Tuba Concerto (Higdon)

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The Tuba Concerto is a composition for solo tuba and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Pittsburgh Symphony Orchestra for their principal tubist Craig Knox. It was first performed by Knox and the Pittsburgh Symphony Orchestra under the conductor Robert Spano on March 16, 2018. [1] [2] [3]

Tuba type of musical instrument of the brass family

The tuba (bass) is the largest and lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibration into a large mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. Tuba is Latin for 'trumpet'.

Orchestra large instrumental ensemble

An orchestra is a large instrumental ensemble typical of classical music, which mixes instruments from different families, including bowed string instruments such as violin, viola, cello, and double bass, as well as brass, woodwinds, and percussion instruments, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.

Jennifer Elaine Higdon is an American composer of classical music and composition teacher. She has received many awards including the 2010 Pulitzer Prize for Music for her Violin Concerto and two Grammy Awards for Best Contemporary Classical Composition - the first in 2009 for her Percussion Concerto, the second in 2018 for her Viola Concerto. The latter was on an album of her music, Higdon: All Things Majestic, Viola Concerto, and Oboe Concerto, that won the 2018 Grammy for Best Classical Compendium.

Contents

Composition

Structure

The concerto has a duration of approximately 19 minutes and is cast in three movements:

A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".

A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.

  1. Dynamo
  2. Crescent Line
  3. Adamant Scherzo

Instrumentation

The work is scored for a solo tuba and an orchestra consisting of two flutes, oboe, English horn, two clarinets, bassoon, contrabassoon, four horns, three trumpets, three trombones, timpani, percussion, and strings.

Western concert flute transverse woodwind instrument made of metal or wood

The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.

Oboe musical instrument of the woodwind family

Oboes belong to the classification of double reed woodwind instruments. Oboes are usually made of wood, but there are also oboes made of synthetic materials. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore

Cor anglais woodwind musical instrument

The cor anglais or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe.

Reception

Reviewing the world premiere, Jeremy Reynolds of the Pittsburgh Post-Gazette wrote, "Ms. Higdon's concerto was engaging throughout, with angular, dynamic melodies and short bursts of virtuosity in the tuba (really) throughout." He continued:

<i>Pittsburgh Post-Gazette</i> newspaper in Pittsburgh, Pennsylvania, United States

The Pittsburgh Post-Gazette, also known simply as the PG, is the largest newspaper serving metropolitan Pittsburgh, Pennsylvania, United States. It has won six Pulitzer Prizes since 1938.

The outer movements were quick, with zipping scales and rapid-fire articulation. The phrases were fairly short and traded between soloist and orchestra at a brisk clip, likely due to the physical requirements of the tuba (Mr. Knox needed to come up for air fairly regularly). This made for a different sound than the long, spinning melodies of a string or woodwind concerto, but it was fresh, invigorating even. [4]

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The Concerto in F Minor for Bass Tuba and Orchestra by British composer Ralph Vaughan Williams was written in 1954 for Philip Catelinet, principal tubist of the London Symphony Orchestra (LSO), who together gave the premiere on 13 June 1954 with Sir John Barbirolli conducting. The same musicians made the work’s first recording that same year.

Aubrey Foard is an American tubist residing in Baltimore, MD.

Jennifer Higdon's Concerto for Violin and Orchestra was written in 2008. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzano on February 6, 2009. The piece was later awarded the 2010 Pulitzer Prize for Music.

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The Viola Concerto is a concerto for viola and orchestra in three movements by the American composer Jennifer Higdon. The work was jointly commissioned by the Library of Congress, the Nashville Symphony, the Curtis Institute of Music, and the Aspen Music Festival. It was premiered March 7, 2015 at the Thomas Jefferson Building in Washington, D.C., with conductor Robert Spano leading violist Roberto Díaz and the Curtis Chamber Orchestra. The work won the 2018 Grammy Award for Best Classical Contemporary Composition.

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Concerto 4-3 is a concerto for two violins, double bass, and orchestra in three movements by the American composer Jennifer Higdon. The work was commissioned for the string trio Time for Three by the Philadelphia Orchestra, the Pittsburgh Symphony Orchestra, and the Wheeling Symphony Orchestra. It was first performed in Philadelphia on January 10, 2008, by Time for Three and the Philadelphia Orchestra conducted by Christoph Eschenbach.

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The Oboe Concerto is a concerto for a solo oboe and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Minnesota Commissioning Club and was premiered on September 9, 2005 by the oboist Kathy Greenbank and the Saint Paul Chamber Orchestra. Higdon later reworked the piece into her Soprano Sax Concerto in 2007.

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Conjurer: Concerto for Percussionist and String Orchestra is a concerto for a solo percussionist and string orchestra by the American composer John Corigliano. The work was jointly commissioned for the percussionist Evelyn Glennie by the Pittsburgh Symphony Orchestra, the Nashville Symphony, the Royal Scottish National Orchestra, the Dallas Symphony Orchestra, the Calouste Gulbenkian Foundation, the Music Department (Lisbon), and the National Arts Centre Orchestra. It was given its world premiere by Glennie and the Pittsburgh Symphony Orchestra under the direction of Marin Alsop in Pittsburgh on February 21, 2008.

The Low Brass Concerto is a concerto for four solo low brass instruments and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Chicago Symphony Orchestra for their renowned low brass section and co-commissioned by the Baltimore Symphony Orchestra and the Philadelphia Orchestra. It was composed in 2017 and was first performed by the Chicago Symphony Orchestra under the direction of Riccardo Muti on February 1, 2018.

All Things Majestic is an orchestral suite written by the American composer Jennifer Higdon. The work was commissioned by the Grand Teton Music Festival to commemorate the organization's 50th anniversary. It was first performed at Walk Festival Hall on August 19, 2011.

References

  1. Ross, Brad S. (February 25, 2018). "Interview with Jennifer Higdon". ArtsComment. Retrieved April 9, 2018.
  2. Reynolds, Jeremy (March 14, 2018). "PSO tubist to premiere new concerto". Pittsburgh Post-Gazette . Retrieved April 9, 2018.
  3. Kanny, Mark (March 13, 2018). "Pittsburgh Symphony presenting world premiere of tuba concerto". Pittsburgh Tribune-Review . Retrieved April 9, 2018.
  4. Reynolds, Jeremy (March 17, 2018). "Concert review: PSO tubist delivers virtuosic new concerto". Pittsburgh Post-Gazette . Retrieved April 9, 2018.