Joseph Donald Mascis Jr., better known as J Mascis, is an American musician who is the singer, guitarist and main songwriter for the alternative rock band Dinosaur Jr. He has also released several albums as a solo artist and played drums and guitar on other projects. He was ranked number 74 in a Rolling Stone list of the "100 Greatest Guitarists", and number 5 in a similar list for Spin magazine in 2012.
The Best of Blondie is the first greatest hits album by American rock band Blondie. It was released in October 1981, by Chrysalis Records. The album peaked at number four in the United Kingdom and number 30 in the United States, while becoming the band's only number-one album in Australia.
Perseverance is the second studio album by American metalcore band Hatebreed. It was released in 2002 by Universal Records. "I Will Be Heard" is featured in the film XXX and on its soundtrack. "Below the Bottom" appeared in The Texas Chainsaw Massacre soundtrack. It is the band's last album to feature Lou Richards on guitar before his departure in 2002 and suicide in 2006.
Witch is an American stoner metal band formed in 2005 whose members are from Vermont and Massachusetts.
"How's It Going to Be" is a song by American rock band Third Eye Blind from their eponymous debut studio album (1997). It was released to radio as the third single from the album on October 20, 1997, by Elektra Records. Frontman Stephan Jenkins and guitarist Kevin Cadogan are credited as writers of the song. Production on the song was helmed by Jenkins, Eric Valentine, and Ren Klyce, with additional production and arrangement by Arion Salazar and Cadogan. According to Jenkins, the song is about the end of a relationship and the transition to acquaintanceship.
Witch is the eponymous debut album by Witch, a stoner doom band founded by J Mascis of Dinosaur Jr. "Soul of Fire" was released as a single with a demo version of "Rip Van Winkle" as the b-side. Heavy Black Sabbath influence is cited for this album.
"Losing a Whole Year" is a song by American rock band Third Eye Blind from their eponymous debut studio album (1997). Elektra Records released the song in Japan as the album's second single on December 15, 1997, and in the United States on February 23, 1998, as the fourth single from the album. The song was written by frontman Stephan Jenkins and guitarist Kevin Cadogan, whilst production was helmed by Jenkins and Eric Valentine. According to Jenkins, the song is about lamentation due to the end of a relationship.
Ultraelectromagneticpop! is the debut studio album of the Filipino rock band, Eraserheads. It was released by BMG Records (Pilipinas) Inc. in July 1993. Ultraelectromagneticpop! spawned hit songs such as "Ligaya", "Toyang", and "Pare Ko". The album is often credited for revitalizing the alternative rock genre in the Philippines during the 1990s.
Holy Money is the fourth studio album by American experimental rock band Swans. It was released in March 1986, through record label K.422. The album was recorded in the same sessions as "Time Is Money (Bastard)", "A Screw", and Greed.
Big Ship is the second extended play (EP) by the English band Cardiacs, released in January 1987 by the Alphabet Business Concern. It is an album-sized vinyl record played at the speed of a single (45rpm) and was issued with a lyric insert. It was the first Cardiacs release to exclusively feature the so-called classic 1980s line-up of the band.
Shaw Blades is an American musical duo/group formed by Tommy Shaw of Styx and Jack Blades of Night Ranger, both of whom played in the supergroup Damn Yankees. It is an informal duo which has produced two albums between other projects, 1995's Hallucination and 2007's Influence. The first two songs on "Hallucination" -- "My Hallucination" and "I'll Always Be with You"—received modest airplay. "Influence" consisted solely of 1960s and 1970s cover songs that influenced them. Blades' son Colin, a songwriter himself, contributed backing vocals and arrangements to the album. Shaw Blades also recorded a cover of the classic Christmas song "The Twelve Days of Christmas" on the A Classic Rock Christmas album by various classic rock artists in 2002. Shaw Blades did a short tour of America in Spring 2007 and another in Autumn 2007. Both members still principally record and perform with the acts which made them famous. From 2007 to 2009, they were joined on tour by Will Evankovich on the request of Blades, who had seen Evankovich's band American Drag perform and wanted him to join them on acoustic,12-string, harmonica and background vocals.
"Dear God" is a song by American heavy metal band Avenged Sevenfold. It was released as the fourth single from their self-titled fourth studio album.
Earthless is a mostly instrumental psychedelic rock band from San Diego, California, consisting of guitarist Isaiah Mitchell, bassist Mike Eginton and drummer Mario Rubalcaba.
Untitled is the second album by the American pop rock duo The Rembrandts. It was released in 1992 on East West Records.
From the Ages is the third full-length studio album by American rock band Earthless. It was released on October 8, 2013 by Tee Pee Records. It had been six years since the band’s last full-length studio album, Rhythms from a Cosmic Sky, as all three members of Earthless were pre-occupied with other matters, including other bands.
"I Kill Giants" is a promotional single from In Rolling Waves, the second studio album from The Naked and Famous.
The discography of American psychedelic rock band Earthless consists of three studio albums, two live albums, and various miscellaneous releases, including a number of split albums.
Sun Eater is the fourth studio album by American death metal band Job for a Cowboy. It was released on November 11, 2014, by Metal Blade Records. The album features session musician Danny Walker on drums, and Cannibal Corpse vocalist George "Corpsegrinder" Fisher guested on the song "The Synthetic Sea".
Sweet Apple is an American rock band formed in 2010.
"Been It" is a song by Swedish band the Cardigans, released from their third studio album, First Band on the Moon. In additional to reaching number 56 on the UK Singles Chart, the song also became an alternative hit in Canada, climbing to number nine on the RPM Alternative 30.
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