"Ooh!" | ||||
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Single by Mary J. Blige | ||||
from the album Love & Life | ||||
Released | August 25, 2003 | |||
Recorded | December 2–6, 2002 [1] | |||
Genre | Hip hop soul [2] | |||
Length | 4:07 | |||
Label | Geffen | |||
Songwriter(s) |
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Producer(s) |
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Mary J. Blige singles chronology | ||||
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Music video | ||||
"Ooh!" on YouTube |
"Ooh!" is a song recorded by American singer Mary J. Blige for her sixth studio album Love & Life (2003). It was written by Blige, Sean Combs, Dimitri Christo, and Mechalie Jamison, while production was helmed by Combs and Christo. The song contains excerpts from Hamilton Bohannon's 1973 track "Singing a Song for My Mother", hence Bohannon is also credited as a songwriter. "Ooh!" was released as the second single from Love & Life on August 25, 2003, by Geffen Records.
A moderate commercial success, "Ooh!" peaked at number 29 on the US Billboard Hot 100. Critically acclaimed, it was nominated for Best Female R&B Vocal Performance at the 46th Annual Grammy Awards. [3] An accompanying music video for the song was directed by Sanji, and depicts Blige fighting and dancing as different versions of herself, who all represented her inner emotions and feelings. Furthermore, a remix featuring 50 Cent, Lloyd Banks, and Young Buck also accompanied the song.
"Ooh!" was as written by Blige along with Sean Combs, Dimitri "The Natural aka D-Nat" Christo, and Mechalie Jamison, while production was helmed by Combs and Christo. [4] The song contains excerpts from the 1973 song "Singing a Song for My Mother" by American musician Hamilton Bohannon, itself widely known for being sampled on the 1991 hip-hop classic, "I Gotta Have It" by Ed O.G and Da Bulldogs. [4] It was Combs who asked Blige to write over the Ed O.G. sample. [5] In a 2003 interview with MTV News she commented: "Puff heard it and he sat there with his mouth open. He was [nodding his head], but he never said anything. He later said that "[That] was fire!" so we let Jimmy Iovine hear it and Jimmy was like, "I like it." Dr. Dre heard it and was like, "That's the joint right there." Then we played it for K-Gee and he just lost his mind. We played it for people all over the world when we went on the promotional tour and everything kept coming back 'Ooh, ooh, ooh, ooh, ooh, ooh'." [5]
BBC Music critic Keysha Davis called "Ooh!" a "hip-hop inspired club anthem. Backed by a trudging horn riff, and an instantly recognisable break-beat; [it] forms the perfect compliment for Mary's gravely vocals." [6] Elizabeth Berry Mendez from The Washington Post wrote: "With its slinky saxophone and Mary's ripe alto, "Ooh!" is the kind of dance-floor soul jam that recalls Motown's heyday." [7] Similarly, Billboard 's Michael Paoletta remarked that the song "recalls "Rock Steady"-era Aretha Franklin." [8] In his review of parent album Love & Life , David Browne from Entertainment Weekly noted: [The album] tried to present a more contented Blige but mainly reduced her to moaning orgasmic lines like "Ooh, what you do to me" to thudding Diddy-produced beats." [9] BET.com called the song one of the "highlights of Blige's and Combs's reunion on 2003's Love & Life." [10]
Blige was initially eyeying Chris Robinson, who had helmed the music video for Love & Life's previous single "Love @ 1st Sight," to once again direct her. [5] Due to scheduling conflicts, Sanjeeva "Sanji" Senaka, director of her 2001 music video for "No More Drama," was eventually selected to direct the visuals for "Ooh!." [11] Dedicated to the soldiers in the war, [11] it portrays Blige fighting and dancing different versions of herself, who all represented her inner emotions and feelings. [11] "Ooh!" world premiered at the end of its making of episode on BET's Access Granted . [11]
No. | Title | Length |
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1. | "Ooh!" (Radio Edit) | 3:59 |
2. | "Ooh!" (Album Version) | 4:07 |
3. | "Ooh!" (Instrumental) | 4:12 |
4. | "Ooh!" (A Cappella) | 3:49 |
Credits adapted from the liner notes of Love & Life. [4]
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Weekly charts
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Region | Date | Format(s) | Label(s) | Ref. |
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United States | August 25, 2003 | Urban contemporary radio | Geffen |
Mary Jane Blige is an American singer, songwriter, rapper, and actress. Often referred to as the "Queen of Hip-Hop Soul" and "Queen of R&B", Blige has won nine Grammy Awards, a Primetime Emmy Award, four American Music Awards, twelve NAACP Image Awards, and twelve Billboard Music Awards, including the Billboard Icon Award. She has been nominated for three Golden Globe Awards and two Academy Awards, including one for her supporting role in the film Mudbound (2017) and another for its original song "Mighty River", becoming the first person nominated for acting and songwriting in the same year.
Sanjeeva "Sanji" Senaka is an American music video director. He has directed videos for Lauryn Hill, Mary J. Blige, The Pharcyde, and Tori Amos, among others. His music video for "Everything Is Everything" by Lauryn Hill was nominated for the MTV Video Music Award for Best Direction and the Grammy Award for Best Music Video. His videos have been nominated four other times for MTV Awards, including Breakthrough Video for Maxwell's "This Woman's Work". Sanji's video for "No More Drama" by Mary J. Blige won the MTV Video Music Award for Best R&B Video in 2002.
Love & Life is the sixth studio album by American R&B recording artist Mary J. Blige. It was released by Geffen Records on August 26, 2003. The album marked Blige's debut on the Geffen label, following the absorption of her former record company MCA Records. In addition, it saw her reuniting with Sean "Diddy" Combs, executive producer of her first two studio albums What's the 411? (1992) and My Life (1994), who wrote and executive produced most of Love & Life with his Bad Boy in-house production team The Hitmen, including Mario Winans, D-Dot, and Stevie J.
"No More Drama" is a song by American recording artist Mary J. Blige. Written and produced by duo Jimmy Jam and Terry Lewis, it was initially intended for Blige's fourth studio album Mary (1999) before she insisted on making it the title track of her fifth studio album of the same name (2001). The song embodies portions of "The Young and the Restless Theme" (1971), written by Barry De Vorzon and Perry Botkin Jr.. Lyrically, the song is about going through hard times and moving on from pain.
"Love @ 1st Sight" is a song recorded by American singer Mary J. Blige for her sixth studio album Love & Life (2003). It features a guest appearance from rapper Method Man. It was written by Blige, Sean Combs, Mario Winans, Stevie Jordan, Clifford Smith, and Mechalie Jamison and produced by Combs, Winans and Jordan. The song is built around a sample of "Hot Sex" (1992) by American hip-hop trio A Tribe Called Quest. Due to the inclusion of the sample, several other writers are credited as songwriters. Lyrically, it features the protagonist persistently wondering about a romantic attraction for a stranger on the first sight.
"Not Today" is a song recorded by American singer Mary J. Blige for her sixth studio album Love & Life (2003). It features a guest appearance from rapper Eve. The song was written by Blige, Eve, Mike Elizondo, Theron Feemster, Bruce Miller, and Dr. Dre, while production was helmed by the latter. Built upon a "plinking beat", it lyrically emphasizes the theme of broken promises and consequent end of the relationship.
"Be Without You" is a song by American recording artist Mary J. Blige. It was written by Johntá Austin, Bryan Michael Cox, Jason Perry, and Blige for her seventh studio album, The Breakthrough (2005). Production was helmed by Cox, with additional production from Young Smoke and vocal production from Ron Fair and Blige. A piano-tinkling downtempo R&B song, the song examines a relationship where the couple is trying to decide if they want to stay together, with Blige urging them to appreciate their blessings. "Be Without You" was released as the album's first official single on November 14, 2005.
My Life is the second album by American R&B recording artist Mary J. Blige, released on November 29, 1994, by Uptown Records and MCA Records. Many of the topics on My Life deal with clinical depression, Blige's battling with both drugs and alcohol, as well as being in an abusive relationship. Unlike her debut, What's the 411? (1992), Blige contributed lyrics to fourteen of the album's tracks, making it her most introspective and personal album at the time. Similar to her debut album, My Life features extensive production from Sean "Puffy" Combs for his newly founded label, Bad Boy Entertainment, which was at the time backed by Arista Records.
"Take Me as I Am" is a song by American singer Mary J. Blige. It was written by Jordan "Infinity" Suecof and Thabiso "Tab" Nkhereanye along with three members of the writing collective The Clutch, Ezekiel Lewis, Candice Nelson, and singer Keri Hilson, for her seventh studio album, The Breakthrough (2005). Production was helmed by Infinity and Ron Fair, with co-production from Tal Herzberg. The song contains samples from "Garden of Peace" (1979) by American jazz musician Lonnie Liston Smith. Due to the inclusion of the sample, he is also credited as songwriter.
"Mary Jane (All Night Long)" is a song by American singer-songwriter Mary J. Blige. It was written by Blige, Chucky Thompson and Sean "Puffy" Combs for her second studio album, My Life (1994), while production was helmed by Combs and Thompson. The song is built around a sample of “All Night Long” (1983) by American girl group Mary Jane Girls and "Close the Door" (1978) by American singer Teddy Pendergrass. Due to the inclusion of the sample, Rick James is also credited as songwriter.
"I'll Be There for You/You're All I Need to Get By" is a duet song by American rapper Method Man, featuring American singer-songwriter Mary J. Blige. The song is a remix of Method Man's "All I Need", which appears on his debut studio album Tical (1994). The song, a hip hop soul record, was released as a single by Def Jam Recordings and PolyGram Records on April 25, 1995.
"Just Fine" is a song by American singer Mary J. Blige. It was written by Blige, Terius "The-Dream" Nash, Jazze Pha and Tricky Stewart for her eighth studio album, Growing Pains (2007), while production was helmed by Pha and Stewart. It was released as the album's lead single on October 16, 2007. The song peaked at number 22 on the US Billboard Hot 100 and number 16 on the UK Singles Chart, while also topping the US Hot Dance Club Play chart.
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