The Golden Treasury of English Songs and Lyrics is a popular anthology of English poetry, originally selected for publication by Francis Turner Palgrave in 1861. It was considerably revised, with input from Tennyson, about three decades later. Palgrave excluded all poems by poets then still alive.
The Oxford Book of Twentieth Century English Verse is a poetry anthology edited by Philip Larkin. It was published in 1973 by Oxford University Press with ISBN 0-19-812137-7. Larkin writes in the short preface that the selection is wide rather than deep; and also notes that for the post-1914 period it is more a collection of poems, than of poets. The remit was limited by him to poets with a period of residence in the British Isles. Larkin's generous selection of Thomas Hardy's poems has been noted for its influence on Hardy's later reputation. On the other hand, he was criticized, notably by Donald Davie, for his inclusion of "pop" poets such as Brian Patten. The volume contains works by 207 poets.
The Faber Book of Modern Verse was a poetry anthology, edited in its first edition by Michael Roberts, and published in 1936 by Faber and Faber. There was a second edition (1951) edited by Anne Ridler, and a third edition (1965) edited by Donald Hall. The selection was of poems in English printed after 1910, which meant that work by Gerard Manley Hopkins could be included. A later edition was edited by Peter Porter.
The New Oxford Book of English Verse 1250–1950 is a poetry anthology edited by Helen Gardner, and published in New York and London in 1972 by Clarendon Press. It was intended as a replacement for the older Quiller-Couch Oxford Book of English Verse. Selections were largely restricted to British and Irish poets.
The Faber Book of Twentieth Century Verse: An Anthology of Verse in Britain 1900-1950 was a poetry anthology edited by John Heath-Stubbs and David Wright, and first published in 1953 by Faber and Faber. A selection in self-conscious contrast to the Faber Book of Modern Verse, it did not attempt to cover American poetry. It has been through numerous further editions. It was last issued as a hardback in St. Clair Shores, Michigan by Somerset Publishers Inc. in 1988 with ISBN 0-403-07212-3.
British Poetry since 1945 is a poetry anthology edited by Edward Lucie-Smith, published in 1970 by Penguin Books, with a second and last edition in 1985. The anthology is a careful attempt to take account of the whole span of post-war British poetry, including poets from The Group, a London-centred workshop that Lucie-Smith himself had once been chairman of, following the departure of founder Philip Hobsbaum.
Frederick Louis MacNeice was an Irish poet and playwright, and a member of the so-called Auden Group, which also included W. H. Auden, Stephen Spender and Cecil Day-Lewis. MacNeice's body of work was widely appreciated by the public during his lifetime, due in part to his relaxed but socially and emotionally aware style. Never as overtly or simplistically political as some of his contemporaries, he expressed a humane opposition to totalitarianism as well as an acute awareness of his roots.
George Sutherland Fraser was a Scottish poet, literary critic and academic.
The Irish Literary Revival was a flowering of Irish literary talent in the late 19th and early 20th century. It includes works of poetry, music, art, and literature.
The Oxford University Press published a long series of poetry anthologies, dealing in particular with British poetry but not restricted to it, after the success of the Oxford Book of English Verse (1900). The Oxford poetry anthologies are traditionally seen as 'establishment' in attitude, and routinely therefore are subjects of discussion and contention. They have been edited both by well-known poets and by distinguished academics. In the limited perspective of canon-formation, they have mostly been retrospective and well-researched, rather than breaking fresh ground.
Poems of Today was a series of anthologies of poetry, almost all Anglo-Irish, produced by the English Association.
The Broadview Anthology of Poetry (ISBN 978-1551110066) is a 1993 poetry anthology compiled by Canadian academics Herbert Rosengarten and Amanda Goldrick-Jones.
These are Oxford poetry anthologies of English poetry, which select from a given period. See also The Oxford Book of Twentieth Century English Verse and Eighteenth century women poets: an Oxford anthology.
Several anthologies of religious poetry have been published by Oxford University Press.
The Faber Book of Irish Verse was a poetry anthology edited by John Montague and first published in 1974 by Faber and Faber. Recognised as an important collection, it has been described as 'the only general anthology of Irish verse in the past 30 years that has a claim to be a work of art in itself ... still the freshest introduction to the full range of Irish poetry'. According to Montague, "I'm dealing with a thousand years of Irish verse in under four hundred pages. I needed a thousand pages.'
The Oxford Book of Irish Verse; XVIIth century - XXth century was a poetry anthology edited by Donagh MacDonagh and Lennox Robinson. It was published "at the Clarendon Press, Oxford" in 1958.
Literary Taste: How to Form it is a long essay by Arnold Bennett, first published in 1909, with a revised edition by his friend Frank Swinnerton appearing in 1937. It includes a long list of recommended books, every item individually costed.
A Little Treasury of Modern Poetry: English and American is an anthology of poetry, edited by Oscar Williams, which was published by Scribner's, New York, in 1946, and Routledge and Kegan Paul, London, in 1947. Another edition, enlarged and rearranged, was published in 1952.
Oxford Poetry is a literary magazine based in Oxford, England. It is currently edited by Luke Allan. The magazine is published by Partus Press.
