Mal Waldron recorded in Portland, Oregon in 1987 and released on the Italian Soul Note label.
Crowd Scene is an album by jazz pianist Mal Waldron recorded in 1989 and released on the Italian Soul Note label.
My Dear Family is an album by jazz pianist Mal Waldron recorded in 1993 and released on the Evidence label.
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
The Big Sound is an album by saxophonist Gene Ammons recorded in 1958 and released on the Prestige label. The album was recorded at the same sessions which produced Groove Blues.
On the Sunny Side is an album by American jazz tenor saxophonist Paul Quinichette featuring tracks recorded in May 1957 and released on the Prestige label.
Way Out West is an album by bassist Richard Davis recorded in 1977 but not released on the Muse label until 1980.