"Seven Days" | ||||
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Single by Mary J. Blige | ||||
from the album Share My World | ||||
Released | March 20, 1998 | |||
Studio | Battery Studios (Chicago) | |||
Length | 5:09 | |||
Label | MCA | |||
Songwriter(s) | Malik Pendleton | |||
Producer(s) | Malik Pendleton | |||
Mary J. Blige singles chronology | ||||
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Music video | ||||
"Seven Days" on YouTube |
"Seven Days" is a song by American singer Mary J. Blige. It was written and produced by Malik Pendleton for her third studio album Share My World (1997). The song is supported with a guitar solo from American guitarist George Benson. Lyrically, "Seven Days" talks about a woman going through a dilemma in a relationship with a man who had been her best friend before a truth or dare? game led to them experiencing a relationship that has left Blige and the man in question at a crossroads of how to address each other.
The song was released as the album's fourth and final single by MCA Records on March 20, 1998. "Seven Days" peaked at number three on the US R&B/Hip-Hop Airplay and number 71 US Radio Songs, also reaching number 22 on the UK Singles Chart. Blige gave a memorable performance of "Seven Days" at the 25th American Music Awards, again with a guitar solo from Benson.
Larry Flick from Billboard wrote that the song "casts the Queen of Hip-Hop Soul as a woman trying to reconcile a foray into forbidden love, a role she plays to the hilt." He added, "Her diva chops are as sharp as ever as she whips through the track's bluesy ballad sound with palpable grit and drama. Producer Malik Pendleton presides over a flawless remix during which Blige breaks it down for a spoken passage that would make Millie Jackson proud. There's also a version of the song featuring George Benson floating one of his trademark jazz guitar solos. Pick a version—and play it over and over and over again." [1]
A music video was produced to promote the single and premiered in September 1997. It was directed by Steve Willis and features George Benson towards the end playing a guitar. Throughout the video, Blige sings in many places; many scenes where she is singing include in the car in which she is driving down the street, in the bed, in her bedroom, and in her condo. Her love interest is featured prominently throughout the video with her as well especially in the scenes where they are sitting on opposite sides of the bed or while watching television where two people are kissing.
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "Seven Days" (radio edit) | Malik Pendleton | Pendleton | 3:57 |
2. | "Seven Days" (remix) | Pendleton | Pendleton | 5:36 |
3. | "Round and Round" (Brooklyn Funk R&B Bump Mix featuring Big Pun) |
|
| 5:28 |
4. | "Round and Round" (Brooklyn Funk B-Boy Mix featuring Elementary & Half Time) |
| 6:15 |
Notes
Weekly charts
| Year-end charts
|
Mary Jane Blige is an American singer, songwriter, rapper, actress, and entrepreneur. Often referred to as the "Queen of Hip-Hop Soul" and "Queen of R&B", Blige has won nine Grammy Awards, a Primetime Emmy Award, four American Music Awards, twelve NAACP Image Awards, and twelve Billboard Music Awards, including the Billboard Icon Award. She has been nominated for three Golden Globe Awards and two Academy Awards, including one for her supporting role in the film Mudbound (2017) and another for its original song "Mighty River", becoming the first person nominated for acting and songwriting in the same year.
"Family Affair" is a song by American singer Mary J. Blige. It was written by Blige, her brother Bruce Miller, Camara Kambon, Michael Elizondo, and producer Dr. Dre for her fifth studio album, No More Drama (2001).
Mary is the fourth studio album by American singer Mary J. Blige, released August 17, 1999, on MCA Records. The album debuted at number two on the Billboard 200 chart, selling 239,000 copies in its first week. It spent 57 weeks on the chart and produced five charting singles. Upon its release, Mary received acclaim from music critics. It has been certified double platinum by the Recording Industry Association of America for sales of two million units in the United States.
"No More Drama" is a song by American recording artist Mary J. Blige. Written and produced by duo Jimmy Jam and Terry Lewis, it was initially intended for Blige's fourth studio album Mary (1999) before she insisted on making it the title track of her fifth studio album of the same name (2001). The song embodies portions of "The Young and the Restless Theme" (1971), written by Barry De Vorzon and Perry Botkin Jr. Lyrically, the song is about going through hard times and moving on from pain.
"Rainy Dayz" is a song by American singer Mary J. Blige featuring additional vocals from rapper Ja Rule. Taken from Blige's re-release of her fifth studio album, No More Drama, the track was released to coincide with the release of the album's reissue, serving as its final single. The Irv Gotti-produced duet became another hit for both, peaking at number 12 on the Billboard Hot 100 and number 17 in the United Kingdom.
"MJB da MVP" is a song by American recording artist Mary J. Blige featuring rapper 50 Cent, taken from her seventh studio album, The Breakthrough (2005). The Cool & Dre-produced track is a cover version of "Hate It or Love It" as performed by The Game and 50 Cent, the first of which also provided a new verse for the official remix of the song. In the new vocal part, Blige relates the ups and downs of her career and expresses thanks to Dr. Dre and The Game for letting her work on a track. She mentions her start in 1991, the release of her first five albums and her sadness by the death of her friend, R&B singer Aaliyah. The song contains elements from "Everybody Loves the Sunshine" by Roy Ayers.
"Be Without You" is a song by American recording artist Mary J. Blige. It was written by Johntá Austin, Bryan Michael Cox, Jason Perry, and Blige for her seventh studio album, The Breakthrough (2005). Production was helmed by Cox, with additional production from Young Smoke and vocal production from Ron Fair and Blige. A piano-tinkling downtempo R&B song, the song examines a relationship where the couple is trying to decide if they want to stay together, with Blige urging them to appreciate their blessings. "Be Without You" was released as the album's first official single on November 14, 2005.
American singer Mary J. Blige began her career as a backing vocalist for Uptown Records in the early 1990s. In a career spanning more than 30 years, she has released 15 studio albums and 83 singles—including more than 20 as a featured artist. The "Queen of Hip-Hop Soul" has sold an estimate of over 100 million records worldwide, and over 20 million in the United States alone. Billboard ranked Blige as the 18th Greatest Billboard 200 Woman of all time, the 45th Greatest Hot 100 Woman of all time and 88th Greatest Artist of all time.
"Not Gon' Cry" is a song by American R&B singer Mary J. Blige, from the soundtrack to the film Waiting to Exhale; the song is also featured on Blige's third album, Share My World (1997). It was written and produced by Babyface and became a major hit for Blige in the United States, where it peaked at numbers one and two on the Billboard Hot R&B Singles and Hot 100 charts, respectively. The single sold 1,000,000 copies domestically and was certified platinum by the Recording Industry Association of America.
"Mary Jane (All Night Long)" is a song by American singer-songwriter Mary J. Blige. It was written by Blige, Chucky Thompson and Sean "Puffy" Combs for her second studio album, My Life (1994), while production was helmed by Combs and Thompson. The song is built around a sample of “All Night Long” (1983) by American girl group Mary Jane Girls and "Close the Door" (1978) by American singer Teddy Pendergrass. Due to the inclusion of the sample, Rick James is also credited as songwriter.
"As" is a song written and performed by American singer and musician Stevie Wonder from his eighteenth album, Songs in the Key of Life (1976). The song was released in October 1977 by Tamla and reached number 36 on both the US Billboard Hot 100 and Black Singles chart. It gets its name from the first word of its lyrics.
"Just Fine" is a song by American singer Mary J. Blige. It was written by Blige, Terius "The-Dream" Nash, Jazze Pha and Tricky Stewart for her eighth studio album, Growing Pains (2007), while production was helmed by Pha and Stewart. It was released as the album's lead single on October 16, 2007. The song peaked at number 22 on the US Billboard Hot 100 and number 16 on the UK Singles Chart, while also topping the US Hot Dance Club Play chart.
"Sweet Thing" is a song performed by American funk and R&B band Rufus with vocals by band member Chaka Khan. As a single, it peaked number five on the US Billboard Hot 100 in 1976. Mary J. Blige recorded her version, which charted in the United States and New Zealand in 1993.
"Love Is All We Need" is a song by American singer Mary J. Blige, with a guest rap from Nas. It was written by Blige, Nas, James Harris III, and Terry Lewis for Blige's third studio album, Share My World (1997), while production was helmed by Jimmy Jam & Terry Lewis. The song contains a sample of the song "Moonchild" (1985) as performed by American singer Rick James. With its more buoyant tone, it stood in conspicuous contrast to much of the more dark-rooted material featured on Blige's earlier albums.
"Everything" is a song by American singer Mary J. Blige. It was written and produced by Jimmy Jam & Terry Lewis for Blige's third album, Share My World (1997). The song contains samples from "You Are Everything" (1971) by American soul group The Stylistics and "The Payback" (1973) by American singer James Brown, also incorporating elements from "Sukiyaki" (1961) by Japanese singer Kyu Sakamoto. Due to the inclusion of the samples, Brown, Hachidai Nakamura, Rokusuke Ei, Linda Creed, Thom Bell, John Starks, and Fred Wesley are also credited as songwriters.
"Missing You" is a song by American singer Mary J. Blige. It was written and produced by Babyface for her third studio album, Share My World (1997). In the United Kingdom, the song was released as the album's third single where it reached number 19 on the UK Singles Chart. "Missing You" features background vocals from singer Shanice and talks about a woman in a dilemma over a relationship with a man that she at first claimed she "wasn't in love" with but then finds herself "thinking about him all the time" and her missing him.
"Be Happy" is a song by American singer Mary J. Blige. It was written by Blige, Sean "Puffy" Combs, Arlene DeValle, and Jean-Claude Olivier from duo Poke & Tone for her second studio album, My Life (1994), while production was helmed by Combs and Olivier. "Be Happy" contains an instrumental sample of the song "You're So Good to Me" (1979) by musician Curtis Mayfield and a re-sung vocal portion of the record "I Want You" (1976) by Marvin Gaye.
"All That I Can Say" is a song by American recording artist Mary J. Blige. It was composed by fellow R&B singer Lauryn Hill, who also sang backing vocals, for Blige's fourth studio album, Mary (1999). Released as the album's lead single in July 1999 by MCA, it became a moderate commercial success in both the United States and United Kingdom, peaking at numbers forty-four and twenty-nine, respectively.
"Deep Inside" is a song by the American singer Mary J. Blige. It was written by Blige, Tara Geter and Kevin Deane for her fourth studio album, Mary (1999), while production was led by Deane. The song features a sample of piano playing from Elton John's "Bennie and the Jets" (1974). John and co-writer Bernie Taupin are also credited as songwriters.
"Love No Limit" is a song by American recording artist Mary J. Blige. It was co-written by Kenny Greene and Dave "Jam" Hall for her debut album, What's the 411? (1992), while production was overseen by Hall. Released in May 1993 by Uptown and MCA as the album's fourth and final single, the song became a top-5 hit, reaching number five on the US Billboard R&B singles chart. It also peaked at numbers 44 and 43 on the Billboard Hot 100 and Cash Box Top 100. Hall has stated in interviews, that he wanted to give the song an urban, hip-hop feel to a much more jazzy sound, when it was created.