The Stepford Wives (2004 film)

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The Stepford Wives
The Stepford Wives (2004 film).jpg
Theatrical release poster
Directed by Frank Oz
Screenplay by Paul Rudnick
Based on The Stepford Wives
by Ira Levin
Produced by
Starring
CinematographyRob Hahn
Edited by Jay Rabinowitz
Music by David Arnold
Production
companies
Distributed by
  • Paramount Pictures
    (United States and Canada)
  • DreamWorks Pictures (International)
Release date
  • June 11, 2004 (2004-06-11)(United States)
Running time
93 minutes
CountryUnited States
LanguageEnglish
Budget$90–100 million [2] [3]
Box office$103.3 million [2] [3]

The Stepford Wives is a 2004 American science fiction black comedy film directed by Frank Oz from a screenplay by Paul Rudnick and starring Nicole Kidman, Matthew Broderick, Bette Midler, Christopher Walken, Faith Hill, and Glenn Close. The second feature-length adaptation of Ira Levin's 1972 novel of the same name following the 1975 film of the same name, this 2004 film received generally negative reviews from critics and was a box-office failure, grossing $103 million worldwide on a $90–100 million budget. [4]

Contents

Plot

Joanna Eberhart's successful career as both an executive producer at and the president of reality television network EBS suddenly ends after a disillusioned reality show participant named Hank attempts to murder her during an upfront presentation. After being politely dismissed from her job by her boss Helen Devlin, subsequently suffering a mental breakdown and overlooking her wedding anniversary, she relocates from Manhattan to the quiet Fairfield County, Connecticut suburb of Stepford with her husband Walter Kresby, previously a lower-level executive at EBS, and their two children, Pete and Kimberly. Upon arrival, Joanna befriends feminist writer and recovering alcoholic Roberta "Bobbie" Markowitz and flamboyant gay architect Roger Bannister, who has relocated to the town with his long-time partner Jerry, a corporate lawyer.

After the trio witness Sarah Sunderson violently dance and then collapse, Joanna argues with Walter about the incident until Walter bluntly informs her that her children barely know her, their marriage is falling apart, and her domineering nature makes people literally want to kill her. As he tries to walk out of their marriage, Joanna apologetically agrees to appease him by attempting assimilation with the other wives. The next day, Joanna, Bobbie, and Roger go to Sarah's home to check up on her, where upon entering, they hear her upstairs, ecstatically screaming during sex with her husband Herb. As they scramble to sneak out, they find a remote control labeled "SARAH", and as they unwittingly manipulate it, Sarah's breasts enlarge and she robotically walks backward.

One evening, Walter and Bobbie's husband Dave visit the Men's Association with Roger and Jerry, but Joanna and Bobbie, having hired a babysitter for their respective families, sneak inside to spy on the men. They discover a hall filled with family portraits, but Roger appears and reassures them that all is well. The next day, the pair discover Roger's flamboyant designer clothing, Playbill program from Hairspray , and memorabilia of Orlando Bloom and Viggo Mortensen have all been discarded. At the town hall, they notice Roger, apparently running for Connecticut State Senate, with a bland look and conformist personality, all at Jerry's direction. Inside Walter's study, Joanna discovers that all the Stepford wives were once working women in high-power positions, just like herself.

The next day, Joanna visits Bobbie, noticing that her formerly messy house is spotless. Now blonde, wearing a Sunday dress, and blending in with the other Stepford wives, Bobbie offers to help Joanna change, obliviously setting her own hand on fire while resting it on a stove burner. Joanna flees to the Men's Association, where all the neighborhood's husbands imposingly surround her. Walter laments to Joanna that he always felt emasculated by her, and Mike Wellington, the president of the Men's Association, explains that they insert nanochips into their wives' brains to convert them into poised, submissive Stepford Wives. Joanna asks if the nano-chipped wives really love their husbands, to which Mike only replies "Enjoy" and ushers the reluctant couple into the transformation chamber.

During a formal ball, Joanna distracts Mike and entices him into the garden, while Walter slips away to the transformation room where he destroys the software that programs the women. The wives and Roger, no longer under control, all start confronting their husbands and mates, and Walter and Joanna reveal that they never underwent the microchip implant. When Mike engages Walter, Joanna decapitates him with a candlestick, exposing him as a fully animatronic robot. Mike's wife Claire is revealed as the mastermind and explains that she created Stepford as a bitter career-minded woman, and when she discovered the real Mike's affair with her 21-year-old research assistant Patricia, she jealously killed both of them before using her skills as a brain surgeon to develop the Stepford Wives program for improving marriages. Claire then fatally electrocutes herself by kissing Mike's severed robotic head.

Six months later, Joanna has received six Emmys for producing the documentary Stepford: The Secret of the Suburbs, while Roger has won his State Senate seat as an Independent and Bobbie has written and published her first book of poetry Wait Until He's Asleep, Then Cut It Off. In an interview with Larry King, the trio explain that the Stepford husbands have been placed under house arrest for their crimes and are being "retrained" by their wives, who have taken over the town.

Cast

Production

John Cusack and his sister Joan were originally cast as Walter and Bobbie, respectively, but both had to drop out of the film only weeks before filming started to be with their father Dick, who was dying. [5] Joan had previously appeared in two other films written by Paul Rudnick, Addams Family Values and In & Out (the latter also directed by Frank Oz, for which she was nominated for an Academy Award).

Reportedly, there were problems on-set between Oz and stars Nicole Kidman, Bette Midler, Christopher Walken, Glenn Close, and Roger Bart. In a 2003 interview, Oz stated, "Tension on the set? Absolutely! In every movie I do, there's tension. That's the whole point. And working people hard, that's exactly what they expect me to do [...] Bette has been under a lot of stress lately [...] She made the mistake of bringing her stress on the set." [6]

The film was originally conceived as a darkly satirical piece with an ending closer to the finale of the original but negative results from test screenings caused Paramount to commission numerous rounds of reshoots [7] which significantly altered the tone of the film and gave it a new ending. [8]

In a 2005 interview Matthew Broderick stated, "Making that film wasn't enjoyable. It was nobody's fault but my part was not terribly interesting [...] It was not a thrilling film. I would hate it if it were my last." [9]

In a 2007 interview with Ain't It Cool News , Oz's take on the film was "I had too much money and I was too responsible and concerned for Paramount. I was too concerned for the producers. And I didn't follow my instincts." [10]

The majority of the film was shot in Darien, New Canaan, and Norwalk, Connecticut. [11] [12]

Reception

Critical reception

On Rotten Tomatoes, The Stepford Wives holds an approval rating of 25% based on 175 reviews, with an average rating of 4.7/10. The website's critical consensus reads, "In exchanging the chilling satire of the original into mindless camp, this remake has itself become Stepford-ized." [13] Metacritic , which uses a weighted average , assigned the film a score of 42 out of 100, based on 40 critics, indicating "mixed or average" reviews. [14] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale. [15]

Pete Travers of Rolling Stone said that the on-set complications of the film "can't compare to the mess onscreen." [16] Lisa Schwarzbaum of Entertainment Weekly said, "The remake is, in fact, marooned in a swamp of camp, inconsequentiality." [17] A. O. Scott of The New York Times said, "the movie never lives up to its satiric potential, collapsing at the end into incoherence and wishy-washy, have-it-all sentimentality." [18]

Some critics were more receptive to the film. Roger Ebert called Paul Rudnick's screenplay "rich with zingers" and gave the film three stars. [19]

The film's teaser won several Golden Trailer Awards in the categories of "Summer 2004 Blockbuster" and "Most Original", as well as "Best of Show". [20]

Box office

The U.S. opening weekend grossed a solid $21.4 million, but sales declined sharply afterward. That weekend represented over a third of the final domestic gross of $59.5 million. [2] The film also grossed $42.9 million internationally for a worldwide total gross of $103.4 million. [3]

References

  1. ↑ "The Stepford Wives (2004)". American Film Institute. Archived from the original on February 28, 2022. Retrieved October 6, 2020.
  2. 1 2 3 "The Stepford Wives (2004)". Box Office Mojo . April 4, 2018. Archived from the original on June 16, 2019. Retrieved April 28, 2020.
  3. 1 2 3 "The Stepford Wives (2004)". The Numbers . Archived from the original on January 8, 2011. Retrieved September 20, 2010.
  4. ↑ "50 Top Grossing Movies, 2004". History. Archived from the original on March 4, 2009.
  5. ↑ "'Stepford' out of Cusacks". 2 May 2003. Archived from the original on 22 January 2021. Retrieved 18 January 2021.
  6. ↑ World Entertainment News Network (October 2, 2003). "Frank Oz's Tense Remake". Contactmusic.com . Archived from the original on April 1, 2018. Retrieved April 4, 2018.
  7. ↑ "The Stepford Wives (2004): Lost at Least $80 Million". 14 June 2019. Archived from the original on 19 January 2021. Retrieved 18 January 2021.
  8. ↑ "Stepword Wives filming troubles - Bill Clinton's memoir - Body in the Pickett Mansion - Nymag". 23 April 2004. Archived from the original on 22 January 2021. Retrieved 18 January 2021.
  9. ↑ WENN (December 22, 2005). "Broderick Hated Stepford Wives Flop". Contactmusic.com . Archived from the original on April 28, 2015. Retrieved April 28, 2015.
  10. ↑ Merrick (August 7, 2007). "Capone With Frank Oz About DEATH AT A FUNERAL, What Went Wrong On STEPFORD, And (Of Course) Yoda!!". Ain't It Cool News . Archived from the original on October 28, 2014. Retrieved April 4, 2018.
  11. ↑ Mazzola, Caitlin; Ryan, Lidia (February 16, 2015). "Movies filmed in Connecticut". Connecticut Post . Hearst Media Services. Archived from the original on March 3, 2015. Retrieved April 28, 2015.
  12. ↑ Sherrod, Pamela (July 25, 2004). "Bringing the Stepford look into your home". Chicago Tribune . Archived from the original on January 7, 2016. Retrieved April 28, 2015.
  13. ↑ "The Stepford Wives (2004)". Rotten Tomatoes . Fandango Media. Archived from the original on May 27, 2024. Retrieved June 2, 2025.
  14. ↑ "The Stepford Wives". Metacritic . Fandom, Inc. Retrieved October 2, 2022.
  15. ↑ "Find CinemaScore" (Type "Stepford" in the search box). CinemaScore . Retrieved October 2, 2022.
  16. ↑ Travers, Peter (June 10, 2004). "The Stepford Wives". Rolling Stone . Retrieved April 4, 2018.
  17. ↑ Schwarzbaum, Lisa (June 9, 2004). "The Stepford Wives". Entertainment Weekly . Time. Archived from the original on March 11, 2018. Retrieved April 4, 2018.
  18. ↑ Scott, A.O. (June 11, 2004). "FILM REVIEW; Married to a Machine". The New York Times . Archived from the original on May 15, 2012. Retrieved April 4, 2018.
  19. ↑ "The Stepford Wives". RogerEbert.com. Ebert Digital LLC. June 11, 2004. Archived from the original on April 5, 2018. Retrieved April 4, 2018.
  20. ↑ "5th Annual Golden Trailer Awards". Golden Trailer Awards. Archived from the original on June 24, 2008. Retrieved April 4, 2018.
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