The Low Brass Concerto is a concerto for four solo low brass instruments and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Chicago Symphony Orchestra for their renowned low brass section and co-commissioned by the Baltimore Symphony Orchestra and the Philadelphia Orchestra. It was composed in 2017 and was first performed by the Chicago Symphony Orchestra under the direction of Riccardo Muti on February 1, 2018. [1]
A concerto is a musical composition generally composed of three movements, in which, usually, one solo instrument is accompanied by an orchestra or concert band. It is accepted that its characteristics and definition have changed over time. In the 17th century, sacred works for voices and orchestra were typically called concertos, as reflected by J. S. Bach's usage of the title "concerto" for many of the works that we know as cantatas.
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones, literally meaning "lip-vibrated instruments".
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families, including bowed string instruments such as the violin, viola, cello, and double bass, brass instruments such as the horn, trumpet, trombone and tuba, woodwinds such as the flute, oboe, clarinet and bassoon, and percussion instruments such as the timpani, bass drum, triangle, snare drum and cymbals, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.
The Low Brass Concerto is cast in one continuous movement in alternating slow and fast sections. It has a performance duration of approximately 17 minutes. [2]
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".
A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.
The low brass soloists consist of two tenor trombones, bass trombone, and tuba. They are accompanied by a large orchestra consisting of two flutes, two oboes, clarinet, bass clarinet, bassoon, contrabassoon, four horns, three trumpets, timpani, percussion, and strings. [2]
The trombone is a musical instrument in the brass family. As on all brass instruments, sound is produced when the player's vibrating lips (embouchure) cause the air column inside the instrument to vibrate. Nearly all trombones have a telescoping slide mechanism that varies the length of the instrument to change the pitch. Many modern trombone models also use a valve attachment to lower the pitch of the instrument. Variants such as the valve trombone and superbone have three valves similar to those on the trumpet.
The tuba (bass) is the largest and lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibration into a large mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. Tuba is Latin for 'trumpet'.
The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.
Reviewing the world premiere, John von Rhein of the Chicago Tribune wrote, "The new work harnesses the signature strength of [the CSO's low brass section] in imaginative ways that allow them to function as a unit, duo, trio and individual voices, before her 17-minute, single-movement concerto charges to a rousing close." He added, "This is a big-shouldered Chicago brass blowout if there ever was one — beautiful, accessible, inventive, impeccably crafted — drawing not so much on its muscular might as on its ability, less often recognized, to play softly and lyrically." [3] Hedy Weiss of the Chicago Sun-Times similarly described the concerto as a "wonderfully accessible, richly melodic new work — one propelled by exhilarating rhythms, vibrant orchestral color, and an ingenious use of strings, woodwinds and percussion." [4]
The Chicago Tribune is a daily newspaper based in Chicago, Illinois, United States, owned by Tribune Publishing. Founded in 1847, and formerly self-styled as the "World's Greatest Newspaper", it remains the most-read daily newspaper of the Chicago metropolitan area and the Great Lakes region. It is the eighth-largest newspaper in the United States by circulation.
The Chicago Sun-Times is a daily newspaper published in Chicago, Illinois, United States. It is the flagship paper of the Sun-Times Media Group, with the 2nd biggest circulation in Chicago.
Despite lauding the concerto, Lawrence A. Johnson of the Chicago Classical Review was more critical of the piece, noting, "It's probably a good thing that the concerto feels too short rather than too long. If there is a complaint, it's that one wishes there were more standout solo opportunities for each of the four players." He added, "Granted, in a work this short there's not a whole lot of space for four players to chart their own varied paths. (The premiere performance ran 20 minutes, slightly longer than the 15 to 17 minutes indicated in the score.) Perhaps some revision and judicious expansion to Higdon's likable concerto might allow each of the four soloists to stand out a bit more and differentiate their instruments more than is currently the case." [5] This criticism was shared by David Patrick Stearns of The Philadelphia Inquirer , who remarked, "So the concerto isn't exactly written for four players, but for four players acting more or less as a single entity. Mostly. Individual instruments occasionally pop out in solos or duets. Thus, the foursome has many of the lyrical and dramatic possibilities of any concerto soloist, though not the agility that one associates with, say, a violinist who leaps into the ozone during the cadenza." [6]
The Philadelphia Inquirer is a morning daily newspaper that serves the Philadelphia metropolitan area of the United States. The newspaper was founded by John R. Walker and John Norvell in June 1829 as The Pennsylvania Inquirer and is the third-oldest surviving daily newspaper in the United States. Owned by Philadelphia Media Network, a subsidiary of The Philadelphia Foundation's nonprofit Institute for Journalism in New Media, The Inquirer has the eighteenth largest average weekday U.S. newspaper circulation and has won twenty Pulitzer Prizes. It is the newspaper of record in the Delaware Valley.
Hilary Hahn is an American violinist. In her career, she has performed throughout the world both as a soloist with leading orchestras and conductors and as a recitalist. She also built a reputation as a champion of contemporary music. Several composers have written works especially for her, including concerti by Edgar Meyer and Jennifer Higdon and partitas by Antón García Abril.
Charles "Charlie" Vernon is the bass trombonist for the Chicago Symphony Orchestra and serves as professor of trombone at DePaul University in Chicago, Illinois.
Jennifer Higdon's Concerto for Violin and Orchestra was written in 2008. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzano on February 6, 2009. The piece was later awarded the 2010 Pulitzer Prize for Music.
Heimdall's Trumpet is a concerto for trumpet and orchestra by the American composer Christopher Rouse. It was commissioned by the Chicago Symphony Orchestra for its principal trumpeter Christopher Martin. The piece was completed January 21, 2012 and premiered December 20, 2012 at Symphony Center in Chicago.
The Clarinet Concerto is a concerto for clarinet and orchestra by the American composer Christopher Rouse. The work was commissioned for the Chicago Symphony Orchestra and its principal clarinetist Larry Combs by the Institute for American Music. It was completed December 11, 2000 and premiered May 17, 2001 at Symphony Center in Chicago with Christoph Eschenbach conducting the Chicago Symphony Orchestra. The piece is dedicated to Rouse's friend and fellow composer Augusta Read Thomas.
The Viola Concerto is a concerto for viola and orchestra in three movements by the American composer Jennifer Higdon. The work was jointly commissioned by the Library of Congress, the Nashville Symphony, the Curtis Institute of Music, and the Aspen Music Festival. It was premiered March 7, 2015 at the Thomas Jefferson Building in Washington, D.C., with conductor Robert Spano leading violist Roberto Díaz and the Curtis Chamber Orchestra. The work won the 2018 Grammy Award for Best Classical Contemporary Composition.
The Violin Concerto is a concerto for violin and orchestra in three movements by the American composer Elliott Carter. The work was jointly commissioned by the San Francisco Symphony and the violinist Ole Bøhn. It was completed February 26, 1990 in Waccabuc, New York, and was premiered May 2, 1990 in San Francisco, with conductor Herbert Blomstedt leading Bøhn and the San Francisco Symphony. The piece won the 1994 Grammy Award for Best Classical Contemporary Composition.
Alternative Energy is a symphony for electronica and orchestra in four movements by the American composer Mason Bates. The work was commissioned by the Chicago Symphony Orchestra, for whom Bates was then composer-in-residence. It was premiered by the orchestra under conductor Riccardo Muti at Symphony Center in Chicago, February 2, 2012.
Anthology of Fantastic Zoology is an orchestral symphony by the American composer Mason Bates. The work was commissioned by the Chicago Symphony Orchestra, for whom Bates was then composer-in-residence. It was premiered June 18, 2015 at Symphony Center in Chicago, with the Chicago Symphony Orchestra performing under conductor Riccardo Muti, to whom the work is dedicated. The piece is based on the eponymous book by Jorge Luis Borges.
The Piano Concerto is a concerto for solo piano and orchestra by the American composer Jennifer Higdon. It was commissioned by the National Symphony Orchestra and was first performed December 3, 2009 at the John F. Kennedy Center for the Performing Arts in Washington, D.C.. The premiere featured pianist Yuja Wang and the National Symphony Orchestra under conductor Andrew Litton.
Concerto 4-3 is a concerto for two violins, double bass, and orchestra in three movements by the American composer Jennifer Higdon. The work was commissioned for the string trio Time for Three by the Philadelphia Orchestra, the Pittsburgh Symphony Orchestra, and the Wheeling Symphony Orchestra. It was first performed in Philadelphia on January 10, 2008, by Time for Three and the Philadelphia Orchestra conducted by Christoph Eschenbach.
Loco is an orchestral composition in one movement by the American composer Jennifer Higdon. The work was commissioned by the Ravinia Festival of Highland Park, Illinois to commemorate the Ravinia train as part of the Train Commission Project. It was first performed on July 31, 2004 at the Ravinia Festival by the Chicago Symphony Orchestra.
Night Ferry is an orchestral composition in one movement by the British-born composer Anna Clyne. The work was commissioned by the Chicago Symphony Orchestra, for which Clyne was then composer-in-residence. It was first performed February 9, 2012 at Symphony Center, Chicago by the Chicago Symphony Orchestra under conductor Riccardo Muti.
The Seamstress is a concerto for solo violin and orchestra by the British-born composer Anna Clyne. The work was commissioned by the Chicago Symphony Orchestra, for which Clyne was then composer-in-residence. It was first performed May 28, 2015 at Symphony Center, Chicago by the violinist Jennifer Koh and the Chicago Symphony Orchestra under conductor Ludovic Morlot. The Seamstress marks the second collaboration between Clyne and Koh, who had previously premiered Clyne's double violin concerto Prince of Clouds in November 2012.
Astral Canticle is a double concerto for violin, flute, and orchestra by the American composer Augusta Read Thomas. The work was Thomas's sixth and final commission by the Chicago Symphony Orchestra before she concluded her nine-year tenure there as composer-in-residence. It was first performed in Chicago on June 1, 2006, by the flutist Mathieu Dufour, the violinist Robert Chen, and the Chicago Symphony Orchestra under the conductor Daniel Barenboim. The piece is dedicated to Barenboim and the Chicago Symphony Orchestra. The composition was a finalist for the 2007 Pulitzer Prize for Music.
Soundings is an orchestral composition by the American composer Elliott Carter. The work was commissioned by the Chicago Symphony Orchestra for their final season with the conductor Daniel Barenboim as music director. It was first performed on October 6, 2005 at the Symphony Center, Chicago, by Barenboim and the Chicago Symphony Orchestra.
The Cello Concerto is a composition for cello and orchestra by the Finnish composer Esa-Pekka Salonen. The work was co-commissioned by the Chicago Symphony Orchestra, the New York Philharmonic, the Barbican Centre, and the Elbphilharmonie. It was completed in 2017 and was first performed by the cellist Yo-Yo Ma and the Chicago Symphony Orchestra under the direction of Salonen on March 9, 2017. The piece is dedicated to Yo-Yo Ma.
Elizabeth Ogonek is an American composer of contemporary classical music.
All These Lighted Things is an orchestral composition by the American composer Elizabeth Ogonek. The work was commissioned by the Chicago Symphony Orchestra, for which Ogonek co-serves as Mead composer-in-residence with the composer Samuel Adams. The piece was given its world premiere by the Chicago Symphony Orchestra under the direction of Riccardo Muti on September 28, 2017.
The Tuba Concerto is a composition for solo tuba and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Pittsburgh Symphony Orchestra for their principal tubist Craig Knox. It was first performed by Knox and the Pittsburgh Symphony Orchestra under the conductor Robert Spano on March 16, 2018.