Victor August Herbert was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
Sweethearts is an operetta or musical play in two acts with music by Victor Herbert, lyrics by Robert B. Smith and book by Harry B. Smith and Fred de Gresac.
The New Moon is an operetta with music by Sigmund Romberg, lyrics by Oscar Hammerstein II and book by Oscar Hammerstein II, Frank Mandel, and Laurence Schwab. The show was the third in a string of Broadway hits for Romberg written in the style of Viennese operetta. Set in 1792, shortly before the French Revolution, the story centers on a young French aristocrat in disguise, who has fled his country and falls in love with the daughter of a prominent New Orleans planter.
Eileen is a comic opera in 3 Acts with music by Victor Herbert and lyrics and book by Henry Blossom, based loosely on the 1835 novel Rory O'More by Herbert's grandfather, Samuel Lover. Set in 1798, the story concerns an Irish revolutionary arrested by the British for treason. Eileen, his nobly born sweetheart, helps him to escape by disguising him as a servant.
Babes in Toyland is an operetta composed by Victor Herbert with a libretto by Glen MacDonough, which wove together various characters from Mother Goose nursery rhymes into a musical extravaganza. Following the extraordinary success of their stage musical The Wizard of Oz, which was produced in New York beginning in January 1903, producer Fred R. Hamlin and director Julian Mitchell hoped to create more family musicals. MacDonough had helped Mitchell with revisions to the Oz libretto by L. Frank Baum. Mitchell and MacDonough persuaded Victor Herbert to join the production. Babes in Toyland features some of Herbert's most famous songs – among them "Toyland", "March of the Toys", "Go to Sleep, Slumber Deep", and "I Can't Do the Sum". The theme song "Toyland", and the most famous instrumental piece from the operetta, "March of the Toys", occasionally show up on Christmas compilations.
Ein Walzertraum is an operetta by Oscar Straus with a German libretto by Leopold Jacobson and Felix Dörmann, based on the novella Nux, der Prinzgemahl by Hans Müller-Einigen from his 1905 book Buch der Abenteuer.
Mlle. Modiste is an operetta in two acts composed by Victor Herbert with a libretto by Henry Blossom. It concerns hat shop girl Fifi, who longs to be an opera singer, but who is such a good hat seller that her employer, Mme. Cecil, discourages her in her ambitions and exploits her commercial talents. Also, Fifi loves Etienne de Bouvray, who returns her love, but his uncle, Count Henri, opposes their union. The operetta features the song "Kiss Me Again".
Das Dreimäderlhaus, adapted into English-language versions as Blossom Time and Lilac Time, is a Viennese pastiche operetta with music by Franz Schubert, rearranged by Heinrich Berté (1857–1924), and a libretto by Alfred Maria Willner and Heinz Reichert. The work gives a fictionalized account of Schubert's romantic life, and the story was adapted from the 1912 novel Schwammerl by Rudolf Hans Bartsch (1873–1952). Originally the score was mostly Berté, with just one piece of Schubert's, but the producers required Berté to discard his score and create a pasticcio of Schubert music.
The Red Mill is an operetta written by Victor Herbert, with a libretto by Henry Blossom. The farcical story concerns two American vaudevillians who wreak havoc at an inn in the Netherlands, interfering with two marriages; but all ends well. The musical premiered on Broadway on September 24, 1906, at the Knickerbocker Theatre and ran for 274 performances, starring comedians Fred Stone and David C. Montgomery. It also had a London run and toured extensively, and in 1945 had a long-running Broadway revival. The Red Mill includes the famous songs "Every Day is Lady's Day with Me", "The Streets of New York", "You Never Can Tell About a Woman", and "Because You're You".
The Fortune Teller is an operetta in three acts composed by Victor Herbert, with a libretto by Harry B. Smith. After a brief tryout in Toronto, it premiered on Broadway on September 26, 1898, at Wallack's Theatre and ran for 40 performances. Star Alice Nielsen and many of the original company traveled to London, where the piece opened at the Shaftesbury Theatre on April 9, 1901, running for 88 performances. It was revived in New York on November 4, 1929, at Jolson's 59th Street Theatre, starring Tessa Kosta, and ran for 16 performances. The piece continued to be revived, including by the Light Opera of Manhattan in the late 20th century and the Comic Opera Guild in the early 21st century.
The Princess Pat is an operetta in three acts with music by Victor Herbert and book and lyrics by Henry Blossom. While set on Long Island, New York, the story follows the American born Princess di Montaldo, a.k.a "Princess Pat", who is married to the Italian Prince Antonio di Montaldo, a.k.a. "Prince Toto". Unhappy that her husband ignores her, she is intent on winning back his attention and affections. Herbert wrote the piece as a vehicle for the soprano Eleanor Painter.
Henry Martyn Blossom Jr. was an American writer, playwright, novelist, opera librettist, and lyricist. He first gained wide attention for his second novel, Checkers: A Hard Luck Story (1896), which was successfully adapted by Blossom into a 1903 Broadway play, Checkers. It was Blossom's first stage work and his first critical success in the theatre. The play in turn was adapted by others creatives into two silent films, one in 1913 and the other in 1919, and the play was the basis for the 1920 Broadway musical Honey Girl. Checkers was soon followed by Blossom's first critical success as a lyricist, the comic opera The Yankee Consul (1903), on which he collaborated with fellow Saint Louis resident and composer Alfred G. Robyn. This work was also adapted into a silent film in 1921. He later collaborated with Robyn again; writing the book and lyrics for their 1912 musical All for the Ladies.
Lovely Ladies, Kind Gentlemen is a musical with a book by John Patrick and music and lyrics by Stan Freeman and Franklin Underwood.
Kiss Me Again is a 1931 American pre-Code musical operetta film filmed entirely in Technicolor. It was originally released in the United States as Toast of the Legion late in 1930, but was quickly withdrawn when Warner Bros. realized that the public had grown weary of musicals. The Warner Bros. believed that this attitude would only last for a few months, but, when the public proved obstinate, they reluctantly re-released the film early in 1931 after making a few cuts to the film.
The Los Angeles Civic Light Opera (LACLO) was an American theatre/opera company in Los Angeles, California. Founded under the motto "Light Opera in the Grand Opera manner" in 1938 by impresario Edwin Lester, the organization presented fifty seasons of theatre before closing due to financial reasons in 1987. Typically the LACLO presented four to six productions during an annual season. The company produced or co-produced several of their own shows in addition to bringing in shows from Broadway to California, often with their original casts. Productions that originated at the LACLO and then went on to wider success, included Song of Norway (1944), Magdalena (1948), Kismet (1953), Peter Pan (1954) and Gigi (1973). Initially the organization mainly presented American operettas, but by the 1960s the company was presenting mostly musical theatre; although the company never completely left its roots.
Edwin Lester was an American theatre director, impresario, and producer. He was the longtime general director of the Los Angeles Civic Light Opera, which he founded in 1938. He also co-founded the LACLO's affiliate organization, the San Francisco Civic Light Opera, with Homer Curran in 1939. Under his leadership, the LACLO produced or co-produced several of their own shows, a number of which went on to wider success, including Song of Norway (1944), Magdalena (1948), Kismet (1953), Peter Pan (1954) and Gigi (1973). Lester also brought in shows from Broadway to California, often with their original casts.
Francia White was an American soprano who had an active career in concerts, operas, operettas, radio, television, and film during the late 1920s through the 1940s. She began her career as a vaudeville performer in her late teens and then began singing in more serious classical music repertoire during the mid-1930s. She drew the attention of Hollywood and began working as a ghost singer for films in 1934. She soon broke into radio in 1935 and was highly active in that medium until 1941. On television she starred on the musical variety show, The Bell Telephone Hour, from 1940-1942. In addition to her radio work, she is chiefly remembered for helping to launch Edwin Lester's Los Angeles Civic Light Opera in 1938 and was one of their main leading ladies up through 1942.
Helena Bliss was an American actress and singer. A talented soprano, she actively performed in musicals, operettas, and operas in the United States, both on stage and on television and radio, from the 1930s through the 1950s. She is best known for her portrayal of Nina Hagerup in the original Broadway production of Robert Wright and George Forrest's Song of Norway. She also appeared successfully in a few productions on London's West End.
Fred de Gresac, born Frédérique Rosine de Grésac, was a French librettist, playwright and screenwriter. She was the wife of opera singer Victor Maurel.
Pat Somerset was an English stage and film actor.
