Black Glory | ||||
---|---|---|---|---|
Live album by | ||||
Released | 1971 | |||
Recorded | June 29, 1971 | |||
Genre | Jazz | |||
Length | 41:11 | |||
Label | Enja | |||
Mal Waldron chronology | ||||
|
Black Glory is a live album by American jazz pianist Mal Waldron recorded in Munich 1971 and released on the Enja label. [1]
The AllMusic review by Scott Yanow awarded the album 4 stars stating "Waldron is in excellent form... playing with a knowledge of the avant-garde but still connected to the hard bop tradition". [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
James Bryant Woode was an American jazz bassist. He played and/or recorded in bands with Flip Phillips, Sarah Vaughan, Ella Fitzgerald, Charlie Parker, Duke Ellington, Coleman Hawkins, Nat Pierce, Sidney Bechet, Billie Holiday, Jaki Byard, Earl Hines, Jimmy Witherspoon, Clark Terry and Miles Davis.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
Hornful of Soul is an album by American trombonist Bennie Green recorded in 1960 and released on the Bethlehem label.
Mal/3: Sounds is an album by American jazz pianist Mal Waldron recorded in 1958 and released on the New Jazz label.
Mal/4: Trio is an album by American jazz pianist Mal Waldron recorded in 1958 and released on the New Jazz label.
Left Alone is an album by American jazz pianist Mal Waldron recorded in 1959 and released on the Bethlehem label.
Impressions is an album by American jazz pianist Mal Waldron, recorded in 1959 and released on the New Jazz label.
Free at Last is an album by American jazz pianist Mal Waldron recorded in 1969 and released on the ECM label. The album was the first release on the influential European jazz label.
The Opening is a live album by American jazz pianist Mal Waldron featuring a performance recorded in Paris in 1970 and released on the French Futura label.
First Encounter is an album by American jazz pianist Mal Waldron and bassist Gary Peacock recorded in 1971 and released on the Japanese RCA Victor label.
Mal Waldron Plays the Blues is a live album by American jazz pianist Mal Waldron recorded in Munich in 1971 and released on the Enja label.
Signals is an album by American jazz pianist Mal Waldron featuring solo performances recorded in Baarn, Holland in 1971 and released on the Freedom label.
Blues for Lady Day is an album by American jazz pianist Mal Waldron featuring performances recorded in Baarn, Holland in 1972 and released on the Freedom label. The album was rereleased on CD on Black Lion Records in 1994 combined with tracks from A Little Bit of Miles.
A Touch of the Blues is a live album by American jazz pianist Mal Waldron featuring performances recorded in Nuremberg, West Germany in 1972 and released on the Enja label.
Hard Talk is a live album by American jazz pianist Mal Waldron recorded in 1974 and released by the Enja label.
One-Upmanship is an album by American jazz pianist Mal Waldron with soprano saxophonist Steve Lacy, recorded in 1977, and released by the Enja label. The CD reissue added three solo piano pieces to the original album.
Moods is an album by American jazz pianist Mal Waldron, recorded in 1978, and released by the Enja label. Originally released as a double LP, the CD reissue omitted three of the piano solos to fit onto one compact disc and altered the running order; a later CD reissue reinstated Waldron's "Soul Eyes".
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
2 Guitars is an album by guitarists Kenny Burrell and Jimmy Raney recorded in 1957 and released on the Prestige label.
Stockholm Sessions is an album by Eric Dolphy. It was recorded in September and November 1961 at the Swedish Broadcast station in Stockholm, Sweden, and was released by Inner City Records and Enja Records in 1981. The album was recorded during Dolphy's second visit to Europe.