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Editor | Susan Wood |
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Author | Ursula K. Le Guin |
Cover artist | Mike Mariano |
Language | English |
Genre | Essay |
Published | 1979 (Putnam Adult) |
Media type | |
Pages | 270 |
ISBN | 978-0399123252 |
The Language of the Night: Essays on Fantasy and Science Fiction is a collection of essays written by Ursula K. Le Guin and edited by Susan Wood. It was first published in 1979 and published in a revised edition in 1992. The essays discuss various aspects of the science fiction and fantasy genres, as well as Le Guin's own writing process. The 24 essay selections come from a variety of sources, including journals, book introductions, and award-acceptance speeches. The title comes from Le Guin's description of fantasy literature: "We like to think we live in daylight, but half the world is always dark; and fantasy, like poetry, speaks the language of the night."
Well known as a fantasy and science fiction author by 1979, Le Guin's criticism was relatively difficult to find prior to the publication of this collection. The Language of the Night contains "the most important critical statements [Le Guin] has made to date", [1] addressing topics such as Americans' attitudes towards fantasy fiction, the strengths and weaknesses of science fiction, and the qualities of children's literature. She also discusses the background of her major works such as A Wizard of Earthsea and The Left Hand of Darkness . However, some critics noted that the selections in The Language of the Night vary in significance, with "both substantial and slender contributions to science-fiction journals and symposiums." [2]
In the September–October 1989 edition of Games International (Issue #9), Paul Mason called this "a classic book that should be on every fantasy gamer's shelves." [3]
Patrick Curry, in the 2014 A Companion to J. R. R. Tolkien , wrote that Le Guin's reflections in the essays "remain[ed] evergreen", handling contentious issues such as whether fantasy is escapist, the subtlety of the character portraits in The Lord of the Rings , and that work's handling of the nature of evil. [4]
At the 1980 Hugo Awards, the collection was a nominee in the newly created Best Related Non-Fiction Book category. [5]
A Wizard of Earthsea is a fantasy novel written by American author Ursula K. Le Guin and first published by the small press Parnassus in 1968. It is regarded as a classic of children's literature and of fantasy, within which it is widely influential. The story is set in the fictional archipelago of Earthsea and centers on a young mage named Ged, born in a village on the island of Gont. He displays great power while still a boy and joins a school of wizardry, where his prickly nature drives him into conflict with a fellow student. During a magical duel, Ged's spell goes awry and releases a shadow creature that attacks him. The novel follows Ged's journey as he seeks to be free of the creature.
Ursula Kroeber Le Guin was an American author. She is best known for her works of speculative fiction, including science fiction works set in her Hainish universe, and the Earthsea fantasy series. Her work was first published in 1959, and her literary career spanned nearly sixty years, producing more than twenty novels and over a hundred short stories, in addition to poetry, literary criticism, translations, and children's books. Frequently described as an author of science fiction, Le Guin has also been called a "major voice in American Letters". Le Guin said she would prefer to be known as an "American novelist".
The Gandalf Awards, honoring achievement in fantasy literature, were conferred by the World Science Fiction Society annually from 1974 to 1981. They were named for Gandalf the wizard, from the Middle-earth stories by J. R. R. Tolkien. The award was created and sponsored by Lin Carter and the Swordsmen and Sorcerers' Guild of America (SAGA), an association of fantasy writers. Recipients were selected by vote of participants in the World Science Fiction Conventions according to procedures of the Hugo Awards.
Tehanu, initially subtitled The Last Book of Earthsea, is a fantasy novel by the American author Ursula K. Le Guin, published by Atheneum in 1990. It is the fourth novel set in the fictional archipelago Earthsea, following almost twenty years after the first three Earthsea novels (1968–1972), and not the last, despite its subtitle. It won the annual Nebula Award for Best Novel and the Locus Award for Best Fantasy Novel.
David Rowland Langford is a British author, editor, and critic, largely active within the science fiction field. He publishes the science-fiction fanzine and newsletter Ansible and holds the all-time record for most Hugo Awards, with a total of 29 wins.
The Mythopoeic Awards for literature and literary studies are given annually for outstanding works in the fields of myth, fantasy, and the scholarly study of these areas. Established by the Mythopoeic Society in 1971, the Mythopoeic Fantasy Award is given for "fiction in the spirit of the Inklings", and the Scholarship Award for non-fiction work. The award is a statuette of a seated lion, with a plaque on the base. It has drawn resemblance to, and is often called, the "Aslan".
Fantasy literature is literature set in an imaginary universe, often but not always without any locations, events, or people from the real world. Magic, the supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults.
The works of J. R. R. Tolkien have served as the inspiration to painters, musicians, film-makers and writers, to such an extent that he is sometimes seen as the "father" of the entire genre of high fantasy.
Do not laugh! But once upon a time I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic to the level of romantic fairy-story... The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama. Absurd.
Dancing at the Edge of the World is a 1989 nonfiction collection by Ursula K. Le Guin.
Donato Giancola is an American artist specializing in narrative realism with science fiction and fantasy content, including images for Tolkien's Middle-earth. He has won many Chesley Awards and other honors for his illustrations.
Robert Paul Holdstock was an English novelist and author best known for his works of Celtic, Nordic, Gothic and Pictish fantasy literature, predominantly in the fantasy subgenre of mythic fiction.
Mythago Wood is a fantasy novel by British writer Robert Holdstock, published in the United Kingdom in 1984. Mythago Wood is set in Herefordshire, England, in and around a stand of ancient woodland, known as Ryhope Wood. The story involves the internally estranged members of the Huxley family, particularly Stephen Huxley, and his experiences with the enigmatic forest and its magical inhabitants. The conception began as a short story written for the 1979 Milford Writer's Workshop; a novella of the same name appeared in the September 1981 edition of The Magazine of Fantasy & Science Fiction.
J. R. R. Tolkien: Author of the Century is a 2001 book of literary criticism written by Tom Shippey. It is about the work of the philologist and fantasy author J. R. R. Tolkien. In it, Shippey argues for the relevance of Tolkien today and attempts to firmly establish Tolkien's literary merits, based on analysis of The Hobbit, The Lord of the Rings, The Silmarillion, and Tolkien's shorter works.
J. R. R. Tolkien's bestselling fantasy novel The Lord of the Rings had an initial mixed literary reception. Despite some enthusiastic early reviews from supporters such as W. H. Auden, Iris Murdoch, and C. S. Lewis, literary hostility to Tolkien quickly became acute and continued until the start of the 21st century. From 1982, Tolkien scholars such as Tom Shippey and Verlyn Flieger began to roll back the hostility, defending Tolkien, rebutting the critics' attacks and analysing what they saw as good qualities in Tolkien's writing.
Tolkien: Maker of Middle-earth is a 2018 art book exploring images of the artwork, illustrations, maps, letters and manuscripts of J. R. R. Tolkien. The book was written by Catherine McIlwaine, Tolkien archivist at the Bodleian Library, Oxford. It was timed to coincide with an exhibition of the same name, also curated by McIlwaine.
A Companion to J. R. R. Tolkien is a 2014 book edited by Stuart D. Lee and published by Wiley-Blackwell. It is a part of the Blackwell Companions to Literature series, which have been described as prestigious reference works, and features authors well-known in the field of Tolkien studies.
Splintered Light: Logos and Language in Tolkien's World is an 1983 book of literary criticism by the leading Tolkien scholar Verlyn Flieger, in which she argues that light is a central theme of Tolkien's Middle-earth mythology, in particular in The Silmarillion. It has been admired by other scholars to the extent that it has become a core element of Tolkien scholarship.
Patrick Curry is an independent Canadian-born British scholar who has worked and taught on a variety of subjects from cultural astronomy to divination, the ecology movement, and the nature of enchantment. He is known for his studies of J. R. R. Tolkien.
Cheek by Jowl is a 2009 collection of eight essays and talks written by American author Ursula K. Le Guin, published by Aqueduct Press. The book focuses on the analysis and significance of imaginative literature, particularly in the realms of fantasy and young adult fiction. Le Guin delves into the various facets of fantasy literature, reflecting on its importance in fostering empathy, critical thinking, and moral development.
The philologist and fantasy author J. R. R. Tolkien made use of multiple literary devices in The Lord of the Rings, from its narrative structure and its use of pseudotranslation and editorial framing, to character pairing and the deliberate cultivation of an impression of depth. The narrative structure in particular has been seen as a pair of quests, a sequence of tableaux, a complex edifice, multiple spirals, and a medieval-style interlacing. The first volume, The Fellowship of the Ring, on the other hand, has a single narrative thread, and repeated episodes of danger and recuperation in five "Homely Houses". His prose style, too, has been both criticised and defended.