Jennifer Higdon's Concerto for Violin and Orchestra was written in 2008. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. [1] It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzago on February 6, 2009. The piece was later awarded the 2010 Pulitzer Prize for Music. [2] [3] [4]
The concerto has a duration of roughly 33 minutes and is composed in three movements:
The work is scored for a solo violin and an orchestra comprising two flutes (2nd doubling piccolo), two oboes (2nd doubling English horn), two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, harp, timpani, two percussionists, and strings.
The Violin Concerto has been praised by music critics. Reviewing the New York City premiere, Allan Kozinn of The New York Times wrote, "Its big, exploratory opening movement is packed with quick, insistent solo lines and dialogues between the violin and either the full orchestra or individual sections or players; its lush, slow movement (here in the form of a chaconne) exploits the violin's lyrical qualities, and its finale is driven by daredevil speediness." [5] Duncan Druce of Gramophone similarly described the piece as "an attractive, colourful work, scored most imaginatively and with great finesse." He continued, "I enjoyed the first movement especially, its disparate material so expertly contrasted and integrated. The second movement, entitled 'Chaconni', has a pastoral feel, vaguely reminiscent of Vaughan Williams but with the lark ascending into a more unsettled sky. The finale, a real showpiece for the violin, is less substantial but rhythmically most inventive." [6]
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Joachim would later claim it to be the "greatest" German violin concerto. Since then it has become one of the best-known and regularly performed violin concertos.
Hilary Hahn is an American violinist. A three-time Grammy Award winner, she has performed throughout the world as a soloist with leading orchestras and conductors, and as a recitalist. She is an avid supporter of contemporary classical music, and several composers have written works for her, including concerti by Edgar Meyer and Jennifer Higdon, partitas by Antón García Abril, two serenades for violin and orchestra by Einojuhani Rautavaara, and a violin and piano sonata by Lera Auerbach.
Jennifer Elaine Higdon is an American composer of contemporary classical music. She has received many awards, including the 2010 Pulitzer Prize for Music for her Violin Concerto and three Grammy Awards for Best Contemporary Classical Composition for her Percussion Concerto in 2010, Viola Concerto in 2018, and Harp Concerto in 2020. Elected a Member of the American Philosophical Society in 2019, she was a professor of composition at the Curtis Institute of Music from 1994 to 2021.
Samuel Barber completed his Violin Concerto, Op. 14, in 1939. It is a work in three movements, lasting about 22 minutes.
The Five Sacred Trees is a concerto by American composer John Williams. It was written for Judith LeClair, the principal bassoonist of the New York Philharmonic in 1995, to honor the orchestra's 150th anniversary. The first performance was given by LeClair and the New York Philharmonic under Kurt Masur on April 12 of that year. The orchestra consists of three flutes and piccolo, two oboes and English horn, two clarinets and bass clarinet, two bassoons and contrabassoon, four horns, three trumpets, three trombones and tuba, timpani, harp, piano, celesta, percussion and strings. Performance time is approximately 26 minutes. Inspiration for the work also comes from the writings of British poet and novelist Robert Graves.
Augustin Hadelich is an Italian-German-American Grammy-winning classical violinist.
The Percussion Concerto is a one-movement concerto for solo percussion and orchestra by the American composer Jennifer Higdon. The work was jointly commissioned by the Philadelphia Orchestra, the Indianapolis Symphony Orchestra, and the Dallas Symphony Orchestra, with contributions from the Philadelphia Music Project and the Lacy Foundation of LDI, Ltd. The piece was completed in 2005 and is dedicated to the percussionist Colin Currie, for whom the concerto was written. The piece won the 2010 Grammy Award for Best Classical Contemporary Composition. That same year, Higdon won the Pulitzer Prize for Music for her Violin Concerto (2008).
The Concerto for Orchestra is an orchestral composition in five movements by the American composer Jennifer Higdon. The work was commissioned by the Philadelphia Orchestra with contributions from the National Endowment for the Arts, the Philadelphia Music Project, and Peter Benoliel. It was premiered at the Kimmel Center for the Performing Arts in Philadelphia June 12, 2002, with conductor Wolfgang Sawallisch leading the Philadelphia Orchestra.
Concerto 4-3 is a concerto for two violins, double bass, and orchestra in three movements by the American composer Jennifer Higdon. The work was commissioned for the string trio Time for Three by the Philadelphia Orchestra, the Pittsburgh Symphony Orchestra, and the Wheeling Symphony Orchestra. It was first performed in Philadelphia on January 10, 2008, by Time for Three and the Philadelphia Orchestra conducted by Christoph Eschenbach.
The Singing Rooms is a concerto for solo violin, choir, and orchestra by the American composer Jennifer Higdon. The work was jointly commissioned by the Philadelphia Orchestra, the Atlanta Symphony Orchestra, and the Minnesota Orchestra. It was first performed on January 17, 2008 in Philadelphia by the violinist Jennifer Koh, The Philadelphia Singers, and the Philadelphia Orchestra under the conductor Christoph Eschenbach. The text of the piece is set to poems by Jeanne Minahan. The piece was most recently done in March 2019 at the Kimmel Center for Performing Arts in Philadelphia by the Temple University Choirs and Orchestra, with a featured violin soloist.
blue cathedral is an orchestral composition by the American composer Jennifer Higdon. The work was commissioned by the Curtis Institute of Music in 1999 to commemorate the conservatory's 75th anniversary. It was first performed in 2000 by the Curtis Institute of Music Symphony Orchestra. The piece is dedicated to the memory of Higdon's brother and is one of the composer's most performed works.
The Oboe Concerto is a composition for solo oboe and orchestra by the American composer John Harbison. The work was commissioned by the San Francisco Symphony for its principal oboist William Bennett. It was completed on October 18, 1991, and was given its world premiere by Bennett and the San Francisco Symphony under the conductor Herbert Blomstedt in 1992.
The Violin Concerto No. 1 is a composition for solo violin and orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the Mostly Mozart Festival and was composed in 2006. It was given its world premiere at Avery Fisher Hall on August 22, 2006 by the violinist Lisa Batiashvili and the Mostly Mozart Festival Orchestra under the direction of Louis Langrée.
The Violin Concerto, subtitled Concentric Paths, is a composition for solo violin and chamber orchestra by the British composer Thomas Adès. It was jointly commissioned by the Berliner Festspiele and the Los Angeles Philharmonic with funding from the philanthropists Lenore and Bernard Greenberg. It was composed for the violinist Anthony Marwood, who gave the world premiere with the Chamber Orchestra of Europe in Berlin on September 4, 2005.
The Double Concerto is a composition for violin, cello, and orchestra by the American composer Ned Rorem. The work was commissioned by the Indianapolis Symphony Orchestra and composed between July 27, 1997, and April 1998. It was composed for the violinist Jaime Laredo and the cellist Sharon Robinson, who first performed the piece with the Indianapolis Symphony Orchestra conducted by Raymond Leppard in Indianapolis on October 15, 1998.
Aufgang (Ascent) is a violin concerto written by the French composer Pascal Dusapin for Renaud Capuçon between 2008 and 2011. The violinist premièred it in 2013 in Cologne. He subsequently performed it in Seattle, London and in Switzerland, before recording it with Myung-whun Chung conducting the Orchestre Philharmonique de Radio France in 2015.
The Low Brass Concerto is a concerto for four solo low brass instruments and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Chicago Symphony Orchestra for their renowned low brass section and co-commissioned by the Baltimore Symphony Orchestra and the Philadelphia Orchestra. It was composed in 2017 and was first performed by the Chicago Symphony Orchestra under the direction of Riccardo Muti on February 1, 2018.
The Concerto for Violin and Orchestra "Eleven Eleven" is the first violin concerto written by American composer Danny Elfman. Co-commissioned by the Czech National Symphony Orchestra, Stanford Live at Stanford University, and the Royal Scottish National Orchestra, the piece premiered at Smetana Hall in Prague, on June 21, 2017, with Sandy Cameron on violin and John Mauceri conducting the Czech National Symphony Orchestra. In 2019, the premiere recording of the concerto featured Cameron with Mauceri conducting the Royal Scottish National Orchestra.
Juliette Kang is a Canadian violinist. In 1994, she earned the gold medal at the International Violin Competition of Indianapolis. Kang went on to have an international solo career. She joined the Philadelphia Orchestra in 2005, where she holds the position of first associate concertmaster.
The Concerto for Violin and Orchestra is violin concerto by the American composer Ellen Taaffe Zwilich. The work was commissioned by Carnegie Hall for the violinist Pamela Frank. It was completed on May 25, 1997, and was first performed by Pamela Frank and the Orchestra of St. Luke's conducted by Hugh Wolff in Carnegie Hall on March 26, 1998.