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Paul Rudnick[1] (born December 29, 1957) is an American writer. His plays have been produced both on and off Broadway and around the world. He is also known for having written the screenplays for several movies, including Sister Act, Addams Family Values, Jeffrey, and In & Out.
In the late 1980s Rudnick moved into the top floor of a Greenwich Village brownstone, which had once been the 1920s home of the actor John Barrymore. This inspired Rudnick's play I Hate Hamlet, about a young TV star who, as he's about to play Hamlet, is visited by the ghost of Barrymore. The play was produced on Broadway and became notorious when Nicol Williamson, the actor playing Barrymore, began attacking his co-star in a far-too-realistic manner during a dueling scene.[9]
In 1993, Rudnick had a breakthrough with his Off-Broadway show Jeffrey. The play was turned down by many New York theaters due to its description as a comedy about AIDS. However, after a successful run at the WPA Theater in New York City, the show transferred for a commercial run.[10] The play ran from December 31, 1992, to February 14, 1993, at the WPA Theatre.[11] The play transferred to the off-Broadway Minetta Lane Theatre, running from March 6, 1993, to January 16, 1994.[12]Frank Rich, in The New York Times, called Rudnick "a born show-biz wit with perfect pitch for priceless one-liners".[13]Stephen Holden, also in the Times, said that Jeffrey was "Just the sort of play Oscar Wilde might have written had he lived in 1990s Manhattan."[14] Rudnick won an Obie Award, an Outer Critics Circle Award, and the John Gassner Playwrighting Award.[11]
Rudnick's later plays included The Naked Eye, which depicted an extreme photographer along the lines of Robert Mapplethorpe, and in 1998, The Most Fabulous Story Ever Told, which was inspired by the remark, "God made Adam and Eve, not Adam and Steve." In Rudnick's revisionist take on the Bible, God makes Adam and Steve, along with the first lesbians, Jane and Mabel. While the play was protested by religious groups, it moved for a commercial run.[citation needed]
Rudnick also wrote Valhalla, an epic which entwined the lives of a World War II soldier from Texas with Ludwig, the Mad King of Bavaria; Regrets Only, a drawing room comedy starring Christine Baranski and George Grizzard; and The New Century, a collection of related one-acts, which was produced at Lincoln Center and for which the actress Linda Lavin won a Drama Desk Award. Rudnick has more recently contributed two pieces, The Gay Agenda and My Husband, to the Off-Broadway anthology Standing on Ceremony: The Gay Marriage Plays. My Husband was released by Playing on Air as a radio play on podcast and public radio featuring Michael Urie and Harriet Harris, directed by Claudia Weill.[15]
In September 2017, Rudnick's play Big Night opened at the Kirk Douglas Theatre in Los Angeles, where it played through October. Wendie Malick starred in this Oscar-themed tragicomedy, described by The Hollywood Reporter as "an often amusing but mostly muddled ensemble piece."[16]
Screenwriting
Rudnick has worked as an uncredited script doctor on films including The Addams Family and The First Wives Club. He was credited as the pseudonym "Joseph Howard" for his work on Sister Act, which was originally intended as a vehicle for Bette Midler; the screenplay went through many changes, and by the time it became re-fashioned for Whoopi Goldberg he refused to have his real name associated with it. He received sole writing credit for Addams Family Values, In & Out, and the screen version of his play Jeffrey.
In 2011, HarperCollins published I Shudder, a collection of Rudnick's autobiographical essays, some covering his work on stage and screen, interspersed with fictional pieces depicting Elyot Vionnet, a fictional alter-ego.[17] Since 1998, Rudnick has contributed over fifty short humor pieces to The New Yorker. His work appears in the collections Fierce Pajamas and Disquiet, Please.
In 1988, Rudnick began producing satiric film criticism for Premiere Magazine under the name Libby Gelman-Waxner, a deranged Manhattan wife, mother and "Assistant Buyer of Juniors Activewear." A collection of Libby's columns was published in 1994 under the title If You Ask Me, and Janet Maslin, in The New York Times, wrote that, "Mr. Rudnick weaves many a trenchant thought into Libby's comic screeds." Premiere folded in 2007, but Libby resumed writing a monthly column for Entertainment Weekly in 2011 and occasionally contributes reviews to The New Yorker.
Rudnick's first young adult novel, Gorgeous was published in 2013.[18]Publishers Weekly, in a starred review, said that the book included "writing that's hilarious, profane and profound (often within a single sentence.)"[19] Scholastic also published his second Young Adult novel, It's All Your Fault, which Booklist called "A laugh-out-loud, irreverent tale built on as much snarkiness as sweetness. A riotously good read." His latest novel, Playing the Palace, was published by Berkley on May 25, 2021. In 2023, Simon & Schuster published Rudnick's novel Farrell Covington and the Limits of Style. In a starred review, Publisher's Weekly called the book "dazzling and funny."
"Modern Science". Shouts & Murmurs. The New Yorker. 93 (39): 31. December 4, 2017.[b]
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Notes
↑ Online version is titled "Taylor Swift and your taxes".
↑ Online version is titled "The Gaydar of Modern Science".
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↑ Gross, Larry P.; Woods, James D. (1999), The Columbia Reader on Lesbians and Gay Men in Media, Society, and Politics, Columbia University Press, p.328, ISBN0-231-10447-2
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