The Prestige Jazz Quartet | ||||
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Studio album by | ||||
Released | 1957 | |||
Recorded | June 22 & 28, 1957 Van Gelder Studio, Hackensack, New Jersey | |||
Genre | Jazz | |||
Length | 37:37 | |||
Label | Prestige PRLP 7108 | |||
Producer | Teddy Charles | |||
Teddy Charles chronology | ||||
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The Prestige Jazz Quartet is an eponymous album by the group nominally by jazz vibraphonist Teddy Charles recorded in 1957 for the Prestige label. [1] [2]
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Thom Jurek stated "This is as fine a jazz record as you are likely to come by from 1957 (and there were many great ones from that year); it's too bad the band didn't remain together longer to explore further the terrain mapped out on this debut". [3]
All compositions by Teddy Charles except as indicated
Mal/2 is an album by American jazz pianist Mal Waldron released on the Prestige label in November 1957. The CD reissue added two additional recordings from the same sessions originally released on The Dealers (1957) as bonus tracks.
Booker Little is an album by American jazz trumpeter Booker Little featuring performances recorded in 1960 for the Time label.
Mal-1 is the debut album by American jazz pianist Mal Waldron. It was recorded in November 1956 and released on the Prestige label in May 1957.
Jackie McLean & Co. is a studio album by saxophonist Jackie McLean. It was recorded and released in 1957 on Prestige. It was also reissued on New Jazz Records as NJ 8323. It features McLean in a quintet with trumpeter Bill Hardman, pianist Mal Waldron, bassist Doug Watkins and drummer Art Taylor. Tuba player Ray Draper appears on three tracks.
Baritones and French Horns is a 16+2⁄3 rpm album released in August 1958 by Prestige Records. The album is one of a series of releases attributed to the Prestige All Stars. Each side of the album was a distinct date with distinct personnel. From a jazz.com review, Kenny Berger wrote, "Among the many innovative technological failures of the mid- and late- 1950s, the 16-rpm phonograph record stands as the industry's answer to the Edsel. One of Prestige's contributions to this auditory dustbin was an LP on steroids titled Baritones and French Horns under the supervision of vibist, composer, arranger, A&R man Teddy Charles. The baritone side of this album was reissued twice on LP and twice more on CD under John Coltrane's name [as Dakar], though Pepper Adams was the actual leader on these sessions." The "french horns" side of the album was reissued as Prestige ST 8305, Curtis Fuller and Hampton Hawes with French Horns.
Four Altos is an album by saxophonists Phil Woods Gene Quill, Sahib Shihab and Hal Stein recorded in 1957 and released on the Prestige label.
Jammin' in Hi Fi with Gene Ammons is an album by saxophonist Gene Ammons recorded in 1957 and released on the Prestige label.
The Big Sound is an album by saxophonist Gene Ammons recorded in 1958 and released on the Prestige label. The album was recorded at the same sessions which produced Groove Blues.
Groove Blues is an album by saxophonist Gene Ammons recorded in 1958 and released on the Prestige label. The album was recorded at the same session that produced The Big Sound.
After Hours is an album by the Prestige All Stars nominally led by trumpeter Thad Jones recorded in 1957 and released on the Prestige label. The album was also re-released as Steamin' by Frank Wess and Kenny Burrell in 1963.
Olio is an album by the Prestige All Stars nominally led by trumpeter Thad Jones recorded in 1957 and released on the Prestige label.
All Night Long is an album by the Prestige All Stars, later credited to guitarist Kenny Burrell, recorded in 1956 and released on the Prestige label.
Tuba Sounds is the debut album by tuba player Ray Draper recorded in 1957 and released on the Prestige label.
On the Sunny Side is an album by American jazz tenor saxophonist Paul Quinichette featuring tracks recorded in May 1957 and released on the Prestige label.
Evolution is an album by jazz vibraphonist and pianist Teddy Charles recorded in 1953 and 1955 for the Prestige label.
Strange Blues is an album by American saxophonist Jackie McLean, recorded in 1957 and released on the Prestige label. It features three tracks with McLean in a quartet featuring pianist Jon Mayer, bassist Bill Salter and drummer Larry Ritchie, one with a quartet featuring pianist Mal Waldron, bassist Art Phipps and drummer Art Taylor and one with a quartet featuring pianist Gil Coggins, bassist Paul Chambers and drummer Louis Hayes. Trumpeter Webster Young and tuba player Ray Draper appear together on two tracks.
The Dual Role of Bob Brookmeyer is an album by jazz trombonist and pianist Bob Brookmeyer recorded in 1954 and 1955 for the Prestige label.
Teo is an album by saxophonist Teo Macero fronting the Prestige Jazz Quartet, a group nominally led by jazz vibraphonist Teddy Charles, which was recorded in 1957 for the Prestige label.
Coolin' is an album by the Prestige All Stars nominally led by vibraphonist Teddy Charles recorded in 1957 and released on the Prestige label.
Presenting... Jackie McLean, also referred to as The New Tradition and Jackie McLean Quintet, is the debut album by American alto saxophonist Jackie McLean, which was recorded in 1955, becoming the first LP released by the Ad Lib label before being reissued on the Jubilee label in 1958. It features McLean in a quintet with trumpeter Donald Byrd, pianist Mal Waldron, bassist Doug Watkins and drummer Ron Tucker.