Author | Anna Adolph |
---|---|
Language | English |
Genre | Adventure fiction Fantasy Speculative fiction Utopian fiction |
Publisher | Privately printed |
Publication date | 1899 |
Publication place | United States |
Media type | Print (Hardcover) |
Pages | 80 |
Arqtiq: A Story of the Marvels at the North Pole is a feminist utopian adventure novel, published in 1899 by its author, Anna Adolph. [1] The book was one element in the major wave of utopian and dystopian fiction that marked the later nineteenth and early twentieth centuries. [2] [3] [4]
Arqtiq participates in, bridges, and hybridizes several related literary genres and subgenres of its time. Some writers applied feminist viewpoints to utopian fiction; Elizabeth Corbett's New Amazonia is one pertinent example, among others. A number of late-nineteenth-century novels looked forward to the invention of the airplane, as Adolph's book does; these works can be classed, at least generally or peripherally, as science fiction. Arqtiq combines this "airplane fiction" with utopian feminism, as does Jones and Merchant's Unveiling a Parallel .
Arqtiq also partakes in the exotic subgenres of hollow Earth or subterranean fiction, and lost-world or lost-race fiction. [5] Like Mary Lane's Mizora , Adolph's Arqtiq gives these forms of adventure fiction a feminist twist.
Stories of travel to the North Pole or South Pole recurred throughout the nineteenth century. Edgar Allan Poe's The Narrative of Arthur Gordon Pym of Nantucket is the most famous of these; there were various others.
Finally, Adolph couches her story as a dream, linking it to a whole host of fantasies that employ the dreaming motif.
The plot of Arqtiq involves a woman who invents an aircraft, a sort of hybrid of airplane and balloon. She decides to fly it to the North Pole, accompanied by her husband, father, and friends (characters based on the author's own relationships [6] ). After crossing the continent to New York, they travel northwards and reach the Pole. At first they perceive only a flat plain surrounded with icebergs; but the narrator detects a crystal city beneath the ice. The aeronauts land and meet the inhabitants, called the Arq. The Arq maintain a culture of gender equality and high technology. Communication is facilitated by the Arqs' telepathy; the narrator soon develops the same psychic ability. Despite their isolation, the Arq are devout Christians.
Adolph's Arqtiq has been characterized as "An eccentric novel combining elements of science fiction and religious fundamentalism," and an "exuberantly incoherent" book that also touches upon the work of John Symmes, a lunar meteorite, and "lunar people who are tiny and nasty". [7]
Fantasy comedy or comic fantasy is a subgenre of fantasy that is primarily humorous in intent and tone. Typically set in imaginary worlds, fantasy comedy often involves puns on, and parodies of, other works of fantasy.
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Mizora is a feminist science fiction utopian novel by Mary E. Bradley Lane, first published in 1880–81, when it was serialized in the Cincinnati Commercial newspaper. It appeared in book form in 1890. Mizora is "the first portrait of an all-female, self-sufficient society," and "the first feminist technological Utopia."
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New Amazonia: A Foretaste of the Future is a feminist utopian novel, written by Elizabeth Burgoyne Corbett and first published in 1889. It was one element in the wave of utopian and dystopian literature that marked the later nineteenth and early twentieth centuries.
Unveiling a Parallel: A Romance is a feminist science fiction and utopian novel published in 1893. The first edition of the book attributed authorship to "Two Women of the West". They were Alice Ilgenfritz Jones and Ella Robinson Merchant, writers who lived in Cedar Rapids, Iowa.
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A Crystal Age is a utopian novel/Dystopia written by W. H. Hudson, first published in 1887. The book has been called a "significant S-F milestone" and has been noted for its anticipation of the "modern ecological mysticism" that would evolve a century later.
Ionia: Land of Wise Men and Fair Women is an 1898 utopian novel written by Alexander Craig. It is one work in the major wave of utopian and dystopian fiction that characterized the final decades of the nineteenth century and the start of the twentieth.
A Prophetic Romance: Mars to Earth is an 1896 utopian novel written by John McCoy, and published pseudonymously as the work of "The Lord Commissioner," the narrator of the tale. The book is one element in the major wave of utopian and dystopian literature that characterized the final decades of the nineteenth century.
With Her in Ourland: Sequel to Herland is a feminist novel and sociological commentary written by Charlotte Perkins Gilman. The novel is a follow-up and sequel to Herland (1915), and picks up immediately following the events of Herland, with Terry, Van, and Ellador traveling from Herland to "Ourland". The majority of the novel follows Van and Ellador's travels throughout the world, and particularly the United States, with Van curating their explorations through the then-modern world, while Ellador offers her commentary and "prescriptions" from a Herlander's perspective, discussing topics such as the First World War, foot binding, education, politics, economics, race relations, and gender relations.
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