Paul Terence Conneally (born 1959 in Sheffield, United Kingdom) is a poet, artist and musician based in Loughborough, UK.
In the field of poetry Conneally is best known for his haiku and haiku-related forms including haibun and renga/renku. His definition of haibun is quoted among others on the Contemporary Haibun Online website. [1] He ran the Haikumania Project, (hosted on the website of The Center for Digital Discourse and Culture at Virginia Tech) where some of his work and others is showcased. [2]
Known for collaborative works based on Japanese renga, he has been published and translated. [3] [4] [5] Conneally's projects include hypertext works resulting out of actions initiated by Conneally and others via the internet and in the real world. Conneally's work in bringing linked haikai based works to the internet is mentioned in Currents in Electronic Literacy Fall 2001. [6]
Conneally leads live renga sessions across the UK and has explored the form and process [7] alongside other UK artist poets including Alec Finlay, Gavin Wade, Gerry Loose and Anne-Marie Culhane.
In 2002, Conneally was the director of the first Global Haiku Tournament [8] which was organised by the World Haiku Club. The Japan Times sponsored and presented awards to winners [9]
Conneally is associated with the modern Situationist movement through psychogeography, social intervention and literary detournement, both alone and in collaboration with others. [ vague ] This often involves making art in people's local environment, such as encouraging the creation of haiku or renga whilst walking, [10] [11] a modern take on the ginko or 'haiku walk' common in Japan [12] or making poems in and about parts of the local cityscape, and adding them to the environment. Along with Finlay and Culhane, Conneally experiments with renga to produce psychogeographic maps that incorporate haiku and other poetic texts.
Conneally has been described by the Embassy of Japan in the UK as an "experienced expert" in the field of haiku [13] and led haiku workshops for teachers on behalf of the embassy and Japan 21. [13]
Conneally has worked extensively with schools and community groups all over the UK, encouraging them to make poetry through interacting with their local and wider environment. The poems he has encouraged pupils to create have been critically acclaimed. [14] A teacher's resource film for English called Digital Haiku [15] documents and presents work undertaken by Conneally with young people in rural Shropshire. The Poetry Society has listed a number of workshops / intervention pieces by Conneally as 'poetry landmarks' [16]
Conneally has worked with a number of UK museums to encourage the use of poetry including haiku, tanka and other forms to encourage new interactions and interpretations of museum exhibits. His spell as haiku poet in residence in the 'Parade of Life' ukiyo-e (Japanese woodblock prints) exhibition at Bristol Museum and Art Gallery as part of the Japan 21 celebrations part-funded by the Japanese Government led to the publication of Parade of Life: Poems inspired by Japanese Prints [17] featuring Japanese woodblock prints alongside haiku written by children and visitors to the museum in workshop with Conneally and co-edited by former British Haiku Society Secretary and haiku poet Alan Summers. [8] The book had launches in Bristol, UK and Akita, Japan.
His work with school children to produce museum labels for artefacts on the SS Great Britain [18] in the form of tanka, mesostic poems and riddles is featured on the Teachers' TV channel being used in a classroom by a teacher as an example of model practice in interpreting artefacts.
Increasingly his work sees him working in more diverse artistic forms alongside other artists to make collaborative and solo works in the visual and performance fields as well as texts. [19] In his ongoing piece Walk to Work Conneally transposes the 'walks to work' of individual workers to other places to form the basis of psychogeographic explorations. Walk to Work includes the INVIGILATOR series which has been performed in The New Forest (UK), Derby (UK), Tokyo (Japan), Nuneaton (UK) and Digbeth (UK) [20]
Involuntary Painting is a Facebook page that he co created on April 1, 2013 with the artist Millree Hughes (who invented the term) where members can share photographs of events in the world such as splashed paint on walls, partly erased graffiti, mold, damaged street markings, rust, adhesive residue, snail tracks etc etc that came together in a way that remind the viewer of a modern Painting. The posts on the page are Involuntary Paintings. [21]
He has been associated with UK arts organisation, Charnwood Arts, which is a registered charity based in the East Midlands. 2009 saw the publication of 'The Sound of Water' coming out of an almost year-long psychogeographic haiku exploration of Thurmaston with the people of Thurmaston themselves resulting in both a book and haiku 'fragments' cut into metal sculptures, wall hangings and benches made by sculptor Richard Thornton throughout a new housing development 'Watermead' built in Thurmaston 2009. [22] [23]
Paul Conneally has edited columns in various poetry journals, including World Haiku Review and Simply Haiku.
Conneally was a member of UK post-punk DIY band Dum Dum Dum [26] (1978 – 1981?). The band have gained recent notoriety with tracks from their UK DIY post-punk EP [27] rereleased as part of the US Hyped-to-Death record label's Messthetics series including on the widely acclaimed Best of Messthetics album. He also wrote and sang with Iguana Brothers and Bastinado Step. Both bands toured widely and made several national TV appearances. In 2003 Conneally co-wrote the song "The Rainfall" [28] for house music act 7HQ, which was a top twenty dance chart track. [29] in the UK journal Music Week.
Conneally currently performs as Little Onion and in 2018 released new albums and singles both as a solo artist and with the bands Bred Pudding and Anglo Japanese outfit Giant Glove.
Haiku is a type of short form poetry originally from Japan. Traditional Japanese haiku consist of three phrases that contain a kireji, or "cutting word", 17 on in a 5, 7, 5 pattern, and a kigo, or seasonal reference. Similar poems that do not adhere to these rules are generally classified as senryū.
Renga is a genre of Japanese collaborative poetry in which alternating stanzas, or ku (句), of 5-7-5 and 7-7 mora per line are linked in succession by multiple poets. Known as tsukuba no michi after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres haikai (俳諧) and haiku (俳句).
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty. Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese kanshi); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing. It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this kanshi poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as waka, haikai, and other more Japanese poetic specialties. For example, in the Tale of Genji both kanshi and waka are frequently mentioned. The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself, the Heian period, the Kamakura period, and so on, up through the poetically important Edo period and modern times; however, the history of poetry often is different from socio-political history.
Hawkesley is an area of Birmingham, England. It is part of 'The Three Estates', the housing estates Hawkesley, Pool Farm, and Primrose. These are to the south of Kings Norton. The Ordnance Survey grid reference is SP0477.
Haibun is a prosimetric literary form originating in Japan, combining prose and haiku. The range of haibun is broad and frequently includes autobiography, diary, essay, prose poem, short story and travel journal.
Kobayashi Issa was a Japanese poet and lay Buddhist priest of the Jōdo Shinshū. He is known for his haiku poems and journals. He is better known as simply Issa (一茶), a pen name meaning Cup-of-tea. He is regarded as one of the four haiku masters in Japan, along with Bashō, Buson and Shiki — "the Great Four."
SciFaiku is a form of science fiction poetry first announced by Tom Brinck with his treatise on the subject, The SciFaiku Manifesto. Brinck has been referred to as the "Father of SciFaiku." SciFaiku is inspired by Japanese haiku, but explores science, science fiction (SF), and other speculative fiction themes, such as fantasy and horror. They are based on the principles and form of haiku but can deviate from its structure.
Renku, or haikai no renga, is a Japanese form of popular collaborative linked verse poetry. It is a development of the older Japanese poetic tradition of ushin renga, or orthodox collaborative linked verse. At renku gatherings participating poets take turns providing alternating verses of 17 and 14 morae. Initially haikai no renga distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the haiku form of Japanese poetry. The term renku gained currency after 1904, when Kyoshi Takahama started to use it.
Hokku is the opening stanza of a Japanese orthodox collaborative linked poem, renga, or of its later derivative, renku. From the time of Matsuo Bashō (1644–1694), the hokku began to appear as an independent poem, and was also incorporated in haibun. In the late 19th century, Masaoka Shiki (1867–1902) renamed the standalone hokku as "haiku", and the latter term is now generally applied retrospectively to all hokku appearing independently of renku or renga, irrespective of when they were written. The term hokku continues to be used in its original sense, as the opening verse of a linked poem.
Bruce Ross is a Canadian American poet, author, philosopher, humanities educator and past president of the Haiku Society of America. He was born in Hamilton, Ontario.
Gabriel Rosenstock is an Irish writer who works chiefly in the Irish language. A member of Aosdána, he is poet, playwright, haikuist, tankaist, essayist, and author/translator of over 180 books, mostly in Irish. Born in Kilfinane, County Limerick, he currently resides in Dublin.
Haikai may refer in both Japanese and English to haikai no renga (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga. It meant "vulgar" or "earthy", and often derived its effect from satire and puns, though "under the influence of [Matsuo] Bashō (1644–1694) the tone of haikai no renga became more serious". "Haikai" may also refer to other poetic forms that embrace the haikai aesthetic, including haiku and senryū, haiga, and haibun. However, haikai does not include orthodox renga or waka.
Nigel Jenkins was an Anglo-Welsh poet. He was an editor, journalist, psychogeographer, broadcaster and writer of creative non-fiction, as well as being a lecturer at Swansea University and director of the creative writing programme there.
A haiku in English is an English-language poem written in the Japanese poetry style known as haiku. The degree to which haiku in English resemble classic Japanese haiku varies, but many of these poems draw on short, concise wording and a reference to the seasons.
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