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Sex and sexuality in speculative fiction |
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Speculative and science fiction writers have often addressed the social, political, technological, and biological consequences of pregnancy and reproduction through the exploration of possible futures or alternative realities.
As real-world reproductive technology has advanced, SF works have become increasingly interested in representing alternative modes of reproduction. [1] Among the uses of pregnancy and reproduction themes regularly encountered in science fiction are:
The phenomenon of pregnancy itself has been the subject of numerous works, both directly and metaphorically. These works may relate pregnancy to parasitism or slavery, or simply use pregnancy as a strong contrast with horror. For example, in the film, Rosemary's Baby (1968) (based on the 1967 novel by Ira Levin) a woman is tricked into a satanic pregnancy by her husband. [4] [5]
Inter-species reproduction and alien-human hybrids frequently occur in science fiction, and women being impregnated by aliens is a common theme in SF horror films, including I Married a Monster from Outer Space , Village of the Damned , Inseminoid , and Xtro . [1] The theme has even been parodied, such as in the soft porn Wham Bam Thank You Spaceman. [1]
In the film Alien Resurrection (1997), Ellen Ripley has been cloned to facilitate study of the alien queen embryo with which she was implanted [6] [7] [8] In Octavia E. Butler's Lilith's Brood trilogy (1987, 1988, 1989) alien and human females impregnated with the DNA of males by alien intermediary-sex individuals, in "fivesomes". [9] [10]
Speculative fiction in technology of reproduction may involve cloning and ectogenesis, i.e., artificial reproduction). [2] [3]
The latter part of the 2000s decade has also seen an upswing of films and other fiction depicting emotional struggles of assisted reproductive technology in contemporary reality rather than being speculation. [11]
Fertility and reproduction have been frequent sites for examination of concerns about the impact of the environment and reproduction on the future of humanity or civilization. For example, The Children of Men by P. D. James is just one of many works which have considered the implications of global infertility; Make Room! Make Room! by Harry Harrison is one of many works which have examined the converse, the implications of massive human population surges. Numerous other works, such as Implosion , The First Century after Beatrice , Venus Plus X and More Than Human by Theodore Sturgeon examine the future of humanity as it evolves, or particular breeding programs.
Pregnancy and control of human reproduction have often been used as proxies for treating gender issues or broader themes of social control; works dealing with pregnancy and human reproduction have also been used to closely explore gender politics. For instance, "male pregnancy" has been used to comedic effect in mainstream literature and films such as Junior (1994 film, dir. Ivan Reitman), [12] [13] and has developed a following in fan fiction—the mpreg genre. [14]
The genre of feminist science fiction has explored single-sex reproduction in depth, particularly parthenogenesis, as well as gendered control over the ability and right to reproduce. See also numerous dystopian stories about state-controlled reproduction, abortion, and birth control, such as Atwood's The Handmaid's Tale , or her short story, Freeforall . These works have often been analyzed as explorations of contemporary political debates about reproduction and pregnancy. [15] [16]
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Geoffrey Charles Ryman is a Canadian writer of science fiction, fantasy, slipstream and historical fiction. Ryman has written and published seven novels, including an early example of a hypertext novel, 253. He has won multiple awards, including the World Fantasy Award.
Sexual themes are frequently used in science fiction or related genres. Such elements may include depictions of realistic sexual interactions in a science fictional setting, a protagonist with an alternative sexuality, a sexual encounter between a human and a fictional extraterrestrial, or exploration of the varieties of sexual experience that deviate from the conventional.
Octavia Estelle Butler was an American science fiction author and a multiple recipient of the Hugo and Nebula awards. In 1995, Butler became the first science-fiction writer to receive a MacArthur Fellowship.
Zenna Chlarson Henderson was an American elementary school teacher and science fiction and fantasy author. Her first story was published in The Magazine of Fantasy & Science Fiction in 1951. Her work is cited as pre-feminist, often featuring middle-aged women, children, and their relationships, but with stereotyped gender roles. Many of her stories center around human aliens called "The People", who have special powers. Henderson was nominated for a Hugo Award in 1959 for her novelette Captivity. Science fiction authors Lois McMaster Bujold, Orson Scott Card, Connie Willis, Dale Bailey, and Kathy Tyers have cited her as an influence on their work.
Perdido Street Station is a novel by British writer China Miéville, published in 2000 by Macmillan. Often described as weird fiction, it is set in a world where both magic and steampunk technology exist. It won the Arthur C. Clarke Award and was ranked by Locus as the 6th all-time best fantasy novel published in the 20th century.
Male pregnancy is the incubation of one or more embryos or fetuses by organisms of the male sex in some species. Most species that reproduce by sexual reproduction are heterogamous—females producing larger gametes (ova) and males producing smaller gametes (sperm). In nearly all animal species, offspring are carried by the female until birth, but in fish of the family Syngnathidae, males perform that function.
Postgenderism is a social, political and cultural movement which arose from the eroding of the cultural, psychological, and social role of gender, and an argument for why the erosion of binary gender will be liberatory.
Lilith's Brood is a collection of three works by Octavia E. Butler. The three volumes of this science fiction series were previously collected in the now out-of-print omnibus edition Xenogenesis. The collection was first published under the current title of Lilith's Brood in 2000.
Our Friends from Frolix 8 is a 1970 science fiction novel by American writer Philip K. Dick. The novel is set in the 22nd century, where humanity is ruled by mutated humans, "New Men" and "Unusuals", while normal "Old Men" are discriminated against. The story follows Nick Appleton, a low-class worker who falls in love with a subversive agent, while Thors Provoni has gone deep into space to find an ally to the resistance.
Survivor is a science fiction novel by American writer Octavia E. Butler. First published in 1978 as part of Butler's "Patternist series", Survivor is the only one of Butler's early novels not to be reprinted after its initial editions. Butler expressed dislike for the work, referring to it as "my Star Trek novel."
Gender has been an important theme explored in speculative fiction. The genres that make up speculative fiction, science fiction, fantasy, supernatural fiction, horror, superhero fiction, science fantasy and related genres, have always offered the opportunity for writers to explore social conventions, including gender, gender roles, and beliefs about gender. Like all literary forms, the science fiction genre reflects the popular perceptions of the eras in which individual creators were writing; and those creators' responses to gender stereotypes and gender roles.
A Dream of Wessex is a 1977 science fiction novel by British writer Christopher Priest. In the United States it was released under the title The Perfect Lover.
Black science fiction or black speculative fiction is an umbrella term that covers a variety of activities within the science fiction, fantasy, and horror genres where people of the African diaspora take part or are depicted. Some of its defining characteristics include a critique of the social structures leading to black oppression paired with an investment in social change. Black science fiction is "fed by technology but not led by it." This means that black science fiction often explores with human engagement with technology instead of technology as an innate good.
Science in science fiction is the study or of how science is portrayed in works of science fiction, including novels, stories, and films. It covers a large range of topics. Hard science fiction is based on engineering or the "hard" sciences. Soft science fiction is based on the "soft" sciences, and especially the social sciences.
Speculative fiction is defined as science fiction, fantasy, and horror. Within those categories exists many other subcategories, for example cyberpunk, magical realism, and psychological horror.
Andrea Hairston is an African-American science fiction and fantasy playwright and novelist. Her novel Redwood and Wildfire won the James Tiptree Jr. Award for 2011. Mindscape, Hairston's first novel, won the Carl Brandon Parallax Award and was short-listed for the Philip K. Dick Award and the James Tiptree Jr. Award. Hairston was one of the Guests of Honor at the science fiction convention Wiscon in May 2012.
"Vaster than Empires and More Slow" is a science fiction story by American author Ursula K. Le Guin, first published in the collection New Dimensions 1, edited by Robert Silverberg. It is set in the fictional Hainish universe, where Earth is a member of an interstellar "League of Worlds". The anthology was released in United States in 1971, by Doubleday Books.
Brazilian science fiction has been a part of Brazilian literature since the mid 19th century. The first works of Brazilian Science Fiction emerged in the decades following Brazil's independence. Brazilian science fiction has its roots in authors such as Augusto Emílio Zaluar in the novel O Doutor Benignus and Machado de Assis in the short story O Imortal (1882). The genre grew in popularity over the 20th century, reaching its first “golden age” in the late 1950s, bolstered by the work of publisher Gumercindo Rocha Dorea. Following the end of the military dictatorship in 1985, the genre has witnessed a renaissance, with an influx of new writers and diverse influences reshaping the genre.
Within fan fiction, a number of subgenres are well recognized....mpreg, where a man gets pregnant.