Saxophone Concerto (Higdon)

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The Soprano Sax Concerto is a concerto for soprano saxophone and orchestra by the American composer Jennifer Higdon. The work was originally commissioned by the Minnesota Commissioning Club as Higdon's Oboe Concerto and was premiered by oboist Kathy Greenbank and the Saint Paul Chamber Orchestra in 2005. Higdon later reworked the composition, however, and the piece was premiered in its form as a saxophone concerto on August 3, 2007 at the Cabrillo Festival of Contemporary Music by the saxophonist Timothy McAllister and the Cabrillo Festival Orchestra under the conductor Marin Alsop. [1] [2] [3] [4]

Concerto musical composition usually in three parts

A concerto is a musical composition generally composed of three movements, in which, usually, one solo instrument is accompanied by an orchestra or concert band. It is accepted that its characteristics and definition have changed over time. In the 17th century, sacred works for voices and orchestra were typically called concertos, as reflected by J. S. Bach's usage of the title "concerto" for many of the works that we know as cantatas.

Soprano saxophone the third smallest member of the saxophone family

The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument, invented in the 1840s. The soprano is the third smallest member of the saxophone family, which consists of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest saxophone in common use.

Orchestra large instrumental ensemble

An orchestra is a large instrumental ensemble typical of classical music, which mixes instruments from different families, including bowed string instruments such as violin, viola, cello, and double bass, as well as brass, woodwinds, and percussion instruments, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.

Contents

Composition

The Soprano Sax Concerto has a duration of roughly 17 minutes and is composed in a single movement. Higdon described her inspiration for the work in the score program notes, writing:

A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".

A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.

I have always been struck by the range of power and beauty that comes from saxophones. I have seen a sax quartet bring a large school room filled with hundreds of children come to a complete halt with one tutti note. Many people don't realize just how much power exists in this group of instruments, and often they may not realize the potential for beauty.

The soprano sax in particular produces a tone of warmth and a real agility that allows it to sing like none of the other instruments in this group. So it seemed fitting when I found myself being approached by several saxophonists, to arrange my "Oboe Concerto" for this instrument. There are not a lot of works for the soprano sax in a concerto format; and the ranges of both oboe and soprano are similar. Because the saxophone has more power to it than an oboe, I thought that this instrument would balance the accompanying ensemble quite well, but give listeners a chance to hear its exquisite beauty. [1]

In a later interview with the San Francisco Chronicle , Higdon described the composition an "airplane-hotel project," remarking, "I had the piece on my laptop, and I could work on it while I was sitting in a lobby or an airport terminal. The orchestral part stayed the same; it was just a matter of changing some of the solo notes." [2]

<i>San Francisco Chronicle</i> newspaper serving the San Francisco Bay area

The San Francisco Chronicle is a newspaper serving primarily the San Francisco Bay Area of the U.S. state of California. It was founded in 1865 as The Daily Dramatic Chronicle by teenage brothers Charles de Young and Michael H. de Young. The paper is currently owned by the Hearst Corporation, which bought it from the de Young family in 2000. It is the only major daily paper covering the city and county of San Francisco.

Instrumentation

The work is scored for a solo soprano saxophone and an orchestra comprising two flutes (2nd doubling piccolo), oboe (doubling English horn), two clarinets, two bassoons, two French horns, two trumpets, one percussionist, and strings.

Western concert flute transverse woodwind instrument made of metal or wood

The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.

Piccolo small flute musical instrument

The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino, which the instrument is called in the scores of Italian composers. It is also called flauto piccolo or flautino.

Oboe musical instrument of the woodwind family

Oboes are a family of double reed woodwind instruments. The most common oboe plays in the treble or soprano range. Oboes are usually made of wood, but there are also oboes made of synthetic materials. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore

Reception

Reviewing the world premiere, Jeff Dunn of the San Francisco Classical Voice praised the concerto, writing, "This was a rewrite of her 2005 Oboe Concerto (which I have not heard), and it was superbly realized by soloist Timothy McAllister. Higdon is now the most-performed living composer in the U.S. and Canada — deservedly so. Her melodic and orchestration skills are formidable, and she can reach audiences without having to pander to them." He added, "The single-movement concerto consisted of long stretches of ever-evolving melisma, with phrases cleverly imitated by other solo instruments in a way that seemed to weave a tapestry to the glory of melody. This work, and perhaps the oboe concerto as well, is a significant testament to beauty." [5] The conductor Marin Alsop, who gave the Soprano Sax Concerto its world premiere, described the piece as "a lyrical and poignant essay for sax and orchestra". [6]

Marin Alsop Conductor and violinist

Marin Alsop ['mɛər.ɪn 'æːl.sɑːp] is an American conductor and violinist. She is currently music director of both the Baltimore Symphony Orchestra and the São Paulo State Symphony Orchestra, and chief conductor designate of the Vienna Radio Symphony Orchestra.

See also

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References

  1. 1 2 Higdon, Jennifer (2007). Soprano Sax Concerto: Program Note. Retrieved August 9, 2015.
  2. 1 2 Kosman, Joshua (July 29, 2007). "Music of Note". San Francisco Chronicle . Retrieved August 9, 2015.
  3. MacClelland, Scott (August 1, 2007). "Material Abundance: The prolific Jennifer Higdon returns to Cabrillo with yet another new work in tow". Metro Silicon Valley . Retrieved August 9, 2015.
  4. Smith, Tim (August 12, 2007). "Offbeat and in tune: In a laid-back California beach town, the BSO's Marin Alsop pushes the boundaries of contemporary classical music — and pulls in a new generation". The Baltimore Sun . Retrieved August 9, 2015.
  5. Dunn, Jeff (August 7, 2007). "The Allure of Premieres". Metro Silicon Valley . Retrieved August 9, 2015.
  6. Alsop, Marin (May 23, 2009). "Jennifer Higdon And Me: A Musical Friendship". NPR . Retrieved August 9, 2015.