Theotokos is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are Dei Genitrix or Deipara. Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in Greek, Μήτηρ Θεοῦ and Θεοφόρος.
Mary was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have lesser status.
In art, a Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.
Queen of Heaven is a title given to the Virgin Mary, by Christians mainly of the Catholic Church and, to a lesser extent, in Anglicanism, Lutheranism, and Eastern Orthodoxy. The title has long been a tradition, included in prayers and devotional literature and seen in Western art in the subject of the Coronation of the Virgin from the High Middle Ages, long before it was given a formal definition status by the Church.
Our Lady of Sorrows, Our Lady of Dolours, the Sorrowful Mother or Mother of Sorrows, and Our Lady of Piety, Our Lady of the Seven Sorrows or Our Lady of the Seven Dolours are names by which Mary, mother of Jesus, is referred to in relation to sorrows in life. As Mater Dolorosa, it is also a key subject for Marian art in the Catholic Church.
The Nativity of the Blessed Virgin Mary, the Nativity of Mary, Marymas or the Birth of the Virgin Mary, refers to a Christian feast day celebrating the birth of Mary, mother of Jesus.
Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in both devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. They are often used in the month of May devotions. Some have also been adopted as Christmas hymns. Marian hymns are not popular among some Protestants, as they see Marian veneration as idolatry. However, the practice is very common among Christians of Catholic traditions, and a key component of the Eastern Orthodox liturgy. There are many more hymns to Mary within the Eastern Orthodox yearly cycle of liturgy than in Roman Catholic liturgy.
Marian devotions are external pious practices directed to the person of Mary, mother of God, by members of certain Christian traditions. They are performed in Catholicism, High Church Lutheranism, Anglo-Catholicism, Eastern Orthodoxy and Oriental Orthodoxy, but generally rejected in other Christian denominations.
The icon of Our Lady of the Sign or Platytera is the term for a particular type of icon of the Theotokos, facing the viewer directly, depicted either full length or half, with her hands raised in the orans position, and with the image of the Child Jesus depicted within a round aureole upon her breast.
The Nativity of Jesus has been a major subject of Christian art since the 4th century.
Mary, the mother of Jesus in Christianity, is known by many different titles, epithets, invocations, and several names associated with places.
The Eleusa is a type of depiction of the Virgin Mary in icons in which the Christ Child is nestled against her cheek. In the Western Church the type is often known as the Virgin of Tenderness.
Mariology is the theological study of Mary, the mother of Jesus. Mariology seeks to relate doctrine or dogma about Mary to other doctrines of the faith, such as those concerning Jesus and notions about redemption, intercession and grace. Christian Mariology aims to place the role of the historic Mary in the context of scripture, tradition and the teachings of the Church on Mary. In terms of social history, Mariology may be broadly defined as the study of devotion to and thinking about Mary throughout the history of Christianity.
May devotions to the Blessed Virgin Mary refer to special Marian devotions held in the Catholic Church during the month of May honoring Mary, mother of God, as "the Queen of May". These services may take place inside or outside. A "May Crowning" is a traditional Roman Catholic ritual that occurs in the month of May.
Marian feast days in the liturgical year are celebrated in honour of the Blessed Virgin Mary. The number of Marian feasts celebrated, their names can vary among Christian denominations.
The veneration of Mary in the Catholic Church encompasses various devotions which include prayer, pious acts, visual arts, poetry, and music devoted to her. Popes have encouraged it, while also taking steps to reform some manifestations of it. The Holy See has insisted on the importance of distinguishing "true from false devotion, and authentic doctrine from its deformations by excess or defect". There are significantly more titles, feasts, and venerative Marian practices among Roman Catholics than in other Western Christian traditions. The term hyperdulia indicates the special veneration due to Mary, greater than the ordinary dulia for other saints, but utterly unlike the latria due only to God.
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli.
The depiction of the Virgin Mary as the Queen of Heaven has been a popular subject in Catholic art for centuries.
The Nursing Madonna, Virgo Lactans, or Madonna Lactans, is an iconography of the Madonna and Child in which the Virgin Mary is shown breastfeeding the infant Jesus. In Italian it is called the Madonna del Latte. It was a common type in painting until the change in atmosphere after the Council of Trent, in which it was rather discouraged by the church, at least in public contexts, on grounds of propriety.
The Virgin Nikopoios also known as Panagia Nikopoios is a tempera painting by Thomas Bathas. Bathas was active in Heraklion, Venice, and Corfu during the second half of the 16th century. The painting follows the traditional Byzantine style characteristic of the traditional maniera greca. The painting also featured the Venetian style. The position of the Virgin and Child is the Nikopoios. The word Nicopeia is indicative of Constantinople. There are actually many different types.
