Orsinian Tales

Last updated
Orsinian Tales
Orsinian Tales First.JPG
First edition cover
Author Ursula K. Le Guin
CountryUnited States
LanguageEnglish
Publisher Harper & Row United States
Publication date
1976
Media typePrint (hardcover)
Pages179 pp
ISBN 0-06-012561-6
OCLC 2331143

Orsinian Tales is a collection of eleven short stories by American writer Ursula K. Le Guin, most of them set in the imaginary East European country of Orsinia. [1]

Contents

Themes

The stories share few links except those derived from the use of a common geographical setting; the only link between characters appears in the stories Brothers and Sisters and A Week in the Country, both of which deal with members of the Fabbre family (whose history is continued in the later story Unlocking the Air). Common to all the stories, however, are emotionally moving personal events—often, though not always, romantic—set against the backdrop of much larger political events such as wars and revolutions. Continually reasserted are the right of the individual—sometimes alone, but often in conjunction with others—to his or her own thoughts and emotions, not dictated by society, or convention, or the State.

Continuations

Additional stories in the cycle include the novel Malafrena (1979), set in the Orsinia of the 1820s; the Borges-like story "Two Delays on the Northern Line" [2] containing two tangentially linked episodes of uncertain date; and "Unlocking the Air" [3] [lower-alpha 1] The last-named story extends Orsinian history to the time of the downfall of Communism in Orsinia – and the rest of Eastern Europe – in the winter of 1989. [lower-alpha 2]

Orsinia

The stories are set in a fictional country somewhere in Central Europe, at different times in the period 1150–1989 (though only two take place before the 20th century). This country, "Orsinia", appears in Le Guin's earliest writings, [7] [8] and was invented by le Guin when she was a young adult learning her craft as a writer. [9] The names Orsinia and Ursula are both derived from Latin ursus "bear" (ursula = diminutive of ursa "female bear"; ursinus = "bear-like"). Le Guin once said that since Orsinia was her own country it should bear her name. [10]

The history of Orsinia follows, in general, that of other countries of Central Europe, particularly those formerly part of Austria-Hungary. Formerly an independent kingdom ("The Lady of Moge"), by the 19th century it was a dependency of the Austrian Empire ( Malafrena ). It was involved in the First World War ("Conversations at Night"), and was thereafter independent for a while. Its fate in World War II is not mentioned, but in 1946 or 1947 it became a satellite state in the East bloc. A revolt was attempted in 1956 ("The Road East"), but was crushed and followed by reprisals ("A Week in the Country"), and Orsinia remained a repressive police state for several decades. In November 1989, following a series of non-violent protests, the government fell, to be replaced by a transitional régime promising free elections ("Unlocking the Air"). Le Guin did not publish any Orsinian stories dealing with its history since. [lower-alpha 3]

The Orsinian stories borrow episodes from, and sometimes explicitly refer to, the history of the Czech lands, as well as Hungary and other countries of Central Europe [lower-alpha 4] [lower-alpha 5] It is not however, a mere fictionalization of any real country, but rather one imagined with its own unique characteristics and history, distilled from le Guin's personal interpretation and reaction to historical events. [lower-alpha 6]

Contents

Footnotes

  1. The short story "The Diary of the Rose" [4] is of uncertain category: Despite characters sharing several names from the Orsinian style (including one, Sorde, which also appears in Malafrena ) the story abandons the realism of the others, in favor of a science fiction premise (explored for its personal and political implications) and never explicitly states the place or time where it takes place (at one point "the twentieth century" is spoken of in past tense). Le Guin has written,
    "I don't think 'The Diary of the Rose' takes place in Orsinia, it seems more like South America to me, but the protagonist has an Orsinian name." [5] [ full citation needed ]
  2. A central theme in the story is demonstrators shaking keys to "unlock the air", was seen in the demonstrations of 1989. "Today, at exactly noon in Prague, people flooded into the streets around Wenceslas Square, the central shopping thoroughfare, rattling key chains and tinkling tiny bells. The jingling of keys, acts symbolizing the opening of hitherto locked doors, has become a common gesture in the wave of demonstrations ... . On Jungmanova Square, Mr. Havel himself stood beaming broadly on the balcony of a building ... . He lustily jingled a bunch of keys." [6]
  3. "As for Orsinia, I have not been able to go back there since 1990, though I have tried several times. The borders are closed. I don't know what's going on. It worries me." [11]
  4. "And of course if there's any country Orsinia is like, it's Czechoslovakia. It's puzzled me that everyone says Orsinia is like Hungary, but nobody mentions Czechoslovakia." [12]
    "I have used the history of Poland, though not in science-fiction stories, in 'main stream' [ sic ]stories ... . I have written an historical novel, Malafrena , and a collection of stories, Orsinian Tales, all set in an imaginary central European country in the historical past. Malafrena concerns the Revolution of 1830, and you will find certain parallels to Polish history in it." [13]
  5. Similarities to Czechoslovakia include that Orsinia is landlocked, and in the 19th century rebelled unsuccessfully against Habsburg rule.
  6. "Another thing important to Orsinia's development was that I became aware politically. The first thing I really noticed and took personally, from a political standpoint, was the invasion of Czechoslovakia in 1947 [ sic ] by the Russians. That's when I came of age and realized I had a stake in this world ... . Writing about Orsinia allowed me to talk about a situation that had touched my heart, yet I could distance it, which was very important at that time." [14]

Related Research Articles

<span class="mw-page-title-main">Ursula K. Le Guin</span> American fantasy and science fiction author (1929–2018)

Ursula Kroeber Le Guin was an American author. She wrote works of speculative fiction, including science fiction works set in her Hainish universe, and the Earthsea fantasy series. Her work was first published in 1959, and her literary career spanned nearly sixty years, producing more than twenty novels and over a hundred short stories, in addition to poetry, literary criticism, translations, and children's books. Frequently described as an author of science fiction, Le Guin has also been called a "major voice in American Letters". Le Guin said she would prefer to be known as an "American novelist".

<span class="mw-page-title-main">The Ones Who Walk Away from Omelas</span> 1973 short story by Ursula K. Le Guin

"The Ones Who Walk Away from Omelas" is a 1973 short work of philosophical fiction by American writer Ursula K. Le Guin. With deliberately both vague and vivid descriptions, the narrator depicts a summer festival in the utopian city of Omelas, whose prosperity depends on the perpetual misery of a single child. "The Ones Who Walk Away from Omelas" was nominated for the Locus Award for Best Short Fiction in 1974 and won the Hugo Award for Best Short Story in 1974.

<i>Earthsea</i> Fantasy fiction series by Ursula K. Le Guin 1968–2001

The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by the American author Ursula K. Le Guin. Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan, (1970) and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind. In 2018, all the novels and short stories were published in a single volume, The Books of Earthsea: The Complete Illustrated Edition, with artwork by Charles Vess.

<i>City of Illusions</i> 1967 science fiction novel by Ursula K. Le Guin

City of Illusions is a 1967 science fiction novel by American writer Ursula K. Le Guin. It is set on Earth in the distant future, and is part of her Hainish Cycle. City of Illusions lays the foundation for the Hainish cycle which is a fictional universe in which the majority of Ursula K. Le Guin's science fiction novels take place.

<i>Malafrena</i> Novel by Ursula K. Le Guin

Malafrena is a 1979 novel by Ursula K. Le Guin. The only fantastic element of this novel is that it takes place in the imaginary Central European country of Orsinia, which is also the setting of her collection Orsinian Tales.

<span class="mw-page-title-main">Michael Kandel</span> American translator and writer of science fiction

Michael Kandel is an American translator and author of science fiction.

<i>The Compass Rose</i> 1982 collection of short stories by Ursula K. Le Guin

The Compass Rose is a 1982 collection of short stories by American writer Ursula K. Le Guin, and illustrated by Anne Yvonne Gilbert in 1983. It is organized into sections on the theme of directions, though not strictly compass-related as the title implies.

<i>Unlocking the Air and Other Stories</i> 1996 short story collection by Ursula K. Le Guin

Unlocking the Air and Other Stories is a 1996 collection of short stories by Ursula K. Le Guin. Like Searoad and Orsinian Tales, most of the included stories are neither science fiction nor fantasy. It was a finalist for the 1997 Pulitzer Prize for Fiction.

<span class="mw-page-title-main">Ruritanian romance</span> Literary genre of fictional royalty

Ruritanian romance is a genre of literature, film and theatre comprising novels, stories, plays and films set in a fictional country, usually in Central or Eastern Europe, such as the "Ruritania" that gave the genre its name.

<i>Catwings</i> Childrens book series by Ursula K. Le Guin

Catwings is a series of four American children's picture books written by Ursula K. Le Guin, illustrated by S. D. Schindler, and originally published by Scholastic from 1988 to 1999. It follows the adventures of kittens who were born with wings. Catwings is also the title of the first book in the series. The series is in print from Scholastic as of August 2015.

"Winter's King" is a science fiction short story by American writer Ursula K. Le Guin, originally published in the September 1969 issue of Orbit, a fiction anthology. The story is part of the Hainish Cycle and explores topics such as the effects on humans of space travel at nearly the speed of light, as well as religious and political topics such as feudalism.

<i>The Left Hand of Darkness</i> 1969 science fiction novel by Ursula K. Le Guin

The Left Hand of Darkness is a science fiction novel by the American writer Ursula K. Le Guin. Published in 1969, it became immensely popular, and established Le Guin's status as a major author of science fiction. The novel is set in the fictional Hainish universe as part of the Hainish Cycle, a series of novels and short stories by Le Guin, which she introduced in the 1964 short story "The Dowry of Angyar". It was fourth in sequence of writing among the Hainish novels, preceded by City of Illusions, and followed by The Word for World Is Forest.

<span class="mw-page-title-main">Ursula K. Le Guin bibliography</span>

Ursula K. Le Guin (1929–2018) was an American author of speculative fiction, realistic fiction, non-fiction, screenplays, librettos, essays, poetry, speeches, translations, literary critiques, chapbooks, and children's fiction. She was primarily known for her works of speculative fiction. These include works set in the fictional world of Earthsea, stories in the Hainish Cycle, and standalone novels and short stories. Though frequently referred to as an author of science fiction, critics have described her work as being difficult to classify.

The anthropologist Leon E. Stover says of science fiction's relationship to anthropology: "Anthropological science fiction enjoys the philosophical luxury of providing answers to the question "What is man?" while anthropology the science is still learning how to frame it". The editors of a collection of anthropological SF stories observed:

Anthropology is the science of man. It tells the story from ape-man to spaceman, attempting to describe in detail all the epochs of this continuing history. Writers of fiction, and in particular science fiction, peer over the anthropologists' shoulders as the discoveries are made, then utilize the material in fictional works. Where the scientist must speculate reservedly from known fact and make a small leap into the unknown, the writer is free to soar high on the wings of fancy.

"Vaster than Empires and More Slow" is a science fiction story by American author Ursula K. Le Guin, first published in the collection New Dimensions 1, edited by Robert Silverberg. It is set in the fictional Hainish universe, where Earth is a member of an interstellar "League of Worlds". The anthology was released in United States in 1971, by Doubleday Books.

"The Dowry of Angyar" is a science fiction short story by American writer Ursula K. Le Guin, first published in 1964. It is the first work of the Hainish Cycle. The story is set on a fictional planet of the star Fomalhaut, and follows a highborn woman as she tries to track down a family heirloom. It was framed by commentary from ethnologists studying the intelligent life-forms of the Fomalhaut system. The story drew from Norse mythology, including the legend of the Brísingamen, and explored the concept of time dilation. "The Dowry of Angyar" drew comments for its stylistic devices, while a review praised Le Guin's writing as "crystalline prose". It was later used as the prologue to Le Guin's 1966 novel Rocannon's World. In later publications, including in the 1975 anthology The Wind's Twelve Quarters, the story was given the title "Semley's Necklace".

<i>Nebula Award Stories 11</i> 1976 anthology edited by Ursula K. Le Guin

Nebula Award Stories 11 is an anthology of science fiction short works edited by Ursula K. Le Guin. It was first published in the United Kingdom in hardcover by Gollancz in November 1976. The first American edition was published in hardcover by Harper & Row in February 1977. Paperback editions followed from Corgi in the U.K. in July 1978, and Bantam Books in the U.S. in August 1978. The American editions bore the variant title Nebula Award Stories Eleven.

<span class="mw-page-title-main">R. B. Lemberg</span> Ukrainian-American speculative fiction author (born 1976)

R. B. Lemberg is a queer, bigender, and autistic Ukrainian-American author, poet, and editor of speculative fiction. Their work has appeared in publications such as Lightspeed, Strange Horizons, Beneath Ceaseless Skies, Sisters of the Revolution: A Feminist Speculative Fiction Anthology, Uncanny Magazine, and Transcendent 3: The Year's Best Transgender Speculative Fiction 2017.

"The Diary of the Rose" is a 1976 dystopian science fiction novelette by Ursula K. Le Guin, first published in the Future Power collection. The tale is set in a totalitarian society which uses brainwashing by "electroshocks" to eradicate any kind of political dissent.

<i>Aurora: Beyond Equality</i> 1976 anthology of feminist science fiction

Aurora: Beyond Equality is an anthology of feminist science fiction edited by Vonda N. McIntyre and Susan Janice Anderson and published in 1976.

References

  1. "Ursula K. Le Guin — Orsinian Tales". Ursula K. Le Guin. Retrieved 2024-05-28.
  2. le Guin, Ursula K. (1982) [1979]. "Two Delays on the Northern Line". The Compass Rose (anthology).
  3. le Guin, Ursula K. (1996) [1990]. Unlocking the Air and Other Stories (anthology).
  4. le Guin, Ursula K. (1982) [1976]. "The Diary of the Rose". The Compass Rose (anthology).
  5. le Guin, Ursula K. The Unreal and The Real. p. 5.
  6. Tagliabue, John (12 December 1989). "Upheaval in the East; from all Czechoslovakia, a joyful noise". The New York Times .
  7. le Guin, Ursula K (Fall 1959). "Folksong from the Montayna Province". Prairie Poet. Charleston, IL. p. 75.{{cite book}}: CS1 maint: location missing publisher (link)
  8. le Guin, Ursula K (1961). "An die Musik". Western Humanities Review. Vol. 15. pp. 247–258.
  9. Cummins, Elizabeth (1993). Understanding Ursula K. le Guin (rev. ed.). Columbia, SC: University of South Carolina Press. pp. 126–127. ISBN   0-87249-869-7.
  10. Bittner, James W. (November 1978). "Persuading us to rejoice and teaching us how to praise: Le Guin's Orsinian Tales". Science Fiction Studies. Vol. 5, no. 16. part 3.
  11. "Ambiguous utopias". zone-sf.com. Retrieved March 28, 2011.
  12. McCaffery, Larry (1987). Alive and Writing: Interviews with American authors of the 1980s . University of Illinois Press. p.  183.
  13. Wojtowicz. "An Interview with Ursula le Guin A.D. 1988". slawcio.com. Archived from the original on March 4, 2016. Retrieved March 28, 2011.
  14. McCaffery, Larry (1987). Alive and Writing: Interviews with American authors of the 1980s . University of Illinois Press. p.  183.

Bibliography