The Call | ||||
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Studio album by | ||||
Released | 1971 | |||
Recorded | February 1, 1971 | |||
Genre | Jazz | |||
Length | 40:43 | |||
Label | JAPO | |||
Producer | Manfred Eicher | |||
Mal Waldron chronology | ||||
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The Call is an album by American jazz pianist Mal Waldron recorded in 1971 and released on the JAPO label. [1] The album was the first release on the short-lived European jazz label. It is Waldron's only album as a bandleader to feature him playing the electric piano. [1]
AllMusic awarded the album 3 stars. [2] It was included as one of the 640 albums covered in the 2013 Japanese book Obscure Sound, written by Chee Shimizu. Shimizu praised the album for its "funky psychedelic groove" and interplay between Waldron's electric piano and Jimmy Jackson's organ. [3]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Rolling Stone Jazz Record Guide | [4] |
Malcolm Earl "Mal" Waldron was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959.
At the Five Spot volumes one and two is a pair of jazz albums documenting one night from the end of Eric Dolphy and Booker Little's two-week residency at the Five Spot in New York. This was the only night to be recorded; the engineer was Rudy Van Gelder.
Dakar is a Pepper Adams & Cecil Payne album credited in its reissue form to jazz musician John Coltrane, released in 1963 on Prestige Records, catalogue 7280. Dakar is a reissue of one side of a 16 rpm LP called Baritones and French Horns released in 1957, and originally credited to the "Prestige All Stars".
Coltrane is an album by jazz musician John Coltrane, released in 1957 on Prestige Records, catalogue 7105. The recordings took place at the studio of Rudy Van Gelder in Hackensack, New Jersey, and document Coltrane's first session as a leader. It has been reissued at times under the title of The First Trane!.
Cattin' with Coltrane and Quinichette is an album by jazz musicians John Coltrane and Paul Quinichette, released in 1959 on Prestige Records, catalogue 7158. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey, and issued two years after the recording sessions took place, and after Coltrane's contract had already run out with the label.
Wheelin' & Dealin' is an album by Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins and Art Taylor. The album is credited to "The Prestige All Stars", a group of numerous jazz musicians who were under contract with the Prestige label. It was originally released in April 1958 as PRLP 7131, then reissued on New Jazz Records in 1964 as NJLP 8327. The compact disc reissue adds two alternate takes that did not appear on the initial vinyl releases.
Push Push is a 1971 instrumental album by jazz flutist Herbie Mann, on his Embryo Records label with Atlantic, which features rock guitarist Duane Allman. The record explored a range of popular genres, such as R&B, rock and funk music to create what AllMusic calls a "generally appealing, melodic and danceable" album with an "impressive crew of musicians".
Here and There is a jazz album by multi-instrumentalist Eric Dolphy. It was originally released in 1966 on the Prestige label as PRLP 7382. It contains tracks recorded on three separate dates, in separate locations. Mal Waldron's "Status Seeking" and Dolphy's solo bass clarinet version of Billie Holiday's "God Bless the Child" were recorded on July 16, 1961 at the Five Spot in New York City as part of the concert that was documented on the At the Five Spot recordings. "April Fool" and "G.W. " were recorded on April 1, 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey as part of the session that yielded Outward Bound, Dolphy's first album as a leader. "Don't Blame Me" was recorded on September 6, 1961 in Berlingske Has, Copenhagen, Denmark during Dolphy's second European tour, as part of the sessions that produced Eric Dolphy in Europe Volumes 1-3.
Joe Henderson in Japan is a live album by American saxophonist Joe Henderson, released on Milestone Records in 1971.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
Mal: Live 4 to 1 is a live album by American jazz pianist Mal Waldron featuring a performance recorded in Tokyo, Japan in 1971 and released on the Japanese Philips label. West 54 Records reissued the album on LP in 1980 as Left Alone - Mal Waldron Live.
First Encounter is an album by American jazz pianist Mal Waldron and bassist Gary Peacock recorded in 1971 and released on the Japanese RCA Victor label.
Black Glory is a live album by American jazz pianist Mal Waldron recorded in Munich 1971 and released on the Enja label.
Mal Waldron Plays the Blues is a live album by American jazz pianist Mal Waldron recorded in Munich in 1971 and released on the Enja label.
A Touch of the Blues is a live album by American jazz pianist Mal Waldron featuring performances recorded in Nuremberg, West Germany in 1972 and released on the Enja label.
You and the Night and the Music is an album by American jazz pianist Mal Waldron recorded in 1983 and released by the Japanese Paddle Wheel label.
Sock! is an album by saxophonist Gene Ammons compiling sessions recorded between 1954 and 1962 and released on the Prestige label in 1965.
Velvet Soul is an album by saxophonist Gene Ammons compiling sessions recorded between 1960 and 1962 and released on the Prestige label in 1964.
In the Alley is an album by saxophonist Willis Jackson which was recorded in 1976 and first released on the Muse label.
A Midnight Session with the Jazz Messengers is a live album by Art Blakey & the Jazz Messengers originally released on the Elektra label in 1957. The album masters were sold to Savoy and re-released as Art Blakey and the Jazz Messengers in 1960 and Mirage in 1977.