Hornsea Pottery was a business located in the coastal town of Hornsea in the East Riding of Yorkshire, England. They specialized in tableware with elegant contemporary designs.
Denby Pottery Company Ltd is a British manufacturer of pottery, named after the village of Denby in Derbyshire where it is based. It primarily sells hand-crafted stoneware tableware, kitchenware and serveware products including dinner sets, mugs and serving dishes, as well as a variety of glassware products and cast-iron cookware.
Langley Mill Pottery was located in Langley Mill, Derbyshire on the Derbyshire – Nottinghamshire border. From its establishment in 1865 to its final closure in 1982, the pottery went through five distinct periods of ownership, producing a wide range of stoneware ranging from salt glazed ink bottles, utilitarian items and tableware to high quality and original art pottery.
Charlotte Rhead was an English ceramics designer active in the 1920s and the 1930s in the Potteries area of Staffordshire.
The Ashtead Pottery was opened in 1923 and continued in operation until 1935. It was based in Ashtead, Surrey, England at the Victoria Works. The operating firm, Ashtead Potters Ltd., employed disabled ex-servicemen recruited via labour exchanges across the south of England.
Royal Doulton is an English ceramic and home accessories manufacturer that was founded in 1815. Operating originally in Vauxhall, London, and later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. From the start, the backbone of the business was a wide range of utilitarian wares, mostly stonewares, including storage jars, tankards and the like, and later extending to drain pipes, lavatories, water filters, electrical porcelain and other technical ceramics. From 1853 to 1901, its wares were marked Doulton & Co., then from 1901, when a royal warrant was given, Royal Doulton.
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.
Zsolnay, or formally Zsolnay Porcelánmanufaktúra Zrt is a Hungarian manufacturer of porcelain, tiles, and stoneware. The company introduced the eosin glazing process and pyrogranite ceramics.
Crown Lynn was a New Zealand ceramics manufacturer that operated under various names between 1854 and 1989.
Pilkington's Group Plc was a UK-based manufacturer and supplier of wall and floor coverings and building materials. The group had a history in ceramic tile manufacturing with the head office located on Rake Lane in Clifton Junction, near Manchester, England. The Pilkington's Manufacturing Ltd brand is currently owned by a Polish group of companies Rovese S.A - the second largest tile manufacturer in Europe.
Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases, jugs, bowls and the like which are sold singly. The term originated in the later 19th century, and is usually used only for pottery produced from that period onwards. It tends to be used for ceramics produced in factory conditions, but in relatively small quantities, using skilled workers, with at the least close supervision by a designer or some sort of artistic director. Studio pottery is a step up, supposed to be produced in even smaller quantities, with the hands-on participation of an artist-potter, who often performs all or most of the production stages. But the use of both terms can be elastic. Ceramic art is often a much wider term, covering all pottery that comes within the scope of art history, but "ceramic artist" is often used for hands-on artist potters in studio pottery.
John Beswick Ltd, formerly J. W. Beswick, was a pottery manufacturer, founded in 1894 by James Wright Beswick and his sons John and Gilbert in Longton, Stoke-on-Trent. In 1969, the business was sold to Doulton & Co. Ltd. The factory closed in 2002 and the brand John Beswick was sold in 2004. The pottery was chiefly known for producing high-quality porcelain figurines such as farm animals and Beatrix Potter characters and have become highly sought in the collectables market. Pronunciation of Beswick is as at reads, Bes-wick. This information was from employees who worked at the original Beswick factory.
Heath Ceramics is a B Corp certified American company that designs, manufactures, and retails goods for tabletop and home, and is best known for handcrafted ceramic tableware and architectural tile in distinctive glazes.
Josef Ekberg was a Swedish designer who worked at the Gustavsberg Porcelain Factory from 1889 to 1917. He is known for his contributions to the Swedish Grace art movement.
Franciscan Ceramics are ceramic tableware and tile products produced by Gladding, McBean & Co. in Los Angeles, California, US from 1934 to 1962, International Pipe and Ceramics (Interpace) from 1962 to 1979, and Wedgwood from 1979 to 1983. Wedgwood closed the Los Angeles plant, and moved the production of dinnerware to England in 1983. Waterford Glass Group plc purchased Wedgwood in 1986, becoming Waterford Wedgwood. KPS Capital Partners acquired all of the holdings of Waterford Wedgwood in 2009. The Franciscan brand became part of a group of companies known as WWRD, an acronym for "Wedgwood Waterford Royal Doulton." WWRD continues to produce the Franciscan patterns Desert Rose and Apple.
California pottery includes industrial, commercial, and decorative pottery produced in the Northern California and Southern California regions of the U.S. state of California. Production includes brick, sewer pipe, architectural terra cotta, tile, garden ware, tableware, kitchenware, art ware, figurines, giftware, and ceramics for industrial use. Ceramics include terra cotta, earthenware, porcelain, and stoneware products.
Truda Carter (1890–1958), was a designer who, alongside her first husband John Adams, was associated with the Art Deco pottery that characterized Poole Pottery during the inter-war years of the twentieth century.
Ceramic art is art made from ceramic materials, including clay. It may take varied forms, including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the artware.
American art pottery refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques. Stylistically, most of this work is affiliated with the modernizing Arts and Crafts (1880-1910), Art Nouveau (1890–1910), or Art Deco (1920s) movements, and also European art pottery.
Millicent (Millie) Jane Taplin (1902–1980) was a British designer and painter of ceramics who spent most of her career at Josiah Wedgwood and Sons (1917–1962). She was trained in painting by Alfred and Louise Powell, and supervised Wedgwood's ceramics painters. She became a designer of decorative patterns in 1929 and by the mid-to-late 1930s was one of the company's main designers, although she did not design pottery shapes. She was one of only two working-class women to become a successful ceramics designer before the Second World War. Her tableware designs were exhibited by Wedgwood at Grafton Galleries in London in 1936, and several of her designs are now on display at the V&A Museum. Her design "Strawberry Hill", with Victor Skellern, was awarded the Council of Industrial Design's Design of the Year Award in 1957.
