Mr. Twonkey
In 2010, he made his debut at the Edinburgh Festival Fringe, performing Twonkey's Cottage throughout the month of August. He has performed a new "Twonkey" show at each subsequent Fringe Festival (and the Brighton Festival since 2012). Title character "Twonkey" was initially a small on-stage puppet, described as "half dragon, half witch, all accountant" [8] and she featured heavily in the absurdist storytelling. By his fourth show, Twonkey's Blue Cadabra, the puppet was gone, with Vickers himself referred to as Mr. Twonkey. His on-stage persona has been described as "Harpo Marx on heroin," [9] as he tells "tales of such ridiculousness that they make the works of Edward Lear sound like the Six O'Clock News." [10]
The shows have been a critical success, garnering positive reviews from, amongst others, The Scotsman [11] and Time Out , [12] where the show's unique peculiarity allowed it to be described as "a steaming pile of twaddle" in a four star review.
2013's Twonkey's Blue Cadabra "about young Stan Laurel's sexual yearnings, a flying Parisian tailor and a girl who regrettably booked a skiing holiday while on ecstasy," [13] had "a warmth that's often missing from absurdism." [14] It was nominated for a 2013 TO&ST Award [15] for Best Cabaret at the Edinburgh Festival Fringe, which lead to a 2014 performance at London's Soho Theatre. [16]
Fifth show Twonkey's Private Restaurant opened in 2014, featuring tales of "time travel, puffer fish and dictators", [17] and rated as "oddly entertaining and utterly bizarre", [18] and "mind-boggling from start to finish". [19] Time Out described it as "a dog's dinner of unexpected, absurd, even offensive content. But it's also a classic." [12]
In 2015, Paul performed Twonkey's Private Restaurant with a return to The Soho Theatre and at the Prague Fringe Festival. He debuted new show Twonkey's Stinking Bishop, at the Brighton Fringe in May, [20] before returning to the Edinburgh Fringe in August. The run, with shows selling out, was his most successful yet, receiving four star reviews in The Times [21] and The Scotsman. [22] The latter also featured Mr. Twonkey on their front page, with Kate Copstick's review claiming "oddity by oddity, song by song, Twonkey draws them in" and "he creates wonderlands of weird". [22] Also described as "a genuinely laugh-aloud show, a joyous experience", [23] and "being in his presence for an hour is delightful", [21] it garnered a nomination for the 2015 Malcolm Hardee Award For Comic Originality. [24]
In 2016, Paul's seventh show Twonkey's Mumbo Jumbo Hotel [25] was performed at the Beckenham Comedy Cabaret, [26] Brighton Fringe Festival, Wandsworth Fringe, Prague Fringe and Buxton Fringe before the Edinburgh Fringe Festival in August 2016, where it played in tandem with performances of Paul's play, Twonkeys Drive In: Jennifer's Robot Arm. Described as "bizarre and brilliant" [27] and "the best value, pound-for-pound, of weirdness anywhere on the Fringe", [25] with Vickers as "the master of bizarre asides and surreal set ups". [27] The show would garner critical acclaim before winning The Malcolm Hardee Award for Comic Originality.
2017's Twonkey's Christmas in the Jungle was also met with acclaim, described by The Scotsman as "a crazy, wonderful show, by a crazy, wonderful performer". [28] Vickers also tackled previous criticisms regarding the lack of a "narrative thread... this show has one. It's tied around his waist and, by the end of the show, it almost strangles him." [29]
2018's Twonkey's Nightrain To Liechtenstein was a huge success, playing at the Prague, Edinburgh and Buxton comedy festivals, garnering a nomination for Best Comedy Show at the latter. [30] The Scotsman suggested Twonkey had "gone positively mainstream this year", [31] although not all reviewers agreed, [32] with one noting "there's an emotional centre to this show which Twonkey lovers will not have experienced before." [33] Most coverage made special mention of two new songs, 'the glorious' Pubs [31] and Furs, "a heartbreaking song that deserves a life outside of this show". [34]
2019 brought the 10th anniversary show Twonkey's Ten Year Twitch, playing at Leicester, Prague and Buxton comedy festivals before a month long run at the Edinburgh Fringe. With storylines jumping from stolen Neil Diamond outfits to the landlady of Leonardo da Vinci ("ahead of his time, but behind on his rent"), [35] Vickers had created "a world even Salvador Dalí would dismiss as a wretched fever-dream." [36] Reviews of this "sparklingly original cabaret" [35] included four stars in The Scotsman ("Climb aboard his Weird but Wonderful Waltzer and away we go"), [37] with The Skinny noting "after ten years, it wouldn't be the Fringe without Twonkey". [38]
Twonkey's Custard Club was announced as his 2020 show. But after a brief preview and inclusion in several comedy festivals, shows from March 2020 until the end of the summer were cancelled due to the coronavirus pandemic. [39] [40]
In 2021 he played "a decade-celebrating show at the Soho Theatre" [41] with Twonkey's Greatest Twitch, which then played at The Voodoo Rooms during the 2023 Edinburgh Fringe Festival. The show featuring "a whole lot of whimsy and a self-aware scrappiness", [42] with "few Fringe sights this year more unsettling than The Wobbly Waiter, a dismembered, dead-eyed puppet and frying pan fixture, advancing down the aisle", [43] received glowing reviews, described as "clowning at its very best" in The Scotsman's five star rating. [44]
Paul Vickers and The Leg
After the last Dawn of the Replicants album, Vickers joined up with Edinburgh band The Leg. Their first release, the "brilliant but frightening" [45] Tropical Favourites, came out in early 2008 as Paul Vickers & The Leg. The "majestic debut" [46] was followed by Itchy Grumble in 2010. Described as "barely-directional noise that careers along like a 50s scientist on a flying bedstead," [47] Vickers would return to the story behind this "glorious mini rock opera" [48] in 2013 with his debut novel. [6] The band's third album, The Greengrocer, was initially announced in 2012 but not released until 2014. It was met with critical acclaim, [49] [50] described as a "new epic... a sonic map of Vickers and Co's collective psyche in all its warped glory," [50] with The Herald stating "central... is Vickers himself, verbal ideas flying from him like sparks from a Catherine Wheel, voice flipping from abrasive gargle to sneering panto-dame witch." [51]
A fourth album Jump was released in late 2019 on Tenement Records, featuring an expanded line-up of The Leg. It garnered reviews in Mojo, Uncut and four stars in The Scotsman, who described it as "a Beefheart-inspired cacophony of punk strings and throaty testifying". [52] Vickers spoke of their approach with The Herald. "We want to be entertaining, but I always think we have to be unique", describing his vocals as once sounding like "evil Coldplay, whereas now I think I've become a little bit more Shirley Bassey." [53]
Writing
An expansion of the storyline first presented in the 2010 album Itchy Grumble finally appeared in prose form, which Vickers considered a huge achievement given his dyslexia. [57] He has also been diagnosed with autism. In 2012 he won the Shortbread Stories: Self Publish or Perish competition [58] and Itchy Grumble (the book) was released in 2013. It also contained 27 short stories taken from the Twonkey shows and albums from 2010 to 2013. [59] He also produced an audiobook of Itchy Grumble, released in 2015.
Vickers, who stated he "always wanted to try every single area of the arts before I die," [60] added the radio play to his repertoire with Pissed as a Postman: The Radio Play, included as the closing track to 2014's Giddy World.
His first full length theatrical play with self-penned songs and music by Pete Harvey on piano Jennifer's Robot Arm, based on an earlier short story, was performed as a work in progress in London, first at The White Bear Theatre in February and The Bread and Roses Theatre in April 2015. [61] It later had a monthlong run at the 2016 Edinburgh Fringe Festival. Fringe Review highly recommended the production 'The daft, crude make-up and the uncomfortable humour instantly bring to mind The Tiger Lillies' Shockheaded Peter going on to say 'The play has a happy ending – or as happy an ending such a twisted piece of insane Gothic could have'. [62] The Show, described as 'weirdly colourful and unsettling' [63] The Stage awarded five stars saying 'You will appreciate writer Vickers' and director Jay's skill at getting their actors to play on several levels simultaneously with an impressive totality, creating a dark, demented, possibly absurdist comedy that alternately caresses and slaps you from all sides'. [64] Vickers also confirmed that Itchy Grumble has been adapted for the theatre and may be produced at a later date. [65]
His 2nd play What Broke David Lynch? (written with help from Ben Nardone) debuted at the Edinburgh Fringe festival in August 2022. The sold out run was picked out by The Guardian as one of '50 shows to see'. [66] Vickers himself portrayed David Lynch as he prepares to direct The Elephant Man (1980). The performance was described as capturing 'something of Lynch's oddball persona and his rather eccentric cadence'. [67] The cast of four also featured Miranda Shrapnell as Lynch's 'unlikely love interest (who) handles her two dimensional character beautifully'. [68] Robert Atler and Steven Vickers both took on dual roles as Anthony Hopkins / John Hurt and Mel Brooks / John Geilgud respectively, described as 'a gloriously Pythonesque double act... the motorbike and sidecar (scene) is a thing of joyful genius. [68]
