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City Scape is an orchestral piece composed by Jennifer Higdon in 2002 and commissioned by the Atlanta Symphony Orchestra. It premiered November 14, 2002 under the direction and dedicated to Robert Spano. City Scape calls for a concerto grosso, in which 35 instruments are used; yet many of these instruments have featured solos that are scattered throughout the piece. The piece lasts a total of 31 minutes. [1]
City Scape is a piece in three movements that paints an image of where Higdon grew up in Atlanta, Georgia: "Skyline", "River Sings a Song to Trees", and "Peachtree Street". The movements can be played either separately or together at the discretion of the conductor. Higdon wanted to invoke certain images and aspects of Atlanta. [2] When asked by a musician if she was trying to express a sidewalk in her music, she commented that there was not a precise image in her piece. Instead, there were "bustle of traffic and intensity of moving down the street".[ citation needed ] Thus she wanted to give an overall image as opposed to Strauss[ who? ] who wanted to depict a single detailed object.
In the first movement entitled "Skyline", Higdon wanted to express the city's profile through the steel buildings and monuments that represent Atlanta's signature skyline. The steel buildings represent a sense of boldness, strength, and growth along with people who live and work there. Therefore, within the first few measures of the piece, the boldness is most noticeable during the synchronized brass introduction along with percussions that accent this moment. However, near the middle of the movement, the piece has a lighter texture as noted with the wind players. This lighter texture represents the swirling of people who are moving in and out of the building. This movement is reminiscent of the styles from Aaron Copland, William Schuman and Samuel Barber in terms of urban soundscape. [3] Her inspiration for this piece as she recalls were "coming out intact and so fast, [she] put it down in short score and orchestrated it later".
The second movement, "River Sings a Song to Trees", is the most tranquil compared of the three movements. This movement was in reference to the more nature-like part of the city such as the creeks and parks, which is in huge contrast to the skyscrapers in the last movement. More specifically the piece was inspired by the creek that ran through Higdon's yard on Ferncliff Road in Buckhead. She describes Atlanta as this "giant green carpet with buildings poking out" as seen from an airplane.
Finally the last movement, "Peachtree Street", despite the serene title, is a representation of the roadways into and out of the cities. Since each street is bustling with energy and people, she wanted to reflect people moving about quickly with their business. Therefore, the theme from the first movement returns in this movement; yet at the same time, the presence of new parts illustrates the diversity as well in these original city streets. This large finale brings the piece to a close as she ties the orchestral tones into one larger voice at the end.
Her piece received positive criticism from local and national newspaper alike: "'SkyLine' is a lively, inventive concert opener by Jennifer Higdon... she really knows how to write idiomatically for a large orchestra-to make the instruments really sound. 'SkyLine' has a strong rhythmic propulsion, witty orchestral effects, and a refreshing sense of vigor and optimism. Spano gave a dynamic, beautifully detailed reading to this masterful vignette" as stated by The Coral Gables Gazette . [4] The Atlanta Journal-Constitution characterized the piece as "jaunty, propulsive optimism" and that the movement "ends with cresting excitement". [5]
Jennifer Elaine Higdon is an American composer of contemporary classical music. She has received many awards, including the 2010 Pulitzer Prize for Music for her Violin Concerto and three Grammy Award for Best Contemporary Classical Composition for her Percussion Concerto in 2010, Viola Concerto in 2018, and Harp Concerto in 2020. Elected a Member of the American Philosophical Society in 2019, she was a professor of composition at the Curtis Institute of Music from 1994 to 2021.
1180 Peachtree, commonly known as the Symphony Tower, is a 41-story skyscraper located at 1180 Peachtree Street in the Midtown district of Atlanta, Georgia, United States. Rising to a height of approximately 657 feet (200 m), the building includes office and retail space in its 624,996 sq ft (58,064 m2) of floor area as well as a 1,200 space parking deck. Construction was completed in 2006.
Robert Spano is an American conductor and pianist. He is currently music director of the Fort Worth Symphony Orchestra, music director of the Aspen Music Festival and School, and music director laureate of the Atlanta Symphony Orchestra (ASO).
Rainbow Body is an orchestral composition by the American composer Christopher Theofanidis. It was commissioned by the Houston Symphony, which first performed the work in April 2000 under the conductor Robert Spano. The piece is dedicated to the Texas lawyer and philanthropist Glen Rosenbaum. Rainbow Body is one of Theofanidis's most-performed compositions and won the 2003 London Masterprize competition.
The Atlanta School of Composers is a group of contemporary classical music composers championed by Atlanta Symphony Orchestra and conductor Robert Spano through performances, recordings, and commissions. Members of the group include Jennifer Higdon, Christopher Theofanidis, Osvaldo Golijov, and Michael Gandolfi, with Adam Schoenberg added in June 2010. Works from the group including the following:
Jennifer Higdon's Concerto for Violin and Orchestra was written in 2008. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzago on February 6, 2009. The piece was later awarded the 2010 Pulitzer Prize for Music.
The Percussion Concerto is a one-movement concerto for solo percussion and orchestra by the American composer Jennifer Higdon. The work was jointly commissioned by the Philadelphia Orchestra, the Indianapolis Symphony Orchestra, and the Dallas Symphony Orchestra, with contributions from the Philadelphia Music Project and the Lacy Foundation of LDI, Ltd. The piece was completed in 2005 and is dedicated to the percussionist Colin Currie, for whom the concerto was written. The piece won the 2010 Grammy Award for Best Classical Contemporary Composition. That same year, Higdon won the Pulitzer Prize for Music for her Violin Concerto (2008).
The Concerto for Orchestra is an orchestral composition in five movements by the American composer Jennifer Higdon. The work was commissioned by the Philadelphia Orchestra with contributions from the National Endowment for the Arts, the Philadelphia Music Project, and Peter Benoliel. It was premiered at the Kimmel Center for the Performing Arts in Philadelphia June 12, 2002, with conductor Wolfgang Sawallisch leading the Philadelphia Orchestra.
The Viola Concerto by the American composer Jennifer Higdon is a concerto for viola and orchestra in three movements. The work was jointly commissioned by the Library of Congress, the Nashville Symphony, the Curtis Institute of Music, and the Aspen Music Festival. It was premiered March 7, 2015 at the Thomas Jefferson Building in Washington, D.C., with conductor Robert Spano leading violist Roberto Díaz and the Curtis Chamber Orchestra. The work won the 2018 Grammy Award for Best Classical Contemporary Composition.
Concerto 4-3 is a concerto for two violins, double bass, and orchestra in three movements by the American composer Jennifer Higdon. The work was commissioned for the string trio Time for Three by the Philadelphia Orchestra, the Pittsburgh Symphony Orchestra, and the Wheeling Symphony Orchestra. It was first performed in Philadelphia on January 10, 2008, by Time for Three and the Philadelphia Orchestra conducted by Christoph Eschenbach.
Loco is an orchestral composition in one movement by the American composer Jennifer Higdon. The work was commissioned by the Ravinia Festival of Highland Park, Illinois to commemorate the Ravinia train as part of the Train Commission Project. It was first performed on July 31, 2004, at the Ravinia Festival by the Chicago Symphony Orchestra.
The Singing Rooms is a concerto for solo violin, choir, and orchestra by the American composer Jennifer Higdon. The work was jointly commissioned by the Philadelphia Orchestra, the Atlanta Symphony Orchestra, and the Minnesota Orchestra. It was first performed on January 17, 2008 in Philadelphia by the violinist Jennifer Koh, The Philadelphia Singers, and the Philadelphia Orchestra under the conductor Christoph Eschenbach. The text of the piece is set to poems by Jeanne Minahan. The piece was most recently done in March 2019 at the Kimmel Center for Performing Arts in Philadelphia by the Temple University Choirs and Orchestra, with a featured violin soloist.
The Oboe Concerto is a concerto for a solo oboe and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Minnesota Commissioning Club and was premiered on September 9, 2005 by the oboist Kathy Greenbank and the Saint Paul Chamber Orchestra. Higdon later reworked the piece into her Soprano Sax Concerto in 2007.
Light Refracted is a two-movement composition for chamber ensemble by the American composer Jennifer Higdon. It was first performed on September 22, 2002 at the Kimmel Center for the Performing Arts by the clarinetist Igor Begelman, violinist Jo-Young Baek, violist Christina Castelli, cellist Mark Kosower, and pianist Tatiana Goncharova.
blue cathedral is an orchestral composition by the American composer Jennifer Higdon. The work was commissioned by the Curtis Institute of Music in 1999 to commemorate the conservatory's 75th anniversary. It was first performed in 2000 by the Curtis Institute of Music Symphony Orchestra. The piece is dedicated to the memory of Higdon's brother and is one of the composer's most performed works.
Maan varjot is a composition for solo organ and orchestra by the Finnish composer Kaija Saariaho. The work was jointly commissioned by the Montreal Symphony Orchestra, the Orchestre national de Lyon, Southbank Centre, and the Philharmonia Orchestra. It was first performed in Montreal on May 29, 2014, by the organist Olivier Latry and the Montreal Symphony Orchestra under the conductor Kent Nagano.
The Symphony is an orchestral composition in four movements by the American composer Christopher Theofanidis. It was commissioned by the Atlanta Symphony Orchestra, which premiered the work under the conductor Robert Spano in April 2009. The piece is dedicated to Robert Spano "in admiration and friendship."
Machine is a single-movement orchestral encore piece by the American composer Jennifer Higdon. The work was commissioned in 2003 by the National Symphony Orchestra through a grant from the John and June Hechinger Commissioning Fund for New Orchestra Works. It was first performed by the National Symphony Orchestra under the conductor Giancarlo Guerrero on March 6, 2003.
The Low Brass Concerto is a concerto for four solo low brass instruments and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Chicago Symphony Orchestra for their renowned low brass section and co-commissioned by the Baltimore Symphony Orchestra and the Philadelphia Orchestra. It was composed in 2017 and was first performed by the Chicago Symphony Orchestra under the direction of Riccardo Muti on February 1, 2018.
The Harp Concerto is a composition for harp and orchestra by the American composer Jennifer Higdon. It was commissioned by the Rochester Philharmonic Orchestra, Harrisburg Symphony Orchestra, Baton Rouge Symphony Orchestra, Fargo-Moorhead Symphony Orchestra, Lansing Symphony Orchestra, and the Oklahoma City Philharmonic. The work was completed in early 2018 and was given its world premiere at the Eastman Theatre in Rochester, New York, by the harpist Yolanda Kondonassis and the Rochester Philharmonic Orchestra under the conductor Ward Stare on May 10, 2018. The piece is dedicated to Yolanda Kondonassis.