Pieter Bourke | |
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Birth name | Pieter Bourke |
Born | Melbourne, Victoria, Australia |
Genres | Neoclassical dark wave, ambient, world, soundtrack, dub, electro-industrial |
Occupation(s) | Musician, composer, producer, audio engineer |
Instrument(s) | Keyboards, synthesizers, samplers, drums and percussion |
Years active | 1987–present |
Labels | 4AD, Third Mind, Extreme, Elysium, Shock, Sony, Nightshift, Karmic Hit, Projekt, Master Tunes |
Website | www |
Pieter Bourke is an Australian musician, composer, producer and audio engineer. From 1995 he has recorded several projects with Dead Can Dance founder Lisa Gerrard, and was a touring member of Dead Can Dance's 1996 Spiritchaser Tour. On 14 April 1998 Bourke and Gerrard issued a world music album, Duality . From 1993 he also collaborated with industrial musician, David Thrussell (alias Black Lung), first as part of the latter's band Snog, then together as the ambient duo, Soma. In 2001, he formed a dub reggae outfit, Secret Masters, with Brian Westbrook (a.k.a. Donnie Dub). Bourke and Gerrard have received two shared Golden Globe nominations for 'Best Original Score', in 2000 for The Insider (1999), and in 2002 for Ali (2001).
Pieter Bourke grew up in Melbourne, Australia. At the age of 12 years he learned to play an electronic drum and was largely self-taught as a percussionist and keyboardist. [1] From 1987 to 1988 he completed a course in Graphic Design at Chisholm Institute of Technology. In 1987 Bourke formed the Melbourne-based electronic pop rock band Eden, providing keyboards, rhythm programming and percussion. Fellow founders were Sean Bowley (ex-All Things Unseen) on vocals and guitar, and Ross Healy on bass guitar. Eden's first gig was at the Baden Powell Hotel, Prahran, they soon performed at other pubs in Melbourne's alternative music scene. [2] In 1989 they issued their debut five-track extended play, The Light Between Worlds , on the Scottish label Nightshift Records. The lead track, "Shallow Mists", was co-written by Bourke with Bowley and Healy. [3] They released a single, "Searching for Angels Hands", which broadened their audience by a performance on national pop music TV series, Countdown Revolution . The single was also co-written by Bourke, Bowley and Healy. [4]
In 1990 Eden released a full-length studio album, Gateway to the Mysteries , on the English label Third Mind Records and in Australia on Elysium Records via Shock Records. [5] [6] Its sixth track, "Spectral Pleasures", was co-written by Bourke and Bowley, [7] and was dedicated to the memory of Valerie Mary Bourke. [5] Bourke's last recorded output with Eden was a six-track EP, Healingbow , released in 1993 on Projekt Records. The lead track was co-written by Bourke and Bowley. [8] Allmusic's Ned Raggett found "Bourke's percussive work isn't as unique as that of his obvious inspirations in Dead Can Dance, but it's still very fine stuff, suiting and setting the songs' feelings and pace very well". [9] Bourke is credited with hammer dulcimer, keyboards, percussion and programming while additional drums and remix work was provided by guest musician, David Thrussell (see Black Lung). [10] From early 1993 Bowley suffered from glandular fever and late that year Bourke left the group. [2]
In 1993 Pieter Bourke began a collaborative partnership with Thrussell. They shared an interest in European electronic music and the emerging audio sampling technology. Bourke joined Thrussell's techno-industrial band Snog, playing keyboards live and writing new material with Thrussell. Snog had formed in 1989 by Thrussell with fellow art school mates, Tim McGrath and Julia Bourke. Snog's first single with Pieter Bourke aboard, "Born to Be Mild", is credited to Julia Mary Bourke, Thrussell and McGrath. [11] It was followed by their Christmas single, "Hey Christian God", which was co-written by Pieter Bourke and Thrussell. [12] In 1994 a full-length album, Dear Valued Customer, was released and was supported by live performances across Australia. Bourke co-wrote three tracks for the 1996 Snog album, Buy Me...I’ll Change Your Life, including the singles "The Future" and "Hooray". [13] [14] His last contribution to Snog was "The Grey Menace", which was co-written with Thrusell, [15] and appeared on the 1999 release Third Mall from the Sun.
Parallel to Snog, also in 1993, Bourke and Thrussell created an ambient duo, Soma. A self-titled seven-track CD was recorded and released in 1993. It was expanded with the addition of six songs and released as Hollow Earth on 15 December 1994. [16] Allmusic's Theo Kavadias described the release, "Bourke's organic influence wrapped around Thrussell's electro sensibilities created exotic constructions that skirted the borders of ambience, techno and soundtrack with a vocabulary both stylish and deep". [16]
In 1996 Soma released The Inner Cinema, which "sees the collaboration between Thrussell and Bourke evolve and deepen from the tone set by their debut" according to Kavadias. [17] Stygian Vistas, an eight-track EP was released on 1 July 1997, it contains a remixes of tracks from the first two albums plus three new songs. [18] Bourke and Thrussell took a hiatus from Soma to work on other projects, they re-emerged in 2000 with a four-track CD EP, My Ancient Vihmaana.
In 1995 Pieter Bourke began working with Lisa Gerrard, co-founder of the world music group, Dead Can Dance. Bourke provided bass guitar, darabeka, drums, hand clapping, tabla and backing vocals on Gerrard’s first solo album, The Mirror Pool (August 1995). [19] He became a touring member of her band for concerts in Europe and North America. In late 1996 Bourke played keyboards and percussion for Dead Can Dance on their Spiritchaser Tour, to promote the band's album of the same name (June 1996). [1] His favourite instruments, at the time, were the Near Eastern tar and Egyptian darabukka. [1]
In 1997 Gerrard invited Bourke to perform on her second solo album, Duality . [20] As well as playing percussion and keyboards, Bourke was asked to engineer and co-produce the recordings. As work progressed, Bourke’s role expanded from session musician and recording assistant to full partner. [20] The album was co-credited to Gerrard and Bourke and released on 14 April 1998 on the 4AD Records label. [20] All the tracks were co-written by Bourke and Gerrard, except "Tempest" which is co-credited to Bourke, Gerrard and Iranian musician, Madjid Khaladj. [20] Raggett observed that "Bourke's own contributions ... mesh excellently with her instrumental work and, since no specific credit appears instrument for instrument, everything works as a true partnership". [20] According to Michael Lund of Last Sigh Magazine, "Gerrard has commented that the recording process of Duality was one of rare synchronicity, and that her and Bourke experienced moments of spiritual elevation while creating the music". [21] "The Human Game" was released as a single from the album, accompanied by a music video. The album also contains "Sacrifice" which is used in film and television shows.
In 1998 Bourke and Gerrard were asked by Italian director Ivana Massetti to contribute music to Nadro, a French documentary on West African visual artist, poet and author, Frederic Bruly Bouabre. Two tracks from the score were included on "The Human Game" CD single: "Awakening" and "Jungabya". In 1999 Bourke and Gerrard composed the soundtrack for the film, The Insider by American director, Michael Mann. Allmusic's Stephen Thomas Erlewine stated their score was "eerie and haunting, somewhere between ambient and new age, but always evocative and cinematic. This may be a strange choice for a seemingly dry journalism tale, but it works terrifically and gives a good sense of how unusual and unpredictable The Insider is". [22] In January 2000 the film received three Golden Globe Award nominations, including 'Best Original Score' for Bourke and Gerrard. [23] In 2001 Bourke and Gerrard scored Mann’s next film, a bio-pic about World Boxing Champion, Muhammad Ali. In January 2002 the film, Ali , also received a Golden Globe Award nomination for 'Best Original Score'. [24]
In 2001 Pieter Bourke established a dub reggae duo, Secret Masters, in collaboration with club DJ, Brian Westbrook (a.k.a. Donnie Dub). Back in 1993 Bourke had met Westbrook, who provided cello on Eden's Healingbow . [10] In 2004 Secret Masters' debut album, The Lost Dub Tapes, was released on their self-funded label, Master Tunes. [25] For the 2009 follow up album, Words, Power, Sound, Westbrook travelled to Jamaica to record with local vocalists. The album includes two tracks featuring British reggae singer and DJ Tippa Irie.
The ARIA Music Awards is an annual awards ceremony held by the Australian Recording Industry Association. They commenced in 1987.
Year | Nominee / work | Award | Result | Ref. |
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1998 | Duality (with Lisa Gerrard) | ARIA Award for Best World Music Album | Nominated | [26] |
Dead Can Dance are an Australian neoclassical darkwave band from Melbourne. Currently composed of Lisa Gerrard and Brendan Perry, the group formed in 1981. They relocated to London the following year. Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern music, mantras, and art rock."
Snog is a band that was formed by Australian musician Dee Thrussell, along with fellow art school friends Tim McGrath and Julia Bourke in 1989. The band's music is a fusion of many different styles, including industrial, techno, ambient, experimental, funk and country music. The band name is a reference to "kissing and cuddling".
Lisa Germaine Gerrard is an Australian musician, singer and composer and member of the music group Dead Can Dance with music partner Brendan Perry. She is known for her unique singing style technique (glossolalia). She has a dramatic contralto voice and has a vocal range of three octaves.
Immortal Memory is an album by Dead Can Dance member Lisa Gerrard and Irish classical composer Patrick Cassidy, released in 2004. It was Gerrard's first studio release since 1998's Duality with Pieter Bourke.
Wanted Man is a folk rock album by Paul Kelly and was originally released in July 1994. It was issued on Mushroom Records in Australia and was Kelly's first solo studio album after disbanding his previous group, The Messengers. Tracks 1–10 were recorded at three Los Angeles studios while tracks 11–13 were recorded in Melbourne. It was produced by Kelly, Randy Jacobs and David Bridie. The cover art for Wanted Man is a colophon rendering of Australia's legendary outlaw Ned Kelly as a guitarist and was painted by David Band.
The Mirror Pool is Lisa Gerrard's first solo album, released by 4AD in 1995.
Cut Lunch is a mini-album or EP by Australian new wave band Models, originally released on 10" vinyl by Mushroom Records in June 1981.
All for One is the debut album by Australian hard rock band The Screaming Jets which was released in April 1991. It peaked at No. 2 on the ARIA Charts.
El Producto is the debut extended play (EP) by Australian electronic music group the Avalanches. It was released on 8 December 1997 via Wondergram Records and distributed by Shock Records. El Producto was the second release by the group, and included a different, extended version of their debut single, "Rock City", which had appeared on Trifekta Records two months prior.
Semantics was a 1983 EP by Australian surf rock band Australian Crawl. The album marked a change in the line-up of the band as Bill McDonough (drums) was replaced first by Graham Bidstrup to record the EP. The more permanent replacement, after the EP, was John Watson.
"When You Come" is a song by rock group Crowded House and was released in August 1988 on Capitol Records as the second Australian single from their second album Temple of Low Men. The song peaked at #27 on the ARIA Singles Chart. Both B sides, "Something So Strong" and "Better Be Home Soon" were previously released as singles. All songs were written by band leader Neil Finn except "Something So Strong" by Finn and record producer, Mitchell Froom. In UK and European markets, "Sister Madly" was released as the second single from Temple of Low Men, also in August.
Local &/or General is the second studio album by Australian new wave rock band Models, which peaked at #30 on the Australian albums chart. It was released in October 1981 on Mushroom Records with Stephen W Tayler producing.
Eden is a dark wave band that was formed in Melbourne, Australia, in 1987, by Sean Bowley, Pieter Bourke and Ross Healy.
Healingbow is an EP by Eden. It was released in 1993 through Projekt Records.
Soma is the dark ambient and techno musical project of Australian composers David Thrussell and Pieter Bourke. The collaboration began in 1993 when Thrussell approached Bourke about the possibility of remixing Eden tracks. The Eden remixing sessions yielded the first Soma compositions. Soma developed into a full-time project when Bourke moved in with Thrussell after a fire had destroyed his flat, allowing the two more time to work together. Their debut album Hollow Earth was issued on Extreme Records in 1994 and was well-received critically, with Dave Thompson of the Alternative Press comparing it favorably to Kraftwerk's late seventies material.
Hollow Earth is the debut album of Soma, released on December 15, 1994 through Extreme Records.
The Inner Cinema is the second album by Soma, released in 1996 through Extreme Records.
Stygian Vistas is an EP by Soma, released on July 1, 1997 through Extreme Records.
David Thrussell is an Australian musician and a prolific composer of a wide range of genres. He is a founding member of the dark ambient and IDM outfits Snog and Soma as well as his work under the moniker Black Lung.
This is the discography for Australian musician Lisa Gerrard.
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