Potnia is an Ancient Greek word for "Mistress, Lady" and a title of a goddess. The word was inherited by Classical Greek from Mycenean Greek with the same meaning and it was applied to several goddesses. A similar word is the title Despoina, "the mistress", which was given to the nameless chthonic goddess of the mysteries of Arcadian cult. She was later conflated with Kore (Persephone), "the maiden", the goddess of the Eleusinian Mysteries, [1] in a life-death rebirth cycle which leads the neophyte from death into life and immortality. Karl Kerenyi identifies Kore with the nameless "Mistress of the labyrinth", who probably presided over the palace of Knossos in Minoan Crete.
Potnia (Greek: πότνια, "mistress") [2] is a poetic title of honour, used chiefly in addressing females, whether goddesses or women; its masculine analogue is posis (πόσις). [3] Its hypothetical Proto-Indo-European (PIE) form *pot-niha-, "mistress", "lady", "wife", is the feminine counterpart to *pótis, "husband"; cf. Latin hospēs , "host", Sanskrit páti-, "master", "husband", fem. pátnī-, "lady", "wife". [4] Potnia is attested in the Linear B script in Mycenean Greek: 𐀡𐀴𐀛𐀊po-ti-ni-ja. The word was inherited in classical Greek with the same meaning. A related Greek word is despoina ("Des-potnia" from PIE *dems-potnia meaning "mistress of the house"). [5] An alternative etymology of the goddess Demeter comes through Potnia and Despoina ("Dems-meter", from PIE *dems-méh₂tēr, meaning "mother of the house"). [6]
Potnia is possibly also etymologically related to Ptgyh, an attested Philistine goddess. [7] [8]
The figure of a goddess of nature, of birth and death was dominant during the Bronze Age, in both Minoan and Mycenean cults. In the Mycenean cult she was known by the title Potnia. [9] The earliest references to the title are inscriptions in Linear B (Mycenean Greek) syllabic script found at Pylos and at Knossos, Crete, dated 1450-1300 BC. On a number of tablets from Pylos, we find po-ti-ni-ja (potnia) without any accompanying word. Chadwick suggests that she was the mother-goddess of the Mycenaeans. It seems that she had an important shrine at the site Pakijanes near Pylos. [10] Wanax (wa-na-ka) was her male companion in the Mycenean cult, [9] and this title was usually applied to the god Poseidon (po-se-da-o). Another epithet of Poseidon was e-ne-si-da-o-ne ("earth-shaker") and in the cave of Amnisos (Crete) Enesidaon is related to the cult of Eileithyia. [11] She was a goddess of nature concerned with the annual birth of the divine child. [12] Potnia and her male companion (paredros) survived in the Eleusinian cult, where the following words were uttered : "Mighty Potnia has born a strong son". [13]
An inscription from Knossos refers to the "potnia of the labyrinth", who probably presided over the palace of Knossos (da-pu2-ri-to-jo, po-ti-ni-ja). [14] [15] A famous Minoan seal impression found by Arthur Evans shows a nameless goddess brandishing a spear and standing upon the representation of a mountain flanked by rampant lions, and the representation seems similar to the Homeric potnia theron (the mistress of the animals).
Several tablets in Linear B script found at Knossos and Pylos refer to the potnia. Potnia is almost always accompanied by an epithet characterizing a particular place or function of the mistress : po-ti-ni-ja,a-si-wi-ja (a-si-wi-ja = ethnic adjective, possibly "Asian (Lydian) woman"), si-to-po-ti-ni-ja (sitos = "grain", of wheat or barley; probably referring to Demeter or her predecessor), po-ti-ni-ja,i-qe-ja (Potnia Hippeia , "Horse Goddess"). At Knossos a tablet refers to a-ta-na-po-ti-ni-ja, "potnia Athana", a form similar to the later Homeric form. [10] [16]
This divine title could be the translation of a similar title of Pre-Greek origin, just as the title "Our Lady" in Christianity is translated in several languages. [17] The Pre-Greek name may be related to a-sa-sa-ra , a possible interpretation of some Linear A texts. [18] Although Linear A is not yet deciphered, Palmer relates tentatively the word a-sa-sa-ra-me which seems to have accompanied goddesses, with the Hittite išhaššara, which means "lady or mistress", and especially with išhaššaramis (my lady). [19]
In classical Greece the title potnia is usually applied to the goddesses Demeter, Artemis, Athena, and Persephone. This title was also given to the earth goddess Gaia (Ge). A similar title Despoina, "the mistress", was given to the nameless goddess of the mysteries of Arcadian cult, later conflated with Kore (Persephone), the goddess of the Eleusinian Mysteries. Homer in the Iliad (xxi 470) mentions a potnia theron ("mistress of the animals") who is obviously Artemis. Karl Kerenyi identifies Persephone with the nameless "mistress of the labyrinth". Demeter and Persephone were the two great goddesses of the Arcadian cults. According to Pausanias at Olympia they were called Despoinai ("mistresses", plural of Despoina). [20] Demeter and Persephone were also called "Demeteres" as duplicates of the earth goddess with a double function as chthonic and vegetation goddesses.
In ancient Greek religion and mythology, Demeter is the Olympian goddess of the harvest and agriculture, presiding over crops, grains, food, and the fertility of the earth. Although she is mostly known as a grain goddess, she also appeared as a goddess of health, birth, and marriage, and had connections to the Underworld. She is also called Deo. In Greek tradition, Demeter is the second child of the Titans Rhea and Cronus, and sister to Hestia, Hera, Hades, Poseidon, and Zeus. Like her other siblings but Zeus, she was swallowed by her father as an infant and rescued by Zeus.
Linear B is a syllabic script that was used for writing in Mycenaean Greek, the earliest attested form of the Greek language. The script predates the Greek alphabet by several centuries, the earliest known examples dating to around 1400 BC. It is adapted from the earlier Linear A, an undeciphered script potentially used for writing the Minoan language, as is the later Cypriot syllabary, which also recorded Greek. Linear B, found mainly in the palace archives at Knossos, Kydonia, Pylos, Thebes and Mycenae, disappeared with the fall of Mycenaean civilization during the Late Bronze Age collapse. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing.
Poseidon is one of the Twelve Olympians in ancient Greek religion and mythology, presiding over the sea, storms, earthquakes and horses. He was the protector of seafarers and the guardian of many Hellenic cities and colonies. In pre-Olympian Bronze Age Greece, Poseidon was venerated as a chief deity at Pylos and Thebes, with the cult title "earth shaker"; in the myths of isolated Arcadia, he is related to Demeter and Persephone and was venerated as a horse, and as a god of the waters. Poseidon maintained both associations among most Greeks: he was regarded as the tamer or father of horses, who, with a strike of his trident, created springs. His Roman equivalent is Neptune.
In ancient Greek mythology and religion, Persephone, also called Kore or Cora, is the daughter of Zeus and Demeter. She became the queen of the underworld after her abduction by her uncle Hades, the king of the underworld, who would later also take her into marriage.
Mycenae is an archaeological site near Mykines in Argolis, north-eastern Peloponnese, Greece. It is located about 120 kilometres south-west of Athens; 11 kilometres north of Argos; and 48 kilometres south of Corinth. The site is 19 kilometres inland from the Saronic Gulf and built upon a hill rising 900 feet above sea level.
The Eleusinian Mysteries were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece. They are considered the "most famous of the secret religious rites of ancient Greece". Their basis was a Bronze Age agrarian cult, and there is some evidence that they were derived from the religious practices of the Mycenean period. The Mysteries represented the myth of the abduction of Persephone from her mother Demeter by the king of the underworld Hades, in a cycle with three phases: the descent (loss), the search, and the ascent, with the main theme being the ascent of Persephone and the reunion with her mother. It was a major festival during the Hellenic era, and later spread to Rome. Similar religious rites appear in the agricultural societies of the Near East and in Minoan Crete.
Eileithyia or Ilithyia was the Greek goddess of childbirth and midwifery, and the daughter of Zeus and Hera. In the cave of Amnisos (Crete) she was related with the annual birth of the divine child, and her cult is connected with Enesidaon, who was the chthonic aspect of the god Poseidon. It is possible that her cult is related with the cult of Eleusis. In his Seventh Nemean Ode, Pindar refers to her as the maid to or seated beside the Moirai (Fates) and responsible for the creation of offspring. Her son was Sosipolis, who was worshiped at Elis.
Labrys is, according to Plutarch, the Lydian word for the double-bitted axe. In Greek it was called πέλεκυς (pélekys). The plural of labrys is labryes (λάβρυες).
The Potnia Theron or Lady/Queen of Animals is a widespread motif in ancient art from the Mediterranean world and the ancient Near East, showing a central human, or human-like, female figure who grasps two animals, one to each side. Although the connections between images and concepts in the various ancient cultures concerned remain very unclear, such images are often referred to by the Greek term Potnia Theron regardless of culture of origin.
Mycenaean Greece was the last phase of the Bronze Age in Ancient Greece, spanning the period from approximately 1750 to 1050 BC. It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system. The Mycenaeans were mainland Greek peoples who were likely stimulated by their contact with insular Minoan Crete and other Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own. The most prominent site was Mycenae, after which the culture of this era is named. Other centers of power that emerged included Pylos, Tiryns, and Midea in the Peloponnese, Orchomenos, Thebes, and Athens in Central Greece, and Iolcos in Thessaly. Mycenaean settlements also appeared in Epirus, Macedonia, on islands in the Aegean Sea, on the south-west coast of Asia Minor, and on Cyprus, while Mycenaean-influenced settlements appeared in the Levant and Italy.
The Thebes tablets, with inscriptions in Mycenaean Greek using Linear B, were discovered in Thebes, Greece. They belong to the Late Helladic IIIB context, contemporary with finds at Pylos. A first group of 21 fragments was found in the 1963–64 campaign; A further 19 tablets were found in 1970 and 1972. Using Near Eastern cylinder seals associated with the finds, the editors of the published corpus of the whole archive now date the destruction of the Kadmeion, the Mycenaean palace complex at Thebes, and thus the writing of the tablets, some of which were still damp when they were unintentionally fired, to shortly after 1225 BC. Chadwick identified three recognizable Hellenic divinities, Hera, Hermes and Potnia "Mistress", among the recipients of wool. He made out a case for ko-ma-we-te-ja, also attested at Pylos, as the name of a goddess.
Amnisos, also Amnissos and Amnisus, is the current but unattested name given to a Bronze Age settlement on the north shore of Crete that was used as a port to the palace city of Knossos. It appears in Greek literature and mythology from the earliest times, but its origin is far earlier, in prehistory. The historic settlement belonged to a civilization now called Minoan. Excavations at Amnissos in 1932 uncovered a villa that included the "House of the Lilies", which was named for the lily theme that was depicted in a wall fresco.
Despoina or Despoena was the epithet of a goddess worshiped by the Eleusinian Mysteries in Ancient Greece as the daughter of Demeter and Poseidon and the sister of Arion. Surviving sources refer to her exclusively under the title Despoina alongside her mother Demeter, as her real name could not be revealed to anyone except those initiated into her mysteries and was consequently lost with the extinction of the Eleusinian religion. Writing during the second century A.D., Pausanias spoke of Demeter as having two daughters; Kore being born first, before Despoina was born, with Zeus being the father of Kore and Poseidon as the father of Despoina. Pausanias made it clear that Kore is Persephone, although he did not reveal Despoina's proper name.
In ancient Greek religion and myth, the epithet Brimo may be applied to any of several goddesses with an inexorable, dreaded and vengeful aspect that is linked to the land of the Dead: Hecate, Persephone, Demeter Erinyes—the angry, bereft Demeter—or Cybele. Brimo is the "furious" aspect of the Furies. In the solemn moment when Medea picks the dire underworld root for Jason, she calls seven times upon Brimo, "she who haunts the night, the Nursing Mother [Kourotrophos]. In black weed and murky gloom she dwells, Queen of the Dead".
The name poppy goddess is often used for a famous example of a distinctive type of large female terracotta figurine in Minoan art, presumably representing a goddess, but not thought to be cult images, rather votive offerings. It was discovered in a sanctuary of the Post-palace period at Gazi, Crete, and is now in the Heraklion Archaeological Museum.
In Greek mythology, Perse is one of the 3,000 Oceanids, water-nymph daughters of the Titans Oceanus and Tethys. Her name was also spelled as Persa, Perseide, Persea or Perseis. Perse married Helios, the god of the sun, and bore him several children, most notably the sorceress-goddess Circe.
The Ekron Royal Dedicatory Inscription, or simply the Ekron inscription, is a royal dedication inscription found in its primary context, in the ruins of a temple during the 1996 excavations of Ekron. It is known as KAI 286.
The religious element is difficult to identify in Mycenaean Greece, especially as regards archaeological sites, where it remains very problematic to pick out a place of worship with certainty. John Chadwick points out that at least six centuries lie between the earliest presence of Proto-Greek speakers in Hellas and the earliest inscriptions in the Mycenaean script known as Linear B, during which concepts and practices will have fused with indigenous Pre-Greek beliefs, and—if cultural influences in material culture reflect influences in religious beliefs—with Minoan religion. As for these texts, the few lists of offerings that give names of gods as recipients of goods reveal little about religious practices, and there is no other surviving literature.
The Arcadian Cults of the Mistresses are ancient cults that were practised in the region of Arcadia. Religious cults across Greece took on regional characteristics according to their location. As such, though the Arcadian Mistresses, Demeter and Kore, were worshipped elsewhere in Greece, their worship in Arcadia was distinctive to the region, with the third Arcadian Mistress, Despoina, being a goddess whose cults were geographically limited to Arcadia.