Oboe Concerto (Higdon)

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The Oboe Concerto is a concerto for a solo oboe and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Minnesota Commissioning Club and was premiered on September 9, 2005 by the oboist Kathy Greenbank and the Saint Paul Chamber Orchestra. [1] [2] Higdon later reworked the piece into her Soprano Sax Concerto in 2007. [3]

Concerto musical composition usually in three parts

A concerto is a musical composition generally composed of three movements, in which, usually, one solo instrument is accompanied by an orchestra or concert band. It is accepted that its characteristics and definition have changed over time. In the 17th century, sacred works for voices and orchestra were typically called concertos, as reflected by J. S. Bach's usage of the title "concerto" for many of the works that we know as cantatas.

Oboe musical instrument of the woodwind family

Oboes belong to the classification of double reed woodwind instruments. Oboes are usually made of wood, but there are also oboes made of synthetic materials. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore

Orchestra large instrumental ensemble

An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families, including bowed string instruments such as the violin, viola, cello, and double bass, brass instruments such as the horn, trumpet, trombone and tuba, woodwinds such as the flute, oboe, clarinet and bassoon, and percussion instruments such as the timpani, bass drum, triangle, snare drum and cymbals, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.

Contents

Composition

The Oboe Concerto is composed in a single movement and has a duration of roughly 17 minutes. Higdon described the composition of the piece in the score program notes, writing:

A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".

A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.

This "Oboe Concerto" gives the instrument a chance to highlight its extraordinary lyrical gift. The beauty of the soaring line intrigued me as a starting point, and then the realization that the oboe makes a great partner for duets within an orchestral texture, sent me in the direction of creating interactions with other instruments in the supporting ensemble.

She added, "I have always thought of the oboe as being a most majestic instrument, and it was a pleasure to be able to create a work that would highlight its beauty and grace." [1]

Instrumentation

The work is scored for a solo oboe and an orchestra comprising two flutes (2nd doubling piccolo), oboe, English horn, two clarinets, two bassoons, two horns, two trumpets, one percussionist, and strings.

Western concert flute transverse woodwind instrument made of metal or wood

The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.

Piccolo small musical instrument of the flute family

The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino, which the instrument is called in the scores of Italian composers. It is also called flauto piccolo or flautino.

Cor anglais woodwind musical instrument

The cor anglais or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe.

Reception

Reviewing the world premiere, Michael Anthony of the Star Tribune lauded the piece, remarking, "Higdon has written a truly appealing work, the appeal of which is apparent on first hearing." He added:

<i>Star Tribune</i> Minneapolis newspaper

The Star Tribune is the largest newspaper in Minnesota. It originated as the Minneapolis Tribune in 1867 and the competing Minneapolis Daily Star in 1920. During the 1930s and 1940s Minneapolis's competing newspapers were consolidated, with the Tribune published in the morning and the Star in the evening. They merged in 1982, creating the Star Tribune. After a tumultuous period in which the newspaper was sold and re-sold and filed for bankruptcy protection in 2009, it was purchased by local businessman Glen Taylor in 2014.

[Higdon's] Oboe Concerto shares the shimmering beauty and rhythmic playfulness of many of her other works. The concerto, in fact, seems infused with the beauty of its solo instrument. Higdon seems to address that quality. She opens and closes the work with a sustained note in the oboe's middle register. It's a striking opening, as if to say just a single note on this instrument can enchant — and it does. [2]

Higdon herself has regarded the piece as one of her favorites among her own works, alongside blue cathedral and her Concerto for Orchestra. [4]

The Concerto for Orchestra is an orchestral composition in five movements by the American composer Jennifer Higdon. The work was commissioned by the Philadelphia Orchestra with contributions from the National Endowment for the Arts, the Philadelphia Music Project, and Peter Benoliel. It was premiered at the Kimmel Center for the Performing Arts in Philadelphia June 12, 2002, with conductor Wolfgang Sawallisch leading the Philadelphia Orchestra.

See also

Related Research Articles

Jennifer Elaine Higdon is an American composer of classical music and composition teacher. She has received many awards including the 2010 Pulitzer Prize for Music for her Violin Concerto and two Grammy Awards for Best Contemporary Classical Composition - the first in 2009 for her Percussion Concerto, the second in 2018 for her Viola Concerto. The latter was on an album of her music, Higdon: All Things Majestic, Viola Concerto, and Oboe Concerto, that won the 2018 Grammy for Best Classical Compendium.

Oboe concerto concerto for solo oboe and instrumental ensemble

A number of concertos have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble.

Jennifer Higdon's Concerto for Violin and Orchestra was written in 2008. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzano on February 6, 2009. The piece was later awarded the 2010 Pulitzer Prize for Music.

The Percussion Concerto is a one-movement concerto for solo percussion and orchestra by the American composer Jennifer Higdon. The work was jointly commissioned by the Philadelphia Orchestra, the Indianapolis Symphony Orchestra, and the Dallas Symphony Orchestra, with contributions from the Philadelphia Music Project and the Lacy Foundation of LDI, Ltd. The piece was completed in 2005 and is dedicated to the percussionist Colin Currie, for whom the concerto was written. The piece won the 2010 Grammy Award for Best Classical Contemporary Composition. That same year, Higdon won the Pulitzer Prize for Music for her Violin Concerto (2008).

The Viola Concerto is a concerto for viola and orchestra in three movements by the American composer Jennifer Higdon. The work was jointly commissioned by the Library of Congress, the Nashville Symphony, the Curtis Institute of Music, and the Aspen Music Festival. It was premiered March 7, 2015 at the Thomas Jefferson Building in Washington, D.C., with conductor Robert Spano leading violist Roberto Díaz and the Curtis Chamber Orchestra. The work won the 2018 Grammy Award for Best Classical Contemporary Composition.

The Piano Concerto is a concerto for solo piano and orchestra by the American composer Jennifer Higdon. It was commissioned by the National Symphony Orchestra and was first performed December 3, 2009 at the John F. Kennedy Center for the Performing Arts in Washington, D.C.. The premiere featured pianist Yuja Wang and the National Symphony Orchestra under conductor Andrew Litton.

Concerto 4-3 is a concerto for two violins, double bass, and orchestra in three movements by the American composer Jennifer Higdon. The work was commissioned for the string trio Time for Three by the Philadelphia Orchestra, the Pittsburgh Symphony Orchestra, and the Wheeling Symphony Orchestra. It was first performed in Philadelphia on January 10, 2008, by Time for Three and the Philadelphia Orchestra conducted by Christoph Eschenbach.

Dooryard Bloom is a composition for solo baritone and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Brooklyn Philharmonic in 2004 and was premiered on April 16, 2005 by the baritone Nmon Ford and the Brooklyn Philharmonic under the conductor Michael Christie. The piece is adapted from the poem "When Lilacs Last in the Dooryard Bloom'd" by the American author Walt Whitman.

Fanfare Ritmico is a single-movement orchestral composition by the American composer Jennifer Higdon. The work was commissioned by The Women's Philharmonic as part of The Fanfares Project. It was given its world premiere in March 2000 by conductor Apo Hsu and the Women's Philharmonic.

Loco is an orchestral composition in one movement by the American composer Jennifer Higdon. The work was commissioned by the Ravinia Festival of Highland Park, Illinois to commemorate the Ravinia train as part of the Train Commission Project. It was first performed on July 31, 2004 at the Ravinia Festival by the Chicago Symphony Orchestra.

The Singing Rooms is a concerto for solo violin, choir, and orchestra by the American composer Jennifer Higdon. The work was jointly commissioned by the Philadelphia Orchestra, the Atlanta Symphony Orchestra, and the Minnesota Orchestra. It was first performed on January 17, 2008 in Philadelphia by the violinist Jennifer Koh, The Philadelphia Singers, and the Philadelphia Orchestra under the conductor Christoph Eschenbach. The text of the piece is set to poems by Jeanne Minahan.

The Soprano Sax Concerto is a concerto for soprano saxophone and orchestra by the American composer Jennifer Higdon. The work was originally commissioned by the Minnesota Commissioning Club as Higdon's Oboe Concerto and was premiered by oboist Kathy Greenbank and the Saint Paul Chamber Orchestra in 2005. Higdon later reworked the composition, however, and the piece was premiered in its form as a saxophone concerto on August 3, 2007 at the Cabrillo Festival of Contemporary Music by the saxophonist Timothy McAllister and the Cabrillo Festival Orchestra under the conductor Marin Alsop.

The Concerto for Oboe and Orchestra is a composition for solo oboe and orchestra by the American composer John Corigliano. The work was commissioned by the New York State Council on the Arts and was first performed in Carnegie Hall on November 9, 1975, by the oboist Bert Lucarelli and the American Symphony Orchestra under the conductor Kazuyoshi Akiyama.

blue cathedral is an orchestral composition by the American composer Jennifer Higdon. The work was commissioned by the Curtis Institute of Music in 1999 to commemorate the conservatory's 75th anniversary. It was first performed in 2000 by the Curtis Institute of Music Symphony Orchestra. The piece is dedicated to the memory of Higdon's brother and is one of the composer's most performed works.

Purple Rhapsody is a viola concerto by the American composer Joan Tower. The work was jointly commissioned by the Omaha Symphony Orchestra with the Buffalo Philharmonic Orchestra, the Virginia Symphony Orchestra, the Kansas City Symphony, the ProMusica Chamber Orchestra, Peninsula Music Festival Orchestra, and the Chautauqua Symphony Orchestra with a grant from the Serge Koussevitzky Music Foundation in the Library of Congress. It was first performed on November 4, 2005, by the Omaha Symphony Orchestra and the violist Paul Neubauer, to whom the piece is dedicated.

The Flute Concerto is a composition for solo flute and orchestra by the American composer Elliott Carter. The work was commissioned by Elena Bashkirova for the Jerusalem International Chamber Music. Carter began the composition in September 2007 and completed it in March 2008 at the age of 99. The piece was first performed at the Jerusalem International YMCA on September 9, 2008 by the flutist Emmanuel Pahud and the Jerusalem International Chamber Music Ensemble under the conductor Daniel Barenboim.

Machine is a single-movement orchestral encore piece by the American composer Jennifer Higdon. The work was commissioned in 2003 by the National Symphony Orchestra through a grant from the John and June Hechinger Commissioning Fund for New Orchestra Works. It was first performed by the National Symphony Orchestra under the conductor Giancarlo Guerrero on March 6, 2003.

The Low Brass Concerto is a concerto for four solo low brass instruments and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Chicago Symphony Orchestra for their renowned low brass section and co-commissioned by the Baltimore Symphony Orchestra and the Philadelphia Orchestra. It was composed in 2017 and was first performed by the Chicago Symphony Orchestra under the direction of Riccardo Muti on February 1, 2018.

The Tuba Concerto is a composition for solo tuba and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Pittsburgh Symphony Orchestra for their principal tubist Craig Knox. It was first performed by Knox and the Pittsburgh Symphony Orchestra under the conductor Robert Spano on March 16, 2018.

References

  1. 1 2 Higdon, Jennifer (2005). Oboe Concerto: Program Note. Retrieved August 9, 2015.
  2. 1 2 Anthony, Michael (September 10, 2005). "Music Review: St. Paul Chamber Orchestra; Higdon's new Oboe Concerto produces a standing ovation". Star Tribune .
  3. ↑ Kosman, Joshua (July 29, 2007). "Music of Note". San Francisco Chronicle . Retrieved August 9, 2015.
  4. ↑ Lobb, Annelena (November 26, 2005). "Artists at Work: Jennifer Higdon". The Wall Street Journal . Retrieved August 9, 2015.
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