Piano Concerto (Higdon)

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The Piano Concerto is a concerto for solo piano and orchestra by the American composer Jennifer Higdon. It was commissioned by the National Symphony Orchestra and was first performed December 3, 2009 at the John F. Kennedy Center for the Performing Arts in Washington, D.C.. The premiere featured pianist Yuja Wang and the National Symphony Orchestra under conductor Andrew Litton. [1] [2]

Concerto musical composition usually in three parts

A concerto is a musical composition generally composed of three movements, in which, usually, one solo instrument is accompanied by an orchestra or concert band. It is accepted that its characteristics and definition have changed over time. In the 17th century, sacred works for voices and orchestra were typically called concertos, as reflected by J. S. Bach's usage of the title "concerto" for many of the works that we know as cantatas.

Piano musical instrument

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.

Orchestra large instrumental ensemble

An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families, including bowed string instruments such as the violin, viola, cello, and double bass, brass instruments such as the horn, trumpet, trombone and tuba, woodwinds such as the flute, oboe, clarinet and bassoon, and percussion instruments such as the timpani, bass drum, triangle, snare drum and cymbals, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.

Contents

Composition

The Piano Concerto has a duration of roughly 30 minutes and is composed in three numbered movements. [1] [3]

A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".

A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.

Instrumentation

The work is scored for solo piano and an orchestra comprising two flutes (2nd doubling piccolo), two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, harp, timpani, two percussionists, and strings. [3]

Western concert flute transverse woodwind instrument made of metal or wood

The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.

Piccolo small musical instrument of the flute family

The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino, which the instrument is called in the scores of Italian composers. It is also called flauto piccolo or flautino.

Oboe musical instrument of the woodwind family

Oboes belong to the classification of double reed woodwind instruments. Oboes are usually made of wood, but there are also oboes made of synthetic materials. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore

Reception

Reviewing the world premiere, Anne Midgette of The Washington Post called it "a big, meaty, somewhat discursive concerto" and said, "the piece gave one so much to listen to that it flew by, and left one wanting to hear it again, which is no mean feat for a brand-new work." [1] Tim Smith of The Baltimore Sun wrote:

Anne Midgette is an American journalist and classical music critic.

<i>The Washington Post</i> Daily broadsheet newspaper published in Washington, D.C.

The Washington Post is a major American daily newspaper published in Washington, D.C., with a particular emphasis on national politics and the federal government. It has the largest circulation in the Washington metropolitan area. Its slogan "Democracy Dies in Darkness" began appearing on its masthead in 2017. Daily broadsheet editions are printed for the District of Columbia, Maryland, and Virginia.

Tim Smith is an American classical music critic and journalist.

The concerto is big in structure and gesture, with three eventful movements. A soft-hued, rather jazzy keyboard passage sets the work in motion. The piano proceeds to engage in a vigorous dialogue with the orchestra throughout the first movement, which is punctuated by fluttering horn riffs and a striking, march-like theme that makes a few telling appearances. There's a substantial cadenza, and an unexpected, exquisitely subtle ending. On first hearing, the second movement seems a little padded with material, but there are many arresting features as Higdon makes effective use of piquant chromaticism. The finale, in the grand concerto tradition, goes for bravura above all else. It's an exhilarating ride. [2]

Mike Dunham of the Alaska Dispatch News was more critical of the piece, writing, "There's a lot of colorful instrumental combinations, but nothing sticks out — or sticks with the listener. For an often frantically busy piece consuming a half hour or more, there was no sense of transport or journey after the first movement." [4]

See also

Related Research Articles

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References

  1. 1 2 3 Midgette, Anne (December 4, 2009). "Jennifer Higdon with the National Symphony Orchestra at the Kennedy Center". The Washington Post . Retrieved June 13, 2015.
  2. 1 2 Smith, Tim (December 4, 2009). "National Symphony premieres Higdon Piano Concerto on colorful program". The Baltimore Sun . Retrieved June 13, 2015.
  3. 1 2 Higdon, Jennifer (2006). Piano Concerto. Retrieved July 13, 2015.
  4. ↑ Dunham, Mike (January 22, 2013). "REVIEW: Higdon Concerto at Anchorage Symphony". Alaska Dispatch News . Retrieved June 13, 2015.
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