The Panapet radio is a round novelty radio on a chain, first produced by Panasonic in the early 1970s to commemorate the World Expo in Osaka [1] Two chrome plated dials on the surface are for tuning and volume, and a tuning display is inset on the surface of the ball. The Panapet is AM band only - no FM. There is a jack for a mono earplug. The Panapet came in several colors including red, yellow, white, blue, purple and avocado green.
Soviet clone of this radio is called Saratov, named after the city where it was manufactured. While being similar externally, it is fully different internally. It is a nine-transistor TRF receiver with transformerless audio amplifier, while the prototype is a six-transistor superheterodyne, and its audio amplifier uses transformers. The clone has no chain, but has metal ring between ball halves instead. A later clone, LW superheterodyne with transformerless audio amplifier by the same manufacturer is called Batiskaf (means bathyscaph), it has chain and dial and lacks metal ring between halves, like in original Panapet. Another later clone, similar to previous one, but without chain, was manufactured in Khmelnitsky, it has the 1980 Moscow Summer Olympics logo on its dial.
An amplifier, electronic amplifier or (informally) amp is an electronic device that can increase the power of a signal. It is a two-port electronic circuit that uses electric power from a power supply to increase the amplitude of a signal applied to its input terminals, producing a proportionally greater amplitude signal at its output. The amount of amplification provided by an amplifier is measured by its gain: the ratio of output voltage, current, or power to input. An amplifier is a circuit that has a power gain greater than one.
A superheterodyne receiver, often shortened to superhet, is a type of radio receiver that uses frequency mixing to convert a received signal to a fixed intermediate frequency (IF) which can be more conveniently processed than the original carrier frequency. It was long believed to have been invented by US engineer Edwin Armstrong, but after some controversy the earliest patent for the invention is now credited to French radio engineer and radio manufacturer Lucien Lévy. Virtually all modern radio receivers use the superheterodyne principle; except those software-defined radios using direct sampling.
A transistor is a semiconductor device used to amplify or switch electrical signals and power. The transistor is one of the basic building blocks of modern electronics. It is composed of semiconductor material, usually with at least three terminals for connection to an electronic circuit. A voltage or current applied to one pair of the transistor's terminals controls the current through another pair of terminals. Because the controlled (output) power can be higher than the controlling (input) power, a transistor can amplify a signal. Some transistors are packaged individually, but many more are found embedded in integrated circuits.
In communications and electronic engineering, an intermediate frequency (IF) is a frequency to which a carrier wave is shifted as an intermediate step in transmission or reception. The intermediate frequency is created by mixing the carrier signal with a local oscillator signal in a process called heterodyning, resulting in a signal at the difference or beat frequency. Intermediate frequencies are used in superheterodyne radio receivers, in which an incoming signal is shifted to an IF for amplification before final detection is done.
An audio power amplifier is an electronic amplifier that amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address and home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.
A regenerative circuit is an amplifier circuit that employs positive feedback. Some of the output of the amplifying device is applied back to its input so as to add to the input signal, increasing the amplification. One example is the Schmitt trigger, but the most common use of the term is in RF amplifiers, and especially regenerative receivers, to greatly increase the gain of a single amplifier stage.
A tuned radio frequency receiver is a type of radio receiver that is composed of one or more tuned radio frequency (RF) amplifier stages followed by a detector (demodulator) circuit to extract the audio signal and usually an audio frequency amplifier. This type of receiver was popular in the 1920s. Early examples could be tedious to operate because when tuning in a station each stage had to be individually adjusted to the station's frequency, but later models had ganged tuning, the tuning mechanisms of all stages being linked together, and operated by just one control knob. By the mid 1930s, it was replaced by the superheterodyne receiver patented by Edwin Armstrong.
In radio communications, a radio receiver, also known as a receiver, a wireless, or simply a radio, is an electronic device that receives radio waves and converts the information carried by them to a usable form. It is used with an antenna. The antenna intercepts radio waves and converts them to tiny alternating currents which are applied to the receiver, and the receiver extracts the desired information. The receiver uses electronic filters to separate the desired radio frequency signal from all the other signals picked up by the antenna, an electronic amplifier to increase the power of the signal for further processing, and finally recovers the desired information through demodulation.
A push–pull amplifier is a type of electronic circuit that uses a pair of active devices that alternately supply current to, or absorb current from, a connected load. This kind of amplifier can enhance both the load capacity and switching speed.
The term All American Five is a colloquial name for mass-produced, superheterodyne radio receivers that used five vacuum tubes in their design. These radio sets were designed to receive amplitude modulation (AM) broadcasts in the medium wave band, and were manufactured in the United States from the mid-1930s until the early 1960s. By eliminating a power transformer, cost of the units was kept low; the same principle was later applied to television receivers. Variations in the design for lower cost, shortwave bands, better performance or special power supplies existed, although many sets used an identical set of vacuum tubes.
DIY Audio means "do it yourself" audio. Rather than buying a piece of possibly expensive audio equipment, such as a high-end audio amplifier or speaker, the person practicing DIY Audio will make it him/herself. Alternatively, a DIYer may take an existing manufactured item of vintage era and update or modify it. The benefits of doing so include the satisfaction of creating something enjoyable, the possibility that the equipment made or updated is of higher quality than commercially available products and the pleasure of creating a custom-made device for which no exact equivalent is marketed. Other motivations for DIY audio can include getting audio components at a lower cost, the entertainment of using the item, and being able to ensure quality of workmanship.
The Regency TR-1 was the first commercially manufactured transistor radio, introduced in 1954. Despite mediocre performance, about 150,000 units were sold, due to the novelty of its small size and portability. Previously, transistors had only been used in military or industrial applications, and the TR-1 demonstrated their utility for consumer electronics, offering a prescient glimpse of a future full of small, convenient hand-held devices that would develop into calculators, mobile phones, tablets and the like. Surviving specimens are sought out by collectors.
Radio receiver design includes the electronic design of different components of a radio receiver which processes the radio frequency signal from an antenna in order to produce usable information such as audio. The complexity of a modern receiver and the possible range of circuitry and methods employed are more generally covered in electronics and communications engineering. The term radio receiver is understood in this article to mean any device which is intended to receive a radio signal in order to generate useful information from the signal, most notably a recreation of the so-called baseband signal which modulated the radio signal at the time of transmission in a communications or broadcast system.
In radio, a detector is a device or circuit that extracts information from a modulated radio frequency current or voltage. The term dates from the first three decades of radio (1888-1918). Unlike modern radio stations which transmit sound on an uninterrupted carrier wave, early radio stations transmitted information by radiotelegraphy. The transmitter was switched on and off to produce long or short periods of radio waves, spelling out text messages in Morse code. Therefore, early radio receivers had only to distinguish between the presence or absence of a radio signal. The device that performed this function in the receiver circuit was called a detector. A variety of different detector devices, such as the coherer, electrolytic detector, magnetic detector and the crystal detector, were used during the wireless telegraphy era until superseded by vacuum tube technology.
A reflex radio receiver, occasionally called a reflectional receiver, is a radio receiver design in which the same amplifier is used to amplify the high-frequency radio signal (RF) and low-frequency audio (sound) signal (AF). It was first invented in 1914 by German scientists Wilhelm Schloemilch and Otto von Bronk, and rediscovered and extended to multiple tubes in 1917 by Marius Latour and William H. Priess. The radio signal from the antenna and tuned circuit passes through an amplifier, is demodulated in a detector which extracts the audio signal from the radio carrier, and the resulting audio signal passes again through the same amplifier for audio amplification before being applied to the earphone or loudspeaker. The reason for using the amplifier for "double duty" was to reduce the number of active devices, vacuum tubes or transistors, required in the circuit, to reduce the cost. The economical reflex circuit was used in inexpensive vacuum tube radios in the 1920s, and was revived again in simple portable tube radios in the 1930s.
An antique radio is a radio receiving set that is collectible because of its age and rarity.
The autodyne circuit was an improvement to radio signal amplification using the De Forest Audion vacuum tube amplifier. By allowing the tube to oscillate at a frequency slightly different from the desired signal, the sensitivity over other receivers was greatly improved. The autodyne circuit was invented by Edwin Howard Armstrong of Columbia University, New York, NY. He inserted a tuned circuit in the output circuit of the Audion vacuum tube amplifier. By adjusting the tuning of this tuned circuit, Armstrong was able to dramatically increase the gain of the Audion amplifier. Further increase in tuning resulted in the Audion amplifier reaching self-oscillation.
A magic eye tube or tuning indicator, in technical literature called an electron-ray indicator tube, is a vacuum tube which gives a visual indication of the amplitude of an electronic signal, such as an audio output, radio-frequency signal strength, or other functions. The magic eye is a specific type of such a tube with a circular display similar to the EM34 illustrated. Its first broad application was as a tuning indicator in radio receivers, to give an indication of the relative strength of the received radio signal, to show when a radio station was properly tuned in.
Olimpik — a series of Soviet produced superheterodyne portable radio receiver. The first model was developed in 1977 by the Ukrainian artist Mykola Lebid. The production was timed to coincide with the 1980 Summer Olympics in Moscow. Radio receivers were made at the Svitlovodsk plant Olymp in Ukraine. Some models were also manufactured by the production association Alatau in Kazakhstan.
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