WisCon | |
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Genre | Feminist science fiction |
Dates | Memorial Day weekend |
Frequency | Annually |
Location(s) | Madison, Wisconsin |
Country | United States |
Inaugurated | 1977 |
Participants | c. 1,000 |
Organized by | (SF)3 -- http://www.sf3.org |
Website | www.wiscon.net |
Part of a series on |
Sex and sexuality in speculative fiction |
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WisCon or Wiscon, a Wisconsin science fiction convention, is the oldest, and often called the world's leading, feminist science fiction convention and conference. It was first held in Madison, Wisconsin in February 1977, [1] after a group of fans attending the 1976 34th World Science Fiction Convention in Kansas City was inspired to organize a convention like WorldCon but with feminism as the dominant theme. [2] The convention is held annually in May, during the four-day weekend of Memorial Day. Sponsored by the Society for the Furtherance and Study of Fantasy and Science Fiction, or (SF)³, WisCon gathers together fans, writers, editors, publishers, scholars, and artists to discuss science fiction and fantasy, with emphasis on issues of feminism, gender, race, and class.
Since its inception, WisCon has invited one or more guests of honor to attend the convention every year, guiding and participating in programming and giving a speech at a ceremony in their honor. [3] WisCon 30 (May 26–29, 2006) was an anniversary Wiscon, and 39 previous Guests of Honor attended. [4] For WisCon 40, the convention invited a third guest of honor, Nalo Hopkinson, who was previously a guest of honor at WisCon 26. A virtual event happened on Memorial Day weekend in 2020 at WisCon XLIV. Here are the Guests of honor below: [5]
Multiple awards and organizations have been created through or developed from conversations at WisCon that focus on various issues within science fiction and fantasy. Many of these offshoots still maintain close ties to WisCon, hosting parties or panel discussions focused on their areas of interest.
The James Tiptree, Jr. Award (now the Otherwise Award), an annual literary prize for science fiction or fantasy "that expands or explores our understanding of gender" was first discussed as part of Pat Murphy's Guest of Honor speech at WisCon 15 in 1991. The concept originated in a discussion at a prior WisCon, partly as "...a reaction to the fact that all of the science fiction awards were named after men. So they named the Tiptree for a man who was actually a woman". [7] James Tiptree, Jr., was the pen name of Alice B. Sheldon. [8] The Tiptree Ceremony has been held at other conventions, but is usually held at WisCon. [7]
The Carl Brandon Society was founded in 1999 following discussions at Wiscon 23 about race, racism, and science and fantasy, inspired in part by Delany’s essay “Racism and Science Fiction” published in the New York Review of Science Fiction (August 1998). [9] The organization is dedicated to addressing the representation of people of color in science fiction, fantasy and horror. In 2005 they created the Parallax Award, given to works of speculative fiction created by a self-identified person of color, and the Kindred Award, which is given to any work of speculative fiction dealing with issues of race and ethnicity; nominees may be of any racial or ethnic group. [10]
Broad Universe, an organization with the primary goal of promoting science fiction, fantasy, and horror written by women, was first discussed at a panel discussion in 2000 at WisCon 24. It has since developed into a nonprofit with an online newsletter and other publications, a podcast, and a frequent presence at many conventions both to sell books written by members and to provide more information and help organize to support women writing, editing, and publishing in science fiction, fantasy, horror, and other speculative fiction. [11]
In 2007, Aqueduct Press began issuing a series of books titled "WisCon Chronicles", with The WisCon Chronicles: Vol. 1 ISBN 978-1-933500-14-0, edited by L. Timmel Duchamp. [12] Volume 2 was The WisCon Chronicles: Volume 2: Provocative essays on feminism, race, revolution, and the future ISBN 978-1-933500-20-1, edited by Duchamp and Eileen Gunn; [13] followed by The WisCon Chronicles: Vol. 3: The Carnival of Feminist SF ISBN 978-1-933500-30-0, edited by Liz Henry; [14] The WisCon Chronicles: Vol. 4: Voices of WisCon ISBN 978-1-933500-40-9 edited by Sylvia Kelso; [15] and The WisCon Chronicles: Volume 5: Writing and Racial Identity ISBN 978-1-933500-73-7, edited by Nisi Shawl and released at WisCon 35 (May 27–30, 2011), where Shawl was Guest of Honor. [16] Volume 5, like Volume 4 before it, was supported by a grant from the Society for the Furtherance & Study of Fantasy & Science Fiction [(SF)3]. The WisCon Chronicles 6: Futures of Feminism and Fandom ISBN 9781619760080, edited by Alexis Lothian, was issued at WisCon 36 in 2012; and The WisCon Chroncles 7: Shattering Ableist Narratives ISBN 9781619760424, edited by JoSelle Vanderhooft, was issued at WisCon 37 in late May 2013. [17]
Helen Merrick's 2009 The Secret Feminist Cabal ( ISBN 978-1-933500-33-1), a 2010 Hugo nominee, while a broader history of the topic, contains a number of mentions and descriptions of WisCon itself and of various WisCon-spawned projects such as the Tiptree Awards, Broad Universe, and the Carl Brandon Society, beginning with the author's preface and continuing throughout the book. [18]
Feminist science fiction is a subgenre of science fiction focused on theories that include feminist themes including but not limited to gender inequality, sexuality, race, economics, and reproduction. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Joanna Russ was an American writer, academic and radical feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism such as How to Suppress Women's Writing, as well as a contemporary novel, On Strike Against God, and one children's book, Kittatinny. She is best known for The Female Man, a novel combining utopian fiction and satire, and the story "When It Changed".
The Otherwise Award, formerly known as the James Tiptree Jr. Award, is an annual literary prize for works of science fiction or fantasy that expand or explore one's understanding of gender. It was initiated in February 1991 by science fiction authors Pat Murphy and Karen Joy Fowler, subsequent to a discussion at WisCon.
Broad Universe is a United States-based, all volunteer organization with the primary goal of promoting science fiction, fantasy, and horror written by women. Writers, editors, publishers, reviewers, artists, and fans are invited to join them. "Broad-minded" men are welcome to participate. The organization originated in a panel discussion at WisCon, the feminist science fiction convention in Madison, Wisconsin, in 2000.
The Carl Brandon Society is a group originating within the science fiction community "dedicated to addressing the representation of people of color in the fantastical genres such as science fiction, fantasy and horror... to foster dialogue about issues of race, ethnicity and culture, raise awareness both inside and outside the fantastical fiction communities, promote inclusivity in publication/production, and celebrate the accomplishments of people of color in science fiction, fantasy and horror."
Ellen Klages is an American science, science fiction and historical fiction writer who lives in San Francisco. Her novelette "Basement Magic" won the 2005 Nebula Award for Best Novelette. She had previously been nominated for Hugo, Nebula, and Campbell awards. Her first (non-genre) novel, The Green Glass Sea, was published by Viking Children's Books in 2006. It won the 2007 Scott O'Dell Award for Historical Fiction. Portable Childhoods, a collection of her short fiction published by Tachyon Publications, was named a 2008 World Fantasy Award Finalist. White Sands, Red Menace, the sequel to The Green Glass Sea, was published in Fall 2008. In 2010 her short story "Singing on a Star" was nominated for a World Fantasy Award. In 2018 her novella Passing Strange was nominated for the Mythopoeic Fantasy Award for Adult Literature.
Kelley Eskridge is an American writer of fiction, non-fiction and screenplays. Her work is generally regarded as speculative fiction and is associated with the more literary edge of the category, as well as with the category of slipstream fiction.
James Raymond Frenkel is an American editor and agent of science fiction, fantasy, mysteries, thrillers, historical fiction, and other books, formerly for Tom Doherty Associates. He has edited numerous prominent authors such as Vernor Vinge, Joan D. Vinge, Frederik Pohl, Andre Norton, Loren D. Estleman, Dan Simmons, Jack Williamson, Timothy Zahn, Marie Jakober and Greg Bear. His agency clients include John C. Wright and L. Jagi Lamplighter. He and his wife, author Joan D. Vinge lived in Madison, Wisconsin for many years, but have moved to Green Valley, Arizona.
Toni Weisskopf is an American science fiction editor and the publisher of Baen Books. She has been nominated four times for a Hugo Award. She has won the Phoenix Award, the Rebel Award, and the Neffy Award for best editor. She uses the nom de plume T. K. F. Weisskopf as an anthology editor.
ApolloCon was a science fiction convention held annually in Houston, Texas by the Houston Science Fiction Association (HSFA), a non-profit 501(c)3 corporation.
Janus was a feminist science fiction fanzine edited by Janice Bogstad and Jeanne Gomoll in Madison, Wisconsin, and closely associated with that city's science fiction convention, WisCon It was repeatedly nominated for the Hugo Award for Best Fanzine ; this led to accusations that if Janus had not been feminist, it wouldn't have been nominated. Eighteen issues were published under this name from 1975–1980; it was succeeded by Aurora SF.
The 36th World Science Fiction Convention (Worldcon), also known as IguanaCon II, was held on 30 August–4 September 1978 at the Hyatt Regency Phoenix, Adams House, Phoenix Convention Center, and Phoenix Symphony Hall in Phoenix, Arizona, United States. Despite the name, this was the first "IguanaCon".
Nisi Shawl is an African-American writer, editor, and journalist. They are best known as an author of science fiction and fantasy short stories who writes and teaches about how fantastic fiction might reflect real-world diversity of gender, sexual orientation, race, colonialism, physical ability, age, and other sociocultural factors.
Diversicon is an annual speculative fiction convention held the first weekend of August in the Minneapolis-Saint Paul, Minnesota area. Diversicon provides programming and social opportunities to encourage the multicultural, multimedia exploration and celebration of SF by those within and outside of the traditional SF community. Diversicon includes both live and posthumous guests. It is sponsored by SF Minnesota.
Susan Joan Wood was a Canadian literary critic, professor, author and science fiction fan and editor. She was born in Ottawa, Ontario.
The Witch and the Chameleon was a Canadian science fiction fanzine published 1974–1976 by Amanda Bankier in Hamilton, Ontario. It is generally recognized as the first explicitly feminist fanzine. It ran for five issues, the last being nominally a "double issue" numbered 5/6.
K. Tempest Bradford is an African-American science fiction and fantasy author and editor. She was a non-fiction and managing editor with Fantasy Magazine from 2007 to 2009 and has edited fiction for Peridot Books, The Fortean Bureau and Sybil's Garage. She is the author of Ruby Finley vs. the Interstellar Invasion, an upcoming middle grade novel to be published in September 2022.
The role of women in speculative fiction has changed a great deal since the early to mid-20th century. There are several aspects to women's roles, including their participation as authors of speculative fiction and their role in science fiction fandom. Regarding authorship, in 1948, 10–15% of science fiction writers were female. Women's role in speculative fiction has grown since then, and in 1999, women comprised 36% of the Science Fiction and Fantasy Writers of America's professional members. Frankenstein (1818) by Mary Shelley has been called the first science fiction novel, although women wrote utopian novels even before that, with Margaret Cavendish publishing the first in the seventeenth century. Early published fantasy was written by and for any gender. However, speculative fiction, with science fiction in particular, has traditionally been viewed as a male-oriented genre.
Andrea Hairston is an African-American science fiction and fantasy playwright and novelist. Her novel Redwood and Wildfire won the James Tiptree, Jr. Award for 2011. Mindscape, Hairston's first novel, won the Carl Brandon Parallax Award and was short-listed for the Philip K. Dick Award and the James Tiptree, Jr. Award. Hairston was one of the Guests of Honor at the science fiction convention Wiscon in May 2012.
Jeanne Gomoll is an American artist, writer, editor, and science fiction fan, who was recognized as one of the guests of honor at the 72nd World Science Fiction Convention, having been a guest of honor at numerous previous science fiction conventions. She has been nominated multiple times for awards in artist and fanzine categories, and for service to the genre of science fiction, particularly feminist science fiction.
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