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Wikiquote has quotations related to Moral perfectionism .
In ethics and value theory, perfectionism is the persistence of will in obtaining the optimal quality of spiritual, mental, physical, and material being. Thomas Hurka describes perfectionism as follows:
This moral theory starts from an account of the good life, or the intrinsically desirable life. And it characterizes this life in a distinctive way. Certain properties, it says, constitute human nature or are definitive of humanity—they make humans human. The good life, it then says, develops these properties to a high degree or realizes what is central to human nature. Different versions of the theory may disagree about what the relevant properties are and so disagree about the content of the good life. But they share the foundational idea that what is good, ultimately, is the development of human nature. [1]
Perfectionism, as a moral theory, has a long history and has been addressed by influential philosophers. Aristotle stated his conception of the good life (eudaimonia). He taught that politics and political structures should promote the good life among individuals; because the polis can best promote the good life, it should be adopted over other forms of social organization.
The philosopher Stanley Cavell develops the concept of moral perfectionism as the idea that there is an unattained but attainable self that one ought to strive to reach. Moral perfectionists believe that the ancient questions such as "Am I living as I am supposed to?" make all the difference in the world and they describe the commitment we ought to have in ways that seem, but are not, impossibly demanding. We do so because it is only in the keeping such an "impossible" view in mind that one can strive for one's "unattained but attainable self."
In his book Cities of Words: Pedagogical Letters on a Register of the Moral Life (2005), [2] based on a lecture course called "Moral Perfectionism" that he first gave at Harvard University in the 1980s, Stanley Cavell characterizes moral perfectionism in general, and what he calls "Emersonian perfectionism," the form of moral perfectionism he embraces and defends, not as a theory of moral philosophy comparable to Immanuel Kant’s deontological view that there is a universal moral law (the categorical imperative) by which we can rationally determine whether an action is right or wrong, or John Stuart Mill’s utilitarian view that the good action is that which will cause the least harm, or the greatest good for the greatest number. For Cavell, moral perfectionism is an outlook or register of thought, a way of thinking about morality expressed thematically in certain works of philosophy, literature and film. As William Rothman summarizes Cavell's idea, "takes it to be our primary task as human beings—at once our deepest wish, whether or not we know this about ourselves, and our moral obligation—to become more fully human, to realize our humanity in our lives in the world, which always requires the simultaneous acknowledgment of the humanity of others (our acknowledgment of them, and theirs of us)." [3] Cities of Words pairs chapters on major philosophers in the Western tradition, such as Plato, Aristotle, Immanuel Kant, Ralph Waldo Emerson, Friedrich Nietzsche, John Stuart Mill, Sigmund Freud and John Rawls, endorsing Cavell's understanding of moral perfectionism and such artists as William Shakespeare, Henry James, Henrik Ibsen and George Bernard Shaw, with chapters on a film, all but one ( A Tale of Winter (1992) by Eric Rohmer) a member of the classical Hollywood genres; what he called "the comedy of remarriage" and "the melodrama of the unknown woman". Cavell's argument is that these films are illustrative of moral perfectionism (and, more specifically, Emersonian perfectionism).The moral questions couples in remarriage comedies like It Happened One Night , The Awful Truth and The Philadelphia Story address in their witty give- and-take, for example, are, as Cavell puts it, "formulated less well by questions concerning what they ought to do, what it would be best or right for them to do, than by the question how they shall live their lives, what kind of persons they aspire to be." [4] 7
Perfection means more than—or something different from—happiness or pleasure, and perfectionism is distinct from utilitarianism in all its forms. A society devoted to perfectionist principles may not produce happy citizens—far from it. Kant regarded such a society as government paternalism, which he denied for the sake of a "patriotic" state (imperium non paternale, sed patrioticum). While the individual is responsible for living a virtuous life, the state should be limited to the regulation of human coexistence. [5]
Alfred Naquet was of the view that there are no universal parameters of perfection. Individuals and cultures choose those values that, for them, represent the ideal of perfection. For example, one individual may view education as leading perfection, while to another beauty is the highest ideal.
He wrote in this regard:
The true role of collective existence ... is to learn, to discover, to know. Eating, drinking, sleeping, living, in a word, is a mere accessory. In this respect, we are not distinguished from the brute. Knowledge is the goal. If I were condemned to choose between a humanity materially happy, glutted after the manner of a flock of sheep in a field, and a humanity existing in misery, but from which emanated, here and there, some eternal truth, it is on the latter my choice would fall. [6]
From a critical perspective, similar sentiments were expressed by Matthew Arnold in his Culture and Anarchy essays. According to the view he advanced in the 1869 publication, "Culture [...] is a study of perfection". He further wrote that: "[Culture] seeks to do away with classes; to make the best that has been thought and known in the world current everywhere; to make all men live in an atmosphere of sweetness and light [...]". [7]
Moreover, in the preface of that text, he wrote:
The whole scope of the essay is to recommend culture as the great help out of our present difficulties; culture being a pursuit of our total perfection by means of getting to know, on all the matters which most concern us, the best which has been thought and said in the world, and, through this knowledge, turning a stream of fresh and free thought upon our stock notions and habits, which we now follow staunchly but mechanically, vainly imagining that there is a virtue in following them staunchly which makes up for the mischief of following them mechanically.
Philosopher Mark Alan Walker argues that rational perfectionism is, or should be, the ethical imperative behind transhumanism.[ citation needed ]
The argument from morality is an argument for the existence of God. Arguments from morality tend to be based on moral normativity or moral order. Arguments from moral normativity observe some aspect of morality and argue that God is the best or only explanation for this, concluding that God must exist. Arguments from moral order are based on the asserted need for moral order to exist in the universe. They claim that, for this moral order to exist, God must exist to support it. The argument from morality is noteworthy in that one cannot evaluate the soundness of the argument without attending to almost every important philosophical issue in meta-ethics.
In ethical philosophy, ethical egoism is the normative position that moral agents ought to act in their own self-interest. It differs from psychological egoism, which claims that people can only act in their self-interest. Ethical egoism also differs from rational egoism, which holds that it is rational to act in one's self-interest. Ethical egoism holds, therefore, that actions whose consequences will benefit the doer are ethical.
Immanuel Kant was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy, being called the "father of modern ethics", "father of modern aesthetics" and, by bringing together rationalism and empiricism, the "father of modern philosophy".
Normative ethics is the study of ethical behaviour and is the branch of philosophical ethics that investigates questions regarding how one ought to act, in a moral sense.
In ethical philosophy, utilitarianism is a family of normative ethical theories that prescribe actions that maximize happiness and well-being for the affected individuals. In other words, utilitarian ideas encourage actions that ensure the greatest good for the greatest number.
In the 19th century, the philosophers of the 18th-century Enlightenment began to have a dramatic effect on subsequent developments in philosophy. In particular, the works of Immanuel Kant gave rise to a new generation of German philosophers and began to see wider recognition internationally. Also, in a reaction to the Enlightenment, a movement called Romanticism began to develop towards the end of the 18th century. Key ideas that sparked changes in philosophy were the fast progress of science, including evolution, most notably postulated by Charles Darwin and Jean-Baptiste Lamarck, and theories regarding what is today called emergent order, such as the free market of Adam Smith within nation states, or the Marxist approach concerning class warfare between the ruling class and the working class developed by Karl Marx and Friedrich Engels. Pressures for egalitarianism, and more rapid change culminated in a period of revolution and turbulence that would see philosophy change as well.
The categorical imperative is the central philosophical concept in the deontological moral philosophy of Immanuel Kant. Introduced in Kant's 1785 Groundwork of the Metaphysics of Morals, it is a way of evaluating motivations for action. It is best known in its original formulation: "Act only according to that maxim whereby you can at the same time will that it should become a universal law."
Richard Mervyn Hare, usually cited as R. M. Hare, was a British moral philosopher who held the post of White's Professor of Moral Philosophy at the University of Oxford from 1966 until 1983. He subsequently taught for a number of years at the University of Florida. His meta-ethical theories were influential during the second half of the twentieth century.
In moral philosophy, deontological ethics or deontology is the normative ethical theory that the morality of an action should be based on whether that action itself is right or wrong under a series of rules and principles, rather than based on the consequences of the action. It is sometimes described as duty-, obligation-, or rule-based ethics. Deontological ethics is commonly contrasted to consequentialism, utilitarianism, virtue ethics, and pragmatic ethics. In this terminology, action is more important than the consequences.
In most contexts, the concept of good denotes the conduct that should be preferred when posed with a choice between possible actions. Good is generally considered to be the opposite of evil and is of ethics, morality, philosophy, and religion. The specific meaning and etymology of the term and its associated translations among ancient and contemporary languages show substantial variation in its inflection and meaning, depending on circumstances of place and history, or of philosophical or religious context.
Stanley Louis Cavell was an American philosopher. He was the Walter M. Cabot Professor of Aesthetics and the General Theory of Value at Harvard University. He worked in the fields of ethics, aesthetics, and ordinary language philosophy. As an interpreter, he produced influential works on Wittgenstein, Austin, Emerson, Thoreau, and Heidegger. His work is characterized by its conversational tone and frequent literary references.
Secular ethics is a branch of moral philosophy in which ethics is based solely on human faculties such as logic, empathy, reason or moral intuition, and not derived from belief in supernatural revelation or guidance—a source of ethics in many religions. Secular ethics refers to any ethical system that does not draw on the supernatural, and includes humanism, secularism and freethinking. A classical example of literature on secular ethics is the Kural text, authored by the ancient Indian philosopher Valluvar.
Principia Ethica is a book written in 1903 by British philosopher, G. E. Moore. Moore questions a fundamental pillar of ethics, specifically what the definition of "good" is. He concludes that "good" is indefinable because any attempts to do so commit the naturalistic fallacy. Principia Ethica was influential, with Moore's arguments being considered ground-breaking advances in the field of moral philosophy.
Kantian ethics refers to a deontological ethical theory developed by German philosopher Immanuel Kant that is based on the notion that "I ought never to act except in such a way that I could also will that my maxim should become a universal law.” It is also associated with the idea that “[i]t is impossible to think of anything at all in the world, or indeed even beyond it, that could be considered good without limitation except a good will." The theory was developed in the context of Enlightenment rationalism. It states that an action can only be moral if it is motivated by a sense of duty, and its maxim may be rationally willed a universal, objective law.
The Case for Animal Rights is a 1983 book by the American philosopher Tom Regan, in which the author argues that at least some kinds of non-human animals have moral rights because they are the "subjects-of-a-life," and that these rights adhere to them whether or not they are recognized. The work is considered an important text within animal rights theory.
Ethics is the branch of philosophy that examines right and wrong moral behavior, moral concepts and moral language. Ethics or moral philosophy is a branch of philosophy that "involves systematizing, defending, and recommending concepts of right and wrong behavior". The field of ethics, along with aesthetics, concerns matters of value, and thus comprises the branch of philosophy called axiology.
Radical evil is a phrase used by German philosopher Immanuel Kant, one representing the Christian term, radix malorum. Kant believed that human beings naturally have a tendency to be evil. He explains radical evil as corruption that entirely takes over a human being and leads to desires acting against the universal moral law. The outcome of one's natural tendency, or innate propensity, towards evil are actions or "deeds" that subordinate the moral law. According to Kant, these actions oppose universally moral maxims and display self-love and self conceit. By many authors, Kant's concept of radical evil is seen as a paradox and inconsistent through his development of moral theories.
Thomas Hurka is a Canadian philosopher who holds the Jackman Distinguished Chair in Philosophical Studies at the University of Toronto and who taught previously, from 1978 to 2002, at the University of Calgary.
The Right and the Good is a 1930 book by the Scottish philosopher David Ross. In it, Ross develops a deontological pluralism based on prima facie duties. Ross defends a realist position about morality and an intuitionist position about moral knowledge. The Right and the Good has been praised as one of the most important works of ethical theory in the twentieth century.
William Rothman is an American film theorist and critic. Since receiving his Ph.D. in philosophy from Harvard University in 1974, he has authored numerous books, including Hitchcock: The Murderous Gaze (1982), The “I” of the Camera: Essays in Film Criticism, History and Aesthetic (1988), and Tuitions and Intuitions: Essays at the Intersection of Film Criticism and Philosophy (2019). He was "part of a modern wave of thinkers to apply questions of philosophy to the medium of movies" during the 1980s, and his work contributed to the emergence of the sub-discipline that has come to be known as “film-philosophy.” Rothman has also written on aspects of film theory and on the writings of Stanley Cavell, an American philosopher who made film a major focus of his work. He is currently Professor of Cinematic Arts in the School of Communication at the University of Miami.