Paul Albert Laurens | |
|---|---|
 Photograph from 1893 (Fondation Catherine Gide) | |
| Born | Paul Albert Laurens 18 January 1870 Paris, France |
| Died | 27 September 1934 (aged 64) Toulon, Department of Var, France |
| Nationality | French |
| Known for | Painting, drawing |
Paul Albert Laurens (18 January 1870 - 27 September 1934) [1] was a French painter.
Laurens was the eldest son of painter Jean-Paul Laurens (1838-1921), who was of humble origins, and his wife, Madeleine Willemsens (1848-1913). Laurens was born in Rue Taranne, off the Boulevard Saint-Germain in Paris, to where his parents had moved. Aware of the Franco-Prussian War of 1870, his father quickly moved his family back to the relative safety his native village, Fourquevaux in the Haute-Garonne department in southwestern France. The family home may still be found in the village today, near the church.
Laurens' younger brother, Jean-Pierre Laurens (1875-1932), was also a painter. Laurens attended school on Rue d'Assas where he met, among others, André Gide and it was with Gide that he made his first trip to Biskra, Algeria in 1894. Meanwhile, in 1890 the Académie Julian founded new workshops at 31 Rue du Dragon and Laurens and his brother were taught there alongside Paul Landowski and Henri Bouchard.
On 18 October 1893 Laurens sailed from Marseille with his friend Gide bound for Tunis, and from there on to Sousse. In January 1894 Laurens and Gide settled in Biskra, in the former home of the White Fathers (Missionaries of Africa). Madame Gide, concerned about the health of her son, also joined them.
Laurens married Bertha Guerin in 1900 and moved with her to 126 Boulevard du Montparnasse, in the same building as the painter Émile-René Ménard.
Around 1912, with his father and a student of his, Ulysses Ravaut, Laurens worked to decorate the Capitole at the request of the municipality of Toulouse. During the First World War, he worked with other artists including Dunoyer de Segonzac, Forain, Georges Paul Leroux (brother of Auguste Leroux), Abel Truchet, Henri Callot, Avy and Devambez on camouflage within the armed forces and their work served as a model for the Allied armies.
Laurens was Professor of Drawing at the École Polytechnique between 1919 and 1934. was appointed member of the French Academy of Fine Arts in 1933.
Among his students were Şeref Akdik , Jean Bertholle, Yvonne Kleiss-Herzig, René Marie Castaing, Robert Lepeltier, Raoul Dastrac, Albert Demarest, Monique Cras, Lucien Simon, Yvon Dieulafé, Roger Marius Debat, Lucien-Victor Delpy, Achener Maurice, Jean Jules Louis Cavaillès, Lucienne Capdevielle, André Leroux, Nicolas Untersteller, Feyhaman Duran, Fang Ganmin, Tang Yihe , Pierre Langlade and Dominique Frassati.
not dated:
Media related to Paul Albert Laurens at Wikimedia Commons
| International | |
|---|---|
| National | |
| Artists | |
| People | |
Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
Henry de Groux was a Belgian Symbolist painter, sculptor and lithographer. His 1889 painting Christ attacked by a mob made when he was only 22 years old established his reputation as an innovative Symbolist painter and ensured his admission to the progressive artistic circles in Brussels. He spent most of his active career in Paris. He produced many works depicting the horrors of the First World War in the latter part of his career.
Henri-Jean Guillaume "Henri" Martin was a French painter. Elected to the Académie des Beaux-Arts in 1917, he is known for his early 1920s work on the walls of the Salle de l'Assemblée générale, where the members of the Conseil d'État meet in the Palais-Royal in Paris. Other notable institutions that have featured his Post-Impressionist paintings in their halls through public procurement include the Élysée Palace, Sorbonne, Hôtel de Ville de Paris, Palais de Justice de Paris, as well as Capitole de Toulouse, although the Musée des Beaux-Arts de Bordeaux and Musée des Augustins also have sizeable public collections.
Georges Stein, born Séverin Louis Stein, was a French Impressionist artist. Stein was a painter and draughtsman, and is known primarily for light-infused views of Paris and London. He also painted scenes from Melun, Vichy, Bern, Geneva, and Monte Carlo.
Aimé Nicolas Morot was a French painter and sculptor in the Academic Art style.
Pierre-Georges Jeanniot (1848–1934) was a Swiss-French Impressionist painter, designer, watercolorist, and engraver who was born in Geneva, Switzerland, and died in France. His work often depicts the modern life in Paris.
Émilie Desjeux was a French painter.
Henri Biva was a French artist, known for his landscape paintings and still lifes. He focused primarily on the western suburbs of Paris, painting outdoors in the plein-air tradition; his style ranging between Post-Impressionism and Realism with a strong Naturalist component. Biva's pictures are characterized by intricate strokes and a pure palette bathed with warm natural light. The artist was a member of the Société des Artistes Français and a Knight of the Legion of Honour.
Hippolyte Petitjean was a French Post-Impressionist painter who practiced the technique of pointillism.
Marcel-André Baschet was a French portrait painter, notable for his numerous portraits of the Presidents of the French Third Republic.
Henri Clément Serveau, also known as Clément-Serveau, was a French painter, designer, engraver and illustrator. Clément-Serveau produced works in a realist manner early on, but soon became interested in the new movements. He was influenced by his friend Louis Marcoussis and experimented with Cubism, utilising geometric patterns to give the illusion of form and space. Later in his career, he turned toward abstraction with a post-cubist stance. He designed banknotes for the Banque de France, produced large murals and participated in numerous French and international exhibitions.
Paul Biva was a French painter. His paintings, both Realist, Naturalist in effect, principally represented intricate landscape paintings or elaborate flower settings, much as the work of his older brother, the artist Henri Biva (1848–1929). Paul Biva was a distinguished member of National Horticultural Society of France from 1898 until his untimely death two years later.
Henri Joseph Thomas (1878-1972) was a Belgian genre, portrait and still life painter, sculptor and etcher from the Belgian School, Brussels, Belgium.
Adolphe Demange was a French painter best known for his portraits in oil. He was an official portrait painter during the French Third Republic.
Henri Guinier was a French portrait and landscape painter.
Henry d'Estienne was a French painter and a member of the Académie des Beaux-Arts.
Paul Victor Mathey was a French painter and engraver.
Estelle de Barescut was a French painter and lithographer. She exhibited her lithographs at the Salon de Paris in 1834 and 1835, and her paintings from 1842 to 1851.
Fernande Victoire Cormier, born on 17 November 1888 in Toulon and died on 15 August 1964 in Sanary-sur-Mer, was a French painter.
Maurice Paul Jean Asselin was a French painter, watercolourist, printmaker, lithographer, engraver and illustrator, associated with the School of Paris. He is best known for still lifes and nudes. Other recurring themes in his work are motherhood, and the landscapes and seascapes of Brittany. He also worked as a book illustrator, particularly in the 1920s. His personal style was characterised by subdued colours, sensitive brushwork and a strong sense of composition and design.
